Bow & Bridge

Pirot, Claude

As printed

  1. Violin tone and violin makers (1916)

    PIROT, CLAUDE.—Paris; about 1800-30. An exceptionally good workman. The instruments are of Stradivari character, but less stereotyped and more Italian looking than the average French violin of the period. Varnish red or red-brown. He used a small

    scan page 252, line 13See the scan

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    scan page 252, line 13

    2. PIQUE, FRANÇOIS LOUIS.—Paris. Born near Mirecourt, 1758. Died 1822. One of the best known Paris makers, he early acquired a good reputation, and has left a great many instruments of varying merit. The best violins are large examples of Stradivari pattern. Their general appearance is massive, and the scrolls, though well cut, are inferior to those of Lupot, who made a number of instruments for him. The quality of the varnish is unequal, and he appears to have made two or more grades, presumably according to the price he was to receive. The wood of the backs is often in one piece, and of handsome figure. Sound-holes very well cut. Colour of varnish commonly, but not always, a deep red or red-brown. Labels commonly written, but he also used an engraved ticket. He retired from business in 1816.
    4. PIROT, CLAUDE.—Paris; about 1800-30. An exceptionally good workman. The instruments are of Stradivari character, but less stereotyped and more Italian looking than the average French violin of the period. Varnish red or red-brown. He used a small

  2. An encyclopedia of the violin (1925)

    PIROT, CLAUDE, Paris, 1795 to 1833.

    scan page 61, line 16; scan page 63, line 14See the scans: 61, 63source record

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    scan page 61, line 16

    1. PILLEMENT (PILLEMENTI), FRANÇOIS, Mirecourt, 1774 to 1830.
    2. PILOSIO (PELOSIO), FRANCESCO, Gorz, b. 1754, d. after 1778.
    3. PIQUE, FRANÇOIS-LOUIS, Paris, b. Roret, 1758, d. Charenton Saint-Maurice, 1822.
    4. PIROT, CLAUDE, Paris, 1795 to 1833.
    5. PITET, ——, Paris, second half of 17th century.
    6. PIZZURNO, DAVIDE, Genoa, 1760 to 1763.
    7. PLACHT, FRANZ I, 1760 to 1788.

  3. An encyclopedia of the violin (n.d.)

    PIROT, CLAUDE, Paris, 1795 to 1833.

    scan page 65, line 16See the scan

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    scan page 65, line 16

    1. PILLEMENT (PILLEMENTI), FRANÇOIS, Mirecourt, 1774 to 1830.
    2. PILOSIO (PELOSIO), FRANCESCO, Gorz, b. 1754, d. after 1778.
    3. PIQUE, FRANÇOIS-LOUIS, Paris, b. Roret, 1758, d. Charenton Saint-Maurice, 1822.
    4. PIROT, CLAUDE, Paris, 1795 to 1833.
    5. PITET, ——, Paris, second half of 17th century.
    6. PIZZURNO, DAVIDE, Genoa, 1760 to 1763.
    7. PLACHT, FRANZ I, 1760 to 1788.

Named in 3 books printed between 1916 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

What this record rests on is An encyclopedia of the violin (1925); An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Violin tone and violin makers (1916), naming this maker and nothing more. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Nothing else on this site confirms it and no claim has been invented beyond that naming — not established, until someone can tell us more.

What the books say

Places and dates of work
PIROT, CLAUDE, Paris, 1795 to 1833. reported1
Places and dates of work
PIROT, CLAUDE, Paris, 1795 to 1833. reported1
Places and dates of work
PIROT, CLAUDE, Paris, 1795 to 1833. reported1
Places and dates of work
PIROT, CLAUDE.—Paris; about 1800-30. An exceptionally good workman. The instruments are of Stradivari character, but less stereotyped and more Italian looking than the average French violin of the period. Varnish red or red-brown. He used a small reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “VIOLIN MAKERS IN EUROPE”, “AND VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 3 sources, all read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.

  1. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

    scan page 61, line 16

  2. Bachmann, Alberto and Ysaye, Eugene, An encyclopedia of the violin (New York, Da Capo Press, n.d.). archive.org, encyclopediaofvi0000bach_r6r5. https://archive.org/details/encyclopediaofvi0000bach_r6r5.machine textcited for 1 linesource record

    scan page 65, line 16

  3. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

    scan page 63, line 14

  4. Violin tone and violin makers (London: Chatto & Windus, 1916). archive.org, violintoneviolin00moyaiala. https://archive.org/details/violintoneviolin00moyaiala.machine textcited for 1 linesource record

    scan page 252, line 13