Scan 36
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1INDEX.
3CAFFARO. (See CAFARO, i. 295 b.)
4CAFFI, F.; Hist. of Mus., iv. 675 b.
5CAGNONI, A., iv. 574 b.
6CAHUSAC, L. de; Hist. of Mus., iv. 676 b.
7CAIMO, G.; Schools of Comp., iii. 266 a.
8CAIRA, i. 296 b; Song, iii. 594 b.
9CAIRONI; Marchesi (L.), ii. 214 a.
10CALAH, J., i. 297 a; iv. 575 a.
11CALANDO, i. 297 a.
12CALASCIONE, i. 297 a; iv. 575 a; Bandora i. 134 b.
13CALCAN; Organ, ii. 603 b.
14CALDARA, A., i. 297 b; iv. 575 a; Astorga, i. 100 a; Auswahl, i. 105 a; Handel, i. 654 b; Ifigenia, i. 765 b; Latrobe, ii. 102 b; Metastasio, ii. 315 b; Olimpiade, ii. 496 b; Opera, ii. 505 a; Oratorio, ii. 537 b; Rochlitz, iii. 142 a.
15CALDEBA; Melopiano, ii. 252 b; Repetition, iii. 108 b.
16CALDICOTT; Schools of Comp., iii. 308 a.
17CALETTI-BRUNI. (See CAVALLI, i. 328 a.)
18CALIFE DE BAGDAD, i. 297 b; Boieldieu, i. 256 a.
19CALKIN, J. B.; Part-song, ii. 659 b; Soc. Brit. Musicians, iii. 544 a; Western Madrigal Soc., iv. 449 a.
20CALL, L. de, i. 297 b; Orpheus, ii. 613 a; Part Mus., ii. 657 a.
21CALL-CHANGES, i. 297 b.
22CALLCOTT, Dr., i. 297 b; iv. 575 a; Catch, i. 322 b; Catch Club, i. 322 b; Concentores Sodales, i. 383 b; Glee, i. 598 b; Haydn, i. 716 b; Horsley, i. 753 b; Mordent, ii. 364 b; Mus. Lib., ii. 419 b, etc.; Overend, ii. 618 a; Part Mus., ii. 656 b; Potter, iii. 23 a; Vocal Concerts, iv. 319 a; Vocal Scores, iv. 319 b.
23CALLCOTT, W. H., i. 299 a; iv. 575 a.
24CALLINET, i. 299 a. (See DAUBLAINE, i. 431 a.)
25CALLS; Horn, i. 748 b.
26CALONORA, R.; Eslava, i. 495 a.
27CALORI, A., i. 299 a.
28CALVARY, i. 299 a; iv. 575 b; Spohr, iii. 660 a.
29CALVESI, i. 299 a.
30CALVINSUS, S., i. 299 a; Bodenschatz, i. 253 a; Leipzig, ii. 115 a; Chorale, iv. 589 a; Hist. of Mus., iv. 674 a; Schein, iv. 784 b. one of two readings
31CALVISIUS, S., i. 299 a; Bodenschatz, i. 253 a; Leipzig, ii. 115 a; Chorale, iv. 589 a; Hist. of Mus., iv. 674 a; Schein, iv. 784 b. one of two readings
32CALVO; Roses, iii. 162 b.
33CALZOLARI; Lumley, ii. 174 a.
34CAMACHO, i. 299 b. (See WEDDING OF CAMACHO, iv. 431 a.)
35CAMARGO, i. 299 b; Eslava, i. 494 b.
36CAMBERT, R., i. 299 b; iv. 575 b; Académie de Mus., i. 6 b; Ballet, i. 130 a; Bassoon, i. 153 a; Beaumavielle, i. 160 a; King's Band, ii. 58 a; Lulli, ii. 172 b; Maîtrise, ii. 199 b; Mus. Lib., ii. 421 b; Opera, ii. 506 a; Pastorale, ii. 670 a; Perrin (l'Abbé), ii. 693 a; Weckerlin, iv. 431 a.
37CAMPBINI, G. G., i. 299 b; iv. 575 a.
38CAMBIO, P.; Burney, iv. 571 a; Mus. Lib., iv. 726 a.
39CAMBRIDGE-QUARTERS, iv. 575 b.
40CAMBRIDGE, i. 300 a; Bac. of Mus., i. 121 b; Bennett (W. S.), i. 225 b; Macfarren (G. A.), ii. 186 a; Mus. Lib., ii. 417 b; Professor, iii. 33 a; Stanford, iii. 690 a; University Soc., iv. 204 b; Degrees, iv. 609 b.
41CAMERA, i. 300 a; Sonata, iii. 557 a; Suite, iii. 756 a, etc.
