Scan 42
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1Arne, i. 83b; Avoglio, i. 106a; Handel, i. 651a; Messiah, ii. 315a; Shore, iii. 488b.
2CICCIMARA; Loewe (J. S.), ii. 160b; Tichatschek, iv. 113b.
3CICOGNA, E.; Venice, iv. 810a.
4CIERA; Carlo (G.), i. 315a.
5CIFRA, A., i. 357b; Foggia (F.), i. 539a; Saggio di Contrappunto, iii. 212a; Burney, iv. 571a; Sistine Chapel, iv. 794a.
6CIGALA; Suppé (von), iv. 4a.
7CIMA, P.; Schools of Comp., iii. 266a.
8CIMADOR, G., i. 358a.
9CIMAROSA, D., i. 358a; iv. 591b; Aprile, i. 79b; Benincori, i. 224a; Crescentini, i. 416b; Farinelli (G.), i. 507a; Impresario, i. 768b; Matrimonio Segreto, ii. 238b; Metastasio, ii. 316a; Odéon, ii. 492b; Opera, ii. 517a, etc.; Oratorio, ii. 552b; Orazi e Curiazi, ii. 560a; Recitative, iii. 85b; Schools of Comp., iii. 287b; Score, iii. 431; Sponzini, iii. 665b; Zingarelli, iv. 508a; Gnecco, iv. 649b; Venice, iv. 809a.
10CIMBALOM, iv. 591a.
11CINELLI, iv. 591b.
12CINQ-MARS, iv. 591b; Gounod, i. 614b.
13CINQUE-PAS. (See SINK-A-PACE, iii. 517b.)
14CINQUES, i. 358b.
15CINTI. (See DAMOREAU, i. 428b.)
16CIPRANDI, E., i. 359a.
17CIPRARI, A.; Palestrina, ii. 638b.
18CIPRIANI, L., i. 359a.
19CIPRIANO. (See ROBE, iii. 159a.)
20CIRCASSIENNE, LA, i. 359a; Auber, i. 102b.
21CIRRI; Part Mus., ii. 657a.
22CIS, CES, i. 359a.
23CITHER, i. 359a; Bandora, i. 134a; Chitarrone, i. 348a; Guitar, i. 640a, etc.; Harmonics, i. 665a; Holborne, i. 743a; Instrument, stringed, ii. 6b; Morley, ii. 368a; Mus. Lib., ii. 420b; Organ, ii. 594a.
24CITOLE, i. 359b.
25CIVIL SERVICE Mus. Soc., i. 359b; iv. 591b.
26CIZZARDI; Mus. Lib., ii. 423a.
27CLAGGET, C., i. 359b; iv. 591b.
28CLAPISSON, A. L., i. 360b; Conservatoire de Mus., i. 394a; Habeneck, i. 643a; Opera, ii. 523a; Roger (G. H.), iii. 144b; Stradivari (A.), iii. 731a.
29CLARABELLA; Organ, ii. 601a.
30CLAREL; Briard (J.), i. 275a.
31CLARI, G. C. M., i. 360b; Fitzwilliam Coll., i. 530b; Mus. Lib., ii. 420a, etc.; Prince de la Moskowa, iii. 31a; Saggio di Contrappunto, iii. 212a; Stabat Mater, iii. 685a.
32CLARIBEL. (See BARNARD, Charlotte A., iv. 531a.)
33CLARINET, i. 361a; iv. 591b; A., i. 1a; Abbreviations, i. 4a; B., i. 107b; Bärmann, i. 122b; Bass Clarinet, i. 149b; Basset-Horn, i. 150b; Bassoon, i. 154b; Beer, i. 162a; Blaes, i. 246b; Boehm (Th.), i. 254b; Chalumeau, i. 332a; Double Bassoon, i. 459a; Harmonics, i. 665a, etc.; Horn, i. 750b; Instrument, ii. 6a; Keys, ii. 55b; Lazarus, ii. 108a; Mendelssohn, ii. 300b; Mouth-piece, ii. 378b; Oboe, ii. 488a, etc.; Orchestra, ii. 565b, etc.; Orchestration, ii. 567a, etc.; Organ, ii. 593a; Partial Tones, ii. 654b; Reed, iii. 90a; Sax (Chas.), iii. 232a; Saxophone, iii. 234a; Shawm, iii. 485b; Sordini, iii. 637b; Symphony, iv. 17b; Timbre, iv. 117a; Tone, iv. 143b; Troyers, iv. 180a; Weber, iv. 426b; Willman (T. L.), iv. 460b; Wind-band, iv. 467b, etc.; Cavallini (E.), iv. 583b; Müller (Iwan), iv. 722a.
