Scan 35
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1INDEX.
3Sumer is icumen in, iii. 765 b; Hist. of Mus., iv. 674 a.
4BUSCHMANN; Terpodeon, iv. 93 a.
5BUSNOIS, A., i. 285 b; L'homme Armé, ii. 127 a; Madrigal, ii. 188 a; Polyphonia, iii. 13 a; Schools of Comp., iii. 260 a; Sistine Chapel, iv. 794 a.
6BUSSE; Orpheus, ii. 613 b.
7BUSSINE; Conservatoire, i. 393 a; Zur Mühlen, iv. 818 b.
8BUTLER, T. H., i. 286 a; Programme Mus., iii. 37 b.
9BUTLER; Ballad, i. 129 a; Bar, i. 136 b.
10BUTTSTEDT, F. V.; Trésor des Pianistes, iv. 168 a.
11BUUS, J. de; Berchem (J.), i. 230 a; Merulo, ii. 314 b, note; Wert, iv. 445 a.
12BUXTENHUE, D., i. 286 a, iv. 571 b; Bach (J. S.), i. 114 b; Kirchen Cantaten, ii. 60 a; Organ, ii. 586 b; Passacaglia, ii. 661 a; Programme Mus., iii. 36 a; Spitta, iii. 656 b; Suite, iii. 757 a; Theile (J.), iv. 99 a; Variations, iv. 220 a; Bach (J. S.), iv. 527 a.
13BUXTON, E.; Ewer & Co., iv. 630 a.
14BUYTEN, M. van; Mus. printing, ii. 436 a.
16BUZIAU; Philh. Soc., ii. 700 a.
17BUZZOLA, A.; Verdi, iv. 252 a.
18BYFIELD, J., iv. 571 b; Organ, ii. 596 b.
19BYFIELD, J., jun., iv. 571 b.
20BYFIELD, JORDAN and BRIDGE, iv. 571 b.
21BYLINAS; Song, iii. 612 b.
22BYRD, T., iv. 574 a; Bull, i. 282 a.
23BYRD, W., i. 286 b; iv. 571 b; Ambrosian Chant, i. 60 a; Anthem, i. 70 b; Barnard, i. 140 a; Boyce, i. 268 a; Bull, i. 282 b; Canon, i. 304 b; Carman's Whistle, i. 315 b; Case (J.), i. 318 b; Cathedral Mus., i. 325 a; Creed, i. 415 b; Este (T.), i. 495 b, etc.; Ferrabosco (A.), i. 512 a; Gibbons (O.), i. 594 b; Glee Club, i. 599 a; Harmony, i. 672 a; Hawkins, i. 700 a; Haym, i. 723 b; Horsley, i. 753 b; Hymn, i. 761 a; Klavier Mus., Alte, ii. 63 b; Kyrie, ii. 79 b; Leighton, ii. 114 a; Lesson, ii. 134 a; Litany, ii. 152 a; Madrigal, ii. 191 a; Magnificat, ii. 197 a; Mass, ii. 230 b; Morley, ii. 367 b; Motett, ii. 375 b, etc.; Motett Soc., ii. 376 b; Mundy (W.), ii. 409 a; Mus. Antiqua, ii. 411 b; Mus. Transalpina, ii. 416 a; Mus. Antiquarian Soc., ii. 416 b; Mus. Lib., ii. 417 b, etc.; Music-printing, ii. 435 a; Non Nobis, ii. 464 a; Parthenia, ii. 653 a; Part Mus., ii. 657 a; Passamezzo, ii. 662 a; Plain Song, ii. 769 a; Programme Mus., iii. 35 b; Recte et Retro, iii. 87 b; Sanctus, iii. 224 b; Schools of Comp., iii. 272 b, etc.; Service, iii. 472 b; Sounds and Signals, iii. 644 a; Specimens, Crotch's, iii. 649 b; Subject, iii. 750 a; Suite, iii. 755 b, etc.; Tallys, iv. 53 b; Te Deum, iv. 68 a; Tomkins (T.), iv. 134 b; Tudway, iv. 198 a; Variations, iv. 217 b; Versicle, iv. 257 a; Vespers, iv. 257 b; Virginal Mus., iv. 307 a, etc.; Vocal Scores, iv. 319 b, etc.; Watson (T.), iv. 387 a; Burney, iv. 570 b; Cantiones sacræ, iv. 578 a; Carol, iv. 580 b; Mass, iv. 713 a; Mus. Lib., iv. 723 b; Part books, iv. 740 a; Tallys, iv. 798 a.
