Scan 52
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1INDEX.
3DEMOPHON, i. 440 a; Cherubini, i. 342 a.
4DEMUNCK, E.; Denefve, i. 440 a; Paque (G.), ii. 647 b.
5DE MURIS. (See MURIS.)
6DENEFVE, J., i. 440 a; Orphéon, ii. 612 b.
7DENGREMONT, M.; Violin-playing, iv. 296 a.
8DENNER, J. C.; Clarinet, i. 361 a.
9DENTICE, F.; Mus. Divina, ii. 412 a; Schools of Comp., iii. 266 a; Sistine Chapel, iv. 794 b.
10DENTICE, L.; Miserere, ii. 336 a.
11DENZA; Song, iii. 590 b.
12D'ORTIGUE. (See ORTIGUE, ii. 614 a.)
13DEPART, Chant du, i. 440 b; Chanson, i. 335 b; Song, iii. 595 a.
14DE RESZKE, E., iv. 611 b.
15DE RESZKE, J., iv. 612 a.
16DE RESZKE, Jos., iv. 612 b.
17DEREVIS; Lamperti, ii. 89 a.
18DERFELDT; Song, iii. 614 a.
19DERING, R., i. 441 a; iv. 612 b; Mus. Lib., ii. 418 a; Burney, iv. 571 a; Thoroughbass, iv. 799 a.
20DESCANT. (See DISCANT, i. 448 b.)
21DESCHAMPS; Song, iii. 593 b.
22DESCORT; Chanson, i. 335 b.
23DESERTEUR, Le, i. 441 a; Monsigny, ii. 356 a.
24DESIDERI, G.; Bologna, i. 259 a; Hist. of Mus., iv. 676 a.
25DESMARETS, iv. 612 b; Académie de Mus., i. 7 b; Symphony, iv. 11 b.
26DESNOIRESTEBRES, G.; Hist. of Mus., iv. 675 a.
27DESPERAMONS; Garat, i. 581 b.
28DESPREAUX, R.; Boccabadati, i. 250 b; Gr. Prix de Rome, i. 618 b.
29DESSAUER; Tomaschek, iv. 133 b.
30DESSOFF, O.; Rappoldi (E.), iii. 76 b; Reinhold, iii. 102 b; Brüll, iv. 566 b; Mottl, iv. 720 b.
31DESTOUCHES, F.; Haydn, i. 716 b; Musette, ii. 410 b; Mus. Lib., ii. 423 a, etc.; Opera, ii. 506 b; Symphony, iv. 11 b; Campra, iv. 577 a; Lalande, iv. 695 a.
32DETTINGEN TE DEUM, i. 441 a; Handel, i. 651 b; Te Deum, iv. 69 a; Uri, iv. 210 a.
33DEUS MISEREATUR, i. 441 a; Service, iii. 472 a.
34DEUTEROMELIA; Catch, i. 322 a; Pammelia, ii. 643 b; Round, iii. 180 b.
36DEUTSCHER TANZ; Allemande, i. 55 b; Teutsche, iv. 95 a.
37DEUTSCHE MUSIKZEITUNG; Bagge (S.), i. 123 a; Mus. Periodicals, ii. 430 a.
38DEUX JOURNÉES, Les, i. 441 b; iv. 612 b; Cherubini, i. 342 a.
39DEVELOPMENT, i. 441 b; Durchführung, i. 472 a; Figure, i. 521 a; Form, i. 544 a, etc.; Sonata, iii. 559 a; Working-out, iv. 486 b.
40DEVIL'S OPERA, The, i. 441 b; Macfarren (G.), ii. 186 a.
41DEVIN DU VILLAGE, Le, i. 441 b; Rousseau (J. J.), iii. 181 a; Zopf, iv. 513 b.
42DEVIENNE; Conservatoire, i. 392 a; Song, iii. 594 b.
43DÉVITIS. (See DIVITIS, i. 451 a.)
44DEVRIENT, W. S. (See SCHRODER, iii. 315 b.)
45DEVRIENT, Ed.; Marschner, ii. 219 a; Mendelssohn, ii. 254 b, etc.; Spontini, iii. 672 b; Zelter, iv. 505 b.
46DIABELLI, A., i. 442 a; Beethoven, i. 200 a; Liszt, ii. 145 b; Orpheus, ii. 613 b; PF. Mus., ii. 727 a; Schubert, iii. 334 b, etc.; Spina, iii. 650 b; Weigl (Th.), iv. 433 a; Vaterländische Künstlerverein, iv. 807 a, etc.
