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A dictionary of music and musicians (1450-1889), 1900
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1723a; Soprano, iii. 636a; Swiney (O.), iv. 10a.
2NICOLO. (See ISOUARD, ii. 24a.)
3NICOLSON, R., ii. 455a; Heyther, i. 735b; Oriana, ii. 611a.
4NIEDERMAYER, L., ii. 455a; Cecilia, St., i. 329b; Maîtrise, ii. 200a; Mass, ii. 235a; Ortigue, ii. 614a; Prince de la Moskowa, iii. 31a; Robert Bruce, iii. 138a; Song, iii. 597a; Stradella (A.), iii. 723b; Stradella, iii. 724a; Fauré, iv. 633b.
5NIEDERRHEINISCHE MUSIKFESTE, ii. 456b; iv. 731b; Festivals, i. 516a; Hiller, i. 737b; Mendelssohn, ii. 271a, etc.; Ries (Ferd.), iii. 131b; Rietz (J.), iii. 133a; Schumann, iii. 402a, etc.; Spohr, iii. 659b; Spontini, iii. 682a; Wüllner, iv. 491b.
6NIELD, J.; Madrigal Soc., ii. 194a.
7NIEMANN, A., ii. 458a; iv. 731a; Wagner, iv. 360b, etc.
8NIEMANN, O., iv. 731a.
9NIEMETSCHEK, F. X., ii. 458a; Mozart, ii. 395a, etc.
10NIEMECZ; Haydn, i. 716b.
11NIEST; Popper (Sophie), iii. 16a.
12NIGHT DANCERS, The, ii. 458a; Loder (Ed.), ii. 159a; Wilis, The, iv. 458b.
13NIGHTINGALE, J.; Caecilian Society, i. 295a.
14NILSSON, Christine, ii. 458a; iv. 731a; Philh. Soc., ii. 700a; Rossini, iii. 176a; Singing, iii. 510a; Strakosch, iii. 734b; Wartel, iv. 383b.
15NINTH, ii. 459a.
16NISARD, T., ii. 614a, note; Chanson, i. 336a; Ortigue, ii. 614a; Song, iii. 597b; Vogler, iv. 331b.
17NISLE; Haydn, i. 716b.
18NISSEN, G. N. von, ii. 460b; Mozart, ii. 405a.
19NISSEN, HENRIETTE; Garcia, i. 582b.
20NITHART VON REUENTHAL; Song, iii. 615b.
21NITRAMI; Saggio di Contrapunto, iii. 212a.
22NIXON, H. C., iv. 731b.
23NIXON, H. G., iv. 731a.
24NIXON, J. C., iv. 731b.
25NOBLET, Mlle.; Ballet, i. 132a.
26NOCTURNE, ii. 460b; Chopin, i. 350b; Field (J.), i. 519b, etc.; Form, i. 542a, etc.; Entr' Acte, iv. 628a.
27NOCTURNS, ii. 461a; Matins, ii. 238a.
28NODE, ii. 461a; Clarinet, i. 361a; Partial Tones, ii. 653b; Temperament, iv. 77a.
29NODUS SALOMONIS, ii. 461b; Musurgia Universalis, ii. 438b; Valenti (P.), iv. 213a.
30NOËL, ii. 462a; Chanson, i. 335b; Hymn, i. 761a; Nannini (G. M.), ii. 444a; Nowell, ii. 483b; Oratorio, ii. 533a; Song, iii. 592a; Carol, iv. 581a; Song, iv. 795a.
31NOHL, C. F. L., ii. 463b; iv. 732a; Beethoven, i. 164a, note, etc.; Mozart, ii. 405a; Mus. Periodicals, ii. 428b; Wagner, iv. 350a, note; Wallace (Lady), iv. 376b; Hist. of Mus., iv. 674b, etc.
32NON NOBIS DOMINE, ii. 464a; Subject, iii. 751a.
33NON PLUS ULTRA, ii. 465a; Dussek (J. L.), i. 477a; Nägeli, ii. 442b; Woelfl (Jos.), iv. 480a.
34NONE, ii. 463b.
35NONET, ii. 464a.
36NONNE SANGLANTE, LA, ii. 465a; Gounod, i. 613b.