42CAMIDGE, J., i. 300 a; iv. 576 a.
43CAMIDGE, J., i. 300 a; Chant, i. 338 a.
44CAMIDGE, M., i. 300 a; Organ, ii. 599 b.
45CAMPAGNOLL, B., i. 300 b; Scordatura, iii. 426 a; Tartini, iv. 61 a; Tenor-violin, iv. 92 a.
46CAMPANA, F., iv. 576 a.
47CAMPANINI, I., iv. 576 a; Lamperti, ii. 89 a; Singing, iii. 511 a; Strakosch, iii. 734 b; Tenor, iv. 88 a.
48CAMPANOLGY, i. 300 b. (See CHANGE, i. 333 b; also CAMBRIDGE QUARTERS, iv. 575 b.)
49CAMPBELL, A., i. 300 b; iv. 576 b.
50CAMPENHOUT, F. van, i. 300 b; iv. 576 b; Brabançonne, La, i. 268 b.
51CAMPOLI, A. G., i. 301 a; Gualandi, i. 636 a.
52CAMPION, T., i. 301 a; iv. 576 b; English Opera, i. 488 b; Este (T.), i. 496 a; Lupo, ii. 174 b; Lute, ii. 177 b; Masque, ii. 225 b; Mus. Antiqua, ii. 411 a; Playford (J.), iii. 2 a; Symphon, iv. 43 b.
53CAMPORESE, V. i. 301 b; iv. 576 b; Vocal Concerts, iv. 319 b; Fetis, iv. 635 b.
54CAMPRA, A., iv. 576 b; Académie de Mus., i. 7 b; Idomeneo, Ré di Creta, i. 765 a; Maîtrise, ii. 199 b; Mus. Lib., ii. 423 a, etc.; Opera, ii. 506 b; Phili- dor (F. A. D.), ii. 703 b; Rameau, iii. 70 b; Telemann, iv. 69 a; Desmarets, iv. 612 b; Lalande (M. R. de), iv. 694 b.
55CAMPRA, J., iv. 577 a, note.
56CAMUS, Le; Mus. Lib., ii. 421 b.
57CANAL, Prof. P.; Mus. Lib., iv. 725 b.
58CANARIE, i. 302 a; Oratorio, ii. 534 b; Orchésographie, ii. 560 b.
59CANAS; Song, iii. 599 a.
60CANAVASSO; Violoncello-playing, iv. 300 a.
61CANCAN, i. 302 b.
62CANCIBIZANS, i. 302 b; Canon, i. 304 a; Inscription, ii. 4 b; Rovescio, al, iii. 183 b.
63CANGE, DU; Dict. of Mus., i. 444 b.
64CANIS, C.; Schools of Comp., iii. 261 b; Burney, iv. 571 a.
65CANNABICH, C., i. 303 a; Cramer, i. 413 b; Holzbauer, i. 745 a; Mozart, ii. 385 b, etc.; Ramm, iii. 72 b; Violin-playing, iv. 293 b.
66CANNABICH, K., i. 303 a.
67CANNICIABI, Don P., i. 303 a; Mus. Divina, ii. 411 b.
68CANNINHA-VERDE; Song, iii. 600 a.
69CANNISSA, Mme.; Strakosch, iii. 734 b.
70CANON, i. 303 b; Answer, i. 70 a; Arsia and Thesis, i. 95 b; Augmentation, i. 104 b; Cancrizans, i. 302 b; Catch Club, i. 322 b; Fugue, i. 567 a; Glee Club, i. 599 a; Hoffmann (E. T. W.), i. 742 a; Imitation, i. 765 b; Inscription, ii. 4 a; Inversion, ii. 16 a; Kuhlau, ii. 76 a; Mass, ii. 227 b, etc.; Mendelssohn, ii. 300 b; Motet, ii. 372 b; Musikalisches Opfer, ii. 438 a; Musurgia, ii. 438 b; Nodus Salomonis, ii. 461 b; Non Nobis, ii. 464 a; Notation, ii. 474 b; Pammelia, ii. 643 a; Pressa, iii. 29 a; Proposta, iii. 43 a; Real Fugue, iii. 80 b; Recte et Retro, iii. 87 b; Round, iii. 179 b; Schools of Comp., iii. 259 b, etc.; Sechter, iii. 456 a; Subject, iii. 748 b, etc.; Valentini, iv. 213 a; Zacconi, iv. 497 b; Burney, iv. 570 b.
71CANONGIA; Clarinet, i. 362 a.
72CANTABILE, i. 426 b.
73CANTATA, i. 304 b; iv. 577 b; Act, i. 26 a; Carissimi, i. 314 b; Chamber Mus., i.
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