Scan 41
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1CHOIR, i. 349a; Quire, iii. 62a.
2CHOIR ORGAN, i. 349a; Accompaniment, i. 21b; Chair Organ, i. 332a; Organ, ii. 578b, etc.
3CHOLLET, J. B. M., iv. 587b.
4CHOPIN, F. F., i. 349a; iv. 588a; Ballade, i. 129b; Barcarole, i. 138b; Berceuse, i. 229b; Etudes, i. 496b, etc.; Evers, i. 498a; Field, i. 519b; Filtsch, i. 523a; Fingerling, i. 527a; Form, i. 553b; Franchomme, i. 558b; Goldschmidt, i. 608a; Hallé, i. 646b; Harmony, i. 682b; Hiller (Ferd.), i. 737a; Impromptu, i. 768b; Kalkbrenner, ii. 46a; Klindworth, ii. 64b; Kreisleriana, ii. 71a; Leipzig, ii. 115a; Lenz, ii. 120b; Liszt, ii. 149a; Mazurka, ii. 242a; Moscheles, ii. 370b; Mus. Lib., ii. 424a; Nocturne, ii. 460b; Osborne, ii. 615a; Pedal Point, ii. 680b; Pedals, ii. 683a; PF., ii. 715b; PF. Mus., ii. 730a; PF.-playing, ii. 742b, etc.; Pixis (F. G.), ii. 759b; Pleyel & Co., iii. 4a; Polacca, iii. 7b; Polonaise, iii. 10b; Prelude, iii. 28b; Quintuple Time, iii. 61b; Repetition, iii. 108b; Romantic, iii. 152a; Scherzo, iii. 248a; Schools of Comp., iii. 298b, etc.; Schulhof (J.), iii. 383b; Song, iii. 614a; Spianato, iii. 650b; Studies, iii. 747a; Tellefsen, iv. 70a; Thalberg, iv. 97a; Thematic Catalogue, iv. 99b; Trésor des Pianistes, iv. 168a; Viardot-Garcia, iv. 260a; Wagner, iv. 369a; Waltz, iv. 386b; Wessel, iv. 448b; Mayer (C.), iv. 715b; Pachmann, iv. 737b.
5CHORAGUS, i. 350b; Coryphaeus, i. 405b; Elvey (S.), i. 487a; Ouseley, ii. 618a; Oxford, ii. 624a; Professor, iii. 32b.
6CHORALE, i. 351a; iv. 588b; Æolian Mode, i. 40b; Bach (J. S.), i. 116b; Chorus, i. 354b; Dorian, i. 454b; Figured, i. 522a; Form, i. 541b, etc.; Hassler (H. L.), i. 697a; Hymn, i. 761a; Instrument, ii. 6b; Interlude, ii. 7b; Isaac, ii. 23b; Luther, ii. 178a, etc.; Madrigal, ii. 190b; Mosewius, ii. 371b; Oratorio, ii. 540a, etc.; Partie, ii. 656a; Passion Mus., ii. 665b, etc.; Pause, ii. 676a; Schools of Comp., iii. 266b, etc.; Song, iii. 619a; Subject, iii. 747b, etc.; Thibaut, iv. 102a; Variations, iv. 219a; Vogler, iv. 326a; Volkslied, iv. 337a; Vorspiel, iv. 340b; Walther (J.), iv. 381b; Wind-band, iv. 467a; Dance Rhythm, iv. 606b; Hammerschmidt (A.), iv. 664a; Hist. of Mus., iv. 674a, etc.; Neumark (G.), iv. 730b; Psalter, iv. 754a, etc.; Scheidemann, iv. 781b, note; Scheidt, iv. 783b; Schein, iv. 784b; Vulpius, iv. 814a.
7CHORALEON; Æolodion, i. 41a.
8CHORAL FANTASIA, i. 351b; Beethoven, i. 205a.
9CHORAL HARMONIC SOCIETY, i. 352a.
10CHORAL HARMONISTS' SOCIETY, i. 352a; Classical Harmonists, i. 366a; Novello (V.), ii. 481a.
11CHORAL SYMPHONY, i. 352a; iv. 591a; Beethoven, i. 175b, etc.; Choral Fantasia, i. 351b; Philh. Soc., ii. 699a.