34CLARINO, i. 364b; Trumpet, iv. 180a.
35CLARK, Jeremiah, i. 365a; iv. 591b; Anthem, i. 71a; Arnold (S.), i. 86b; Blow, i. 250a; Cecilia, St., i. 329a; Croft, i. 419a; Division Violin, The, i. 451a; Hine, i. 740b; King (Chas.), ii. 57a; Page, ii. 632b; Part Mus., ii. 656b, etc.; Purcell (Daniel), iii. 52a; Round, iii. 180a; Schools of Comp., iii. 286b; Tudway, iv. 199b.
36CLARK, R., i. 365a; Harmonious Blacksmith, iv. 667a.
37CLARK, S. (See SCOTSON-CLARK, iii. 452b.)
38CLARKE, J. (Clarke-Whitfeld), i. 365a; iv. 592a; Boyce, i. 268a; Professor, iii. 33a; Trinity Coll., Dublin, iv. 170b, note; Vocal Concerts, iv. 319a; Whitfeld-Clarke (J.), iv. 453a.
39CLASING, J. H.; PF. Mus., ii. 727a.
40CLASSICAL, i. 365b; Romantic, iii. 148a.
41CLASSICAL HARMONISTS, i. 366a; Choral Harmonists Soc., i. 352a; Novello, ii. 481a; Severn, iii. 477b.
42CLAUDE DE SERMISY. (See CLAUDIN.)
43CLAUDE LE JEUNE. (See LE JEUNE, ii. 118b.)
44CLAUDIN; Attaignant, i. 100b; Lamentations, ii. 88b; Maître, ii. 199b; Sistine Chapel, iv. 794a.
45CLAUDINE VON VILLABELLA, i. 366a; Schubert, iii. 377a.
46CLAUSS, W. (Szarvady), i. 366a; iv. 592a; Philh. Soc., ii. 700a; PF.-playing, ii. 745; Svendsen, iv. 6b.
47CLAUSULA, iv. 592a; Mass, ii. 227a; Medial Cadence, ii. 244a; Mus. Ficta, ii. 413a; Part-writing, iv. 741b.
48CLAVECIN, i. 366a; Couperin, i. 409b; Harpsichord, i. 688a; Jack, ii. 26b; Key and Keyboard, ii. 53b; Lyre, ii. 182a; PF.-playing, ii. 736b; Regibo, iii. 94a.
49CLAVEL, Mdlle.; St. Huberty, iii. 214a.
50CLAVEL; Garcin, iv. 645a.
51CLAVICEMBALO, i. 366a; Cembalo, i. 330b; Clavichord, i. 366b; Gravicembalo, i. 622b; Harpsichord, i. 688a; Jack, ii. 27a; Key and Keyboard, ii. 53b; Ruckers, iii. 193a, etc.; Taskin, iv. 62b; Spinet, iv. 795b.
52CLAVICHORD, i. 366b; iv. 593a; Action, i. 26b; Bebung, i. 160a; Cembal d'Amore, i. 330a; Clavier, i. 369b; Harpsichord, i. 688b; Hurdy Gurdy, i. 759b; Jack, ii. 26b; Key and Keyboard, ii. 53b; PF., ii. 712a, etc.; PF.-playing, ii. 736a; Ruckers, iii. 194a; Silbermann, iii. 494a; Square Piano, iii. 683a; Tangent, iv. 57a; Temperament, iv. 74b; Tuning, iv. 188b; Vicentino (N.), iv. 261a; Virdung, iv. 303a; Spinet, iv. 795a.
53CLAVICIMBALUM; Cembalo, i. 330b; Virdung, iv. 303a; Spinet, iv. 795b.
54CLAVICYLINDER; Chladni, i. 348b.
55CLAVICYTHERIUM, i. 369b; iv. 593b; Virdung, iv. 303a.
56CLAVIER, i. 369b; Key and Key-
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