47DIADESTE, i. 442 b; Balfe, i. 127 a.
48DIAMANTS DE LA COUBONNE, Les, i. 442 b; Auber, i. 102 b.
49DIAPASON, i. 442 b; Organ, ii. 579 a, etc.
50DIAPENTE, i. 442 b; Æolian Mode, i. 40 a; Authentic, i. 105 a; Fifth, i. 520 b; Gregorian Modes, i. 626 a; Hyper, i. 764 b.
51DIAPHONIA, iv. 612 b; Faux-Bourdon, i. 509 a; Organum, ii. 608 b; Strict Counterpoint, iii. 740 a; Guido d'Arezzo, iv. 659 a.
52DIATESSARON, i. 442 b; Æolian Mode, i. 40 a; Authentic, i. 105 a; Fourth, i. 557 b; Gregorian Modes, i. 626 a; Hyper, i. 764 b; Organum, ii. 610 a.
53DIATONIC, i. 442 b; Change, i. 333 a; Harmonics, i. 664 a; Harmony, i. 676 a; Modulation, ii. 343 b; Scale, iii. 235 b; Sequence, iii. 464 b.
54DIBBIN, C., i. 442 b; iv. 613 a; English Opera, i. 489 a; Melodists' Club, ii. 249 a; Mus. Lib., ii. 419 b; Pantomime, ii. 646 a; Schools of Comp., iii. 291 a; Song, iii. 606 b; Table Entertainment, iv. 51 a; Thoroughbass, iv. 108 b.
55DIBBIN, H. E., i. 444 a.
56DICKENSON, Ed.; London Violin Makers, ii. 164 b.
57DICKONS, Mrs., i. 444 b; Ancient Concerts, i. 64 b; Poole, iii. 15 b; Rauzzini, iii. 78 a; Vauxhall Gardens, iv. 233 b; Vocal Concerts, iv. 319 a.
58DICTIONARIES OF MUSIC, i. 444 b; iv. 613 a; Hist. of Mus., iv. 677 a.
59DIDEROT; Bemetzrieder, i. 221 a; Dict. of Mus., i. 446 a
60DIEMER; Indy, iv. 684 a.
61DIEPPO; Conservatoire, i. 392 b.
62DIES; Haydn, i. 715 a.
63DIES IRÆ, iv. 613 b; Sequentia, iii. 466 a.
64DIESIS, i. 446 b; Accidentals, i. 18 b; Notation, ii. 474 a; Sharp, iii. 485 a; Zacconi, iv. 497 b.
65DIETRICH, S.; Chorale, iv. 589 b; Dodecachordon, iv. 616 a.
66DIETRICH, A., iv. 614 b; Schumann, iii. 404 a.
67DIETRICH, L. von; Song, iii. 614 b.
68DIETRICH, W. G.; Philh. Soc., New York, ii. 702 a.
69DIETRICHSTEIN, Count Moritz; Beethoven, i. 196 b; Schubert, iii. 333 b; Vaterländische Künstlerverein, iv. 807 b.
70DIETSCHE, P. L. P., iv. 614 b; Cæcilia, St., i. 329 b; Choron, i. 354 a; Vaisseau-Fantôme, iv. 213 a, note; Fauré, iv. 633 b; Vaisseau-Fantôme, iv. 806 a.
71DIETZ, F. C.; Hist. of Mus., iv. 675 a, etc.
72DIETZ, M.; Harp, iv. 668 a.
73DIEUPART, C., i. 446 b; Clayton, i. 370 a; Haym, i. 723 a.
74DIFFERENTIAL TONE; Resultant Tones, iii. 119 a.
75DI GIOVANNI, i. 447 a.
76DIGITORIUM, i. 447 a.
77DIGON, J. (See DYGON, iv. 625 a.)
78DIGNUM, C., i. 447 b; iv. 614 b; Glee Club, i. 599 a.
79DIMINISHED INTERVALS, i. 447 b; Harmony, i. 680 b; Modulation, ii. 344 b; Ninth, ii. 460 b; Schools of Comp., iii. 288 a; Seventh, iii. 477 b.
80DIMINUENDO, i. 448 a; Decrescendo, i. 438 b.
81DIMINUTION, i. 448 a; Augmentation, i. 104 b; Canon, i. 304 a; Counterpoint, i. 409 a; Imitation, i. 766 a; Tonal Fugue, iv. 137 b.
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