Gattinari, Francesco

As printed

  1. A dictionary of violin makers (1896)

    Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective …

    scan page 44, line 7See the scan

    Read the transcript line

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    scan page 44, line 7

    1. Gattinari, Enrico. Was working in Turin about 1670-75.
    2. Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective red-brown varnish, was of good workmanship, and was labelled "Francesco Gattinari, fecit Taurini, anno Domini 1704." An alto with thick red varnish was also well made.
    3. Gautrot. A maker in Mirecourt. His instruments are strongly and well made; he started a factory for instruments of all kinds at Château-Thierry in 1855.
  2. A dictionary of violin makers (n.d.)

    Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective …

    scan page 46, line 7See the scans: 46, 46source record

    Read the transcript line

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    scan page 46, line 7

    1. Gattinari (Catenari), Enrico. See "Catenar."
    2. Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective red-brown varnish, was of good workmanship and was labelled "Francesco Gattinari, fecit Taurini, anno Domini 1704." An alto with thick red varnish was also well made.
    3. Gautrot. A maker in Mirecourt. His instruments are strongly and well made; he started a factory for instruments of all kinds at Château-Thierry in 1855.
  3. Old violins (1905)

    GATTINARI, Francesco, son of Enrico Gattinari. Good maker, 1700-5; red varnish.

    scan page 275, line 23See the scan

    Read the transcript line

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    scan page 275, line 23

    1. GASPARO DA SALÔ, son of Francesco Bertolotti, b. 1542. (See p. 30.)
    2. GATTANANI. Piedmont, 1785-90.
    3. GATTINARI. Enrico. Turin, 1670-75.
    4. GATTINARI, Francesco, son of Enrico Gattinari. Good maker, 1700-5; red varnish.
    5. GAUTROT. Mirecourt, 1855.
    6. GAVINIÉS (Gavaniès), François. 1700-63, Bordeaux; 1730 Paris, and was living in Rue St-Thomas-du-Louvre, 1734-63. Unequal maker of violins, some cheap and poor, others very superior.
    7. GEDLER, Johann Anthony and Johann Benedict. Fussen, Bavaria, about 1750-96. Poor violins.

Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Nothing on this site confirms this record beyond what one or more sources state, and that is the whole basis for it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905). Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond that has been invented here, which leaves the record not established; tell us if you can change that.

What the books say

Places and dates of work
Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective … reported1
Places and dates of work
Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective … reported1
Places and dates of work
Gattinari, Francesco, son of Enrico Gattinari. A clever maker in Turin about 1700-5. A violin of excellent tone, rather arched, with effective … reported1
Places and dates of work
GATTINARI, Francesco, son of Enrico Gattinari. Good maker, 1700-5; red varnish. reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 46, line 7

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 46, line 7

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 44, line 7

  4. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

    scan page 275, line 23