24BYRNE, D.; Irish Mus., ii. 19 a.
25BYRON; Strakosch, iii. 735 a.
27C.
28C, i. 289 a; iv. 574 a; Canto, i. 306 a; Common Time, i. 381 a.
29CABALETTA, i. 289 b; Pacini (G.), ii. 627 b; Rossini, iii. 176 a.
30CABALLERO, M. F.; Eslava, i. 495 a.
31CABEL, E., iv. 574 b.
32CABEL, Marie J., i. 289 b; iv. 574 a.
33CABINET PIANO, i. 290 a; iv. 574 b; Cottage Piano, i. 407 b.
34CABO, F. J.; Eslava, i. 495 a.
35CABRERA, F.; Eslava, i. 495 a.
36CACCINI, G., i. 290 a; Bardi, i. 139 a; Cantata, i. 304 b; Cavalieri, i. 327 a; Figured bass, i. 522 a; Florence, i. 533 b; Harmony, i. 673 b; Intermezzo, ii. 8 b; Monodia, ii. 354 b; Opera, ii. 498 a; Pergola, La, ii. 686 a; Peri, ii. 690 b; Rochlitz, iii. 142 a; Schools of Comp., iii. 278 b; Shake, iii. 480 a; Singing, 504 b, etc.; Song, iii. 587 b; Theorbo, iv. 101 a; Thorough-bass, iv. 108 b; Trill, iv. 169 b; Burney, iv. 571 a; Mus. Lib., iv. 726 a.
37CACHUCHA, i. 290 b; Seguidilla, iii. 457 a.
38CADEAC, P., i. 290 b.
39CADENCE, i. 290 b; Close, i. 375 a; Form, i. 546 b, etc.; Harmony, i. 674 a, etc.; Imperfect, i. 766 b; Inganno, ii. 3 a; Interrupted cadence, ii. 11 a; Mixed cadence, ii. 338 b; Perfect, ii. 686 a; Plagal cadence, ii. 760 a; Radical cadence, iii. 63 b; Seventh, iii. 477 a; Part-writing, iv. 741 b.
40CADENCE; Agrémens, i. 43 a.
41CADENT; Agrémens, i. 43 b.
42CADENZA, i. 293 b; iv. 574 b; Bar, i. 137 b; Concerto, i. 387 b, etc.; Extempore playing, i. 499 b; Fioriture, i. 528 b; Melisma, ii. 248 b; Mendelssohn, ii. 272 b; Periclesis, ii. 691 b; Point d'Orgue, iii. 6 b.
43CAECILIA, i. 294 b; iv. 574 b; Mus. Periodicals, ii. 430 b.
44CAECILIAN SOCIETY, i. 295 a; iv. 574 b.
45CAECILIEN-VEREIN; Balde- necker, i. 126 a; Hiller (F.), i. 737 b; Schelble (J.N.), iii. 244 a; Schools of Comp., iii. 312 a.
46CÆSAR, i. 295 b.
47CÆSAR, J., i. 295 b; iv. 574 b.
48CÆSURÆ; Metre, ii. 317 a; Modulation, ii. 347 a.
49CAFARO, P., i. 295 b; iv. 574 b; Cafarelli (G.), i. 295 b; Fitzwilliam Coll., i. 530 b; Latrobe, ii. 102 b; Naples, ii. 446 a; Olimpiade, ii. 496 b; Sala (N.), iii. 217 b; Solfeggio, iii. 547 b; Mus. Lib., iv. 726 a.
50CAFFARELLI, G. M., i. 295 b; Cafaro, i. 295 b; Gizziello, i. 597 b; Leo, ii. 121 a; Majaro, ii. 200 b; Pacchierotti, ii. 625 b; Porpora, iii. 17 b; Singing, iii. 505 a, etc.; Soprano, iii. 636 a.
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