12CHORD, i. 352b; False Relation, i. 501a; Harmony, i. 669a, etc.; Inversion, ii. 17a; Root, iii. 157a; Thoroughbass, iv. 109a.
13CHORÉGRAPHIE. (See ORCHÉSOGRAPHIE, ii. 560b.)
14CHORLEY, H. F., i. 352b; Analysis, i. 63a; Hocket, i. 741a; Mendelssohn, ii. 277a, etc.; Schröder-Devrient, iii. 316b; Thayer, iv. 98b; Hist. of Mus., iv. 675a; Wynne, iv. 818b.
15CHORON, A. E., i. 353b; Allegri, i. 54a; Caresana, i. 308b; Conservatoire de Mus., i. 392b; Dic. of Mus., i. 445b; Duprez, i. 470a; Fayolle, i. 510b; Gerber, i. 589b; Hiller (Ferd.), i. 737a; Improperia, ii. 2a; Jannequin, ii. 32a; La Fage, ii. 83b, etc.; Maltrise, ii. 200a; Monpou, ii. 355a; Motet, ii. 373b; Niedermeyer, ii. 455b; Palestrina, ii. 642b; Raccolta Generale, etc., iii. 63a; Sala (N.), iii. 217b; Schools of Comp., iii. 261a; Scudo, iii. 453b; Song, iii. 595a; Stoltz, iii. 717a; Vogler, iv. 328a; Wartel, iv. 383b.
16CHORTON, iv. 591a.
17CHORUS, i. 354b; iv. 591a; Bach (J. S.), i. 116b; Handel, i. 654a; Willaert, iv. 459a.
18CHOTKE, F. X.; PF. Mus., ii. 729a.
19CHOUQUET, G., i. 354a; iv. 591a; Conservatoire de Mus., i. 394a; Grisar, i. 632b; Mus. Periodicals, ii. 429a; Revue et Gaz. Mus., iii. 121b; Song, iii. 598a; Hist. of Mus., iv. 675a; Mus. Instruments, Collections of, iv. 722b.
20CHRISMANN, F. X., i. 355a.
21CHRISTIANOWITSCH, A.; Hist. of Mus., iv. 674b.
22CHRISTMANN, J. F., i. 355a; Vogler, iv. 331b.
23CHRISTMAS ORATORIO; Bach (J. S.), i. 117a.
24CHRISTUS, i. 355a; iv. 591a; Mendelssohn, ii. 285b.
25CHRISTUS AM OELBERGE, i. 355b; Beethoven, i. 207b.
26CHROMATIC, i. 355b; Accidentals, i. 18b; Change, i. 333a; Clavichord, i. 368a; Melody, ii. 251b; Modulation, ii. 343b; Scale, iii. 236b; Sequence, iii. 464b; Part-writing, iv. 741b.
27CHRYSANDER, F., i. 356a; iv. 591a; Additional Accompaniments, i. 31a, note; Erba, i. 491b; Händel-Gesellschaft, i. 659a; Jahrbücher, ii. 30b; Leipzig, ii. 115a; Mus. Periodicals, ii. 428a, etc.; Mus.-printing, ii. 436b; Steffani, iii. 697a, etc.; Tonkünstlerverein, iv. 150b; Zachau, iv. 499a; Handel, iv. 664b; Händel-Gesellschaft, iv. 665a.
28CHULA; Song, iii. 600a.
29CHURCH, J., i. 356b; Schools of Comp., iii. 286b, note; Tudway, iv. 199b.
30CHURCH MODES. (See MODES ECCLES., ii. 340b.)
31CHURCH SONATAS; Kirchen Cantaten, ii. 60b; Sonata, iii. 556b, etc.
32CHWATAL, F. X., iv. 591b; Orpheus, ii. 613a; PF. Mus., ii. 729b.
33CIAFFEI; De Reszke, iv. 611b.
34CIAJA, A. B. D., i. 357a.
35CIAMPI, L. V., i. 357a.
36CIAMPI, F.; Latrobe, ii. 102b.
37CIANCHETTINI, P., i. 357a.
38CIANCHETTINI, V., i. 357a.
39CIARLATANI; Song, iii. 586a.
40CIBBER, Colley; Beggar's Opera, i. 209b; Clive (Cath.), i. 374b; Swiney, iv. 9b.
41CIBBER, Susanna, Mrs., i. 357a;
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