37NONNEN-GEIGE. (See TROMBA-MARINA, iv. 174b.)
38NORBLIN; Conservatoire de Mus., i. 392b; Franchomme (A.), i. 558b; Sauzay (C. E.), iii. 230b; Violoncello-playing, iv. 300b.
39NORCOMBE, D., ii. 465a; iv. 732a; Oriana, ii. 611a.
40NORDBLOM; Song, iii. 610b.
41NORDICA, L.; Philh. Soc., iv. 747a.
42NORDISA; iv. 732a; Corder (F.), iv. 598a.
43NORDRAAK, R.; Song, iii. 611a.
44NORMA, ii. 465a; iv. 732a; Bellini, i. 212b.
45NORMAN; Mus. Lib., ii. 422a.
46NORMAN, B.; London Violinmakers, ii. 164a; Violin, iv. 281a.
47NORMAND, L'Abbé. (See NISARD, ii. 614a, note.)
48NORMANN, L.; Leipzig, ii. 115b; Neruda (Mme.), ii. 452a; Song, iii. 610b.
49NORRIS, J.; London Violinmakers, ii. 164b.
50NORRIS, T., ii. 465b; Handel, Commemoration of, i. 658a.
51NORRIS, W., ii. 465b; Tudway, iv. 199b.
52NORTH, F., Lord Guildford, ii. 465b.
53NORTH, Hon. Roger, ii. 465b; Macbeth Mus., ii. 183a; Matteis (N.), ii. 239a; Hist. of Mus., iv. 674a.
54NORWICH FESTIVAL, ii. 466a; iv. 732a; Bacon, i. 288a; Festivals, i. 516b; Spohr, iii. 660a; Taylor (Ed.), iv. 66a.
55NOSCIMBENI; Milan, ii. 329a.
56NOSTIZ, von; Duschek (F.), i. 472b.
57NOTA CAMBITA, ii. 466a; Wechselnote, die Fuxsche, iv. 430a.
58NOTATION, ii. 466b; iv. 732a; Accents, i. 17a; Acuteness, i. 27a; Agricola (M.), i. 45a; Bagpipe, i. 123a; Bourgeois (L.), i. 263b; Briard (E.), i. 275a; Granjon (R.), i. 619a; Imperfect, i. 767a; Key and Keyboard, ii. 53a; Ledger Lines, ii. 111a; Ligature, ii. 136b; Lute, ii. 177a; Micrologus, ii. 327a; Mus. Mensurata, ii. 416a; Mus.-printing, ii. 433b, etc.; Organum, ii. 609a; Perne, ii. 692b; Plain Song, ii. 764a; Plica, iii. 4a; Podatus, iii. 5a; Point, iii. 6b; Prolation, iii. 40b; Proportion, iii. 42a; Quilisma, iii. 60b; Rest, iii. 118b; Rousseau, iii. 181a; Score, iii. 427a, note; Semibreve, iii. 459a, etc.; Semicroma, iii. 460a; Semifusa, iii. 460a; Semiminima, iii. 460b; Semiquaver, iii. 460b; Stave, iii. 692a; Tablature, iv. 47a; Time, iv. 117b; Torculus, iv. 150b; Welsh Music, iv. 441b; Zacconi, iv. 497a; Consecutive, iv. 597a; Evacuatio, iv. 630a; Franco (of Cologne), iv. 642a; Guido d'Arezzo, iv. 660a; Hanboys (J.), iv. 664a; Hist. of Mus., iv. 677a; Hothby, iv. 679b; Hucbaldus, iv. 680b.
59NOTE, ii. 479a; Crotchet, i. 421a; Demisemiquaver, i. 440a; Minim, ii. 332b; Quaver, iii. 59a; Semibreve, iii. 459a; Semiquaver, iii. 460b; Stave, iii. 692a.
60NOTOT, J., iv. 732a.
61NOTTEBOHM, M. G., ii. 479a; iv. 732b; Albrechtsberger, i. 51a; Beethoven, i. 162a, etc.; Dibelli, i. 442a; Mus. Periodicals, ii. 430a; Pathétique, ii. 672b; Schubert, iii. 356a, 370b; Sechter, iii. 456a;
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