Scan 53
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
71 lines. Read by computer on 16 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1INDEX.
3DINOBAR, i. 448 b; Meyerbeer, ii. 324 b; Pardon de Ploermel, ii. 648 b.
4DIRECT, i. 448 b; Slide, iii. 535 a.
5DIRECT; Tractulus, iv. 800 a.
6DIRECT MOTION, i. 448 b.
7DIRUTA; Mus. Antiqua, ii. 411 a.
8DIRZKA, T.; Pauer, ii. 674 b.
9DIS, i. 448 b; Tablature, iv. 47 b.
10DISCANT, i. 448 b; Contrapuntal, i. 396 a; Faux-Bourdon, i. 509 a; Hymn, i. 760 b; Morley (T.), ii. 368 a; Notation, ii. 469 b; Ochetto, ii. 491 a; Organ, ii. 582 a; Organum, ii. 608 b, etc.; Polyphonia, iii. 12 a; Prick Song, iii. 30 a; Schools of Comp., iii. 259 b; Subject, iii. 748 a; Treble, iv. 165 b; Diaphonia, iv. 612 b; Franco (of Cologne), iv. 641 a.
11DISCANTUS. (See DISCANT.)
12DISCORD, i. 448 b; Mass, ii. 231 a; Monteverde, ii. 357 b; Ninth, ii. 459 a; Preparation, iii. 29 a; Resolution, iii. 113 b; Root, iii. 158 a; Psalter, iv. 758 a, note.
13DISJUNCT; Motion, ii. 377 a.
14DISJUNCT SYSTEM; Organ, ii. 579 a.
15DISSOLUTO PUNITO, II, i. 449 a; Don Giovanni, i. 452 b.
16DISSONANCE, i. 449 a; Harmonics, i. 663 b, etc.
17DISTLER; Haydn, i. 716 a.
18DITAL HARP, i. 449 a; Harp Lute, iv. 668 a.
19DITSON, iv. 614 b, and 810 a.
20DITTENHOFER; Rawlings, iii. 79 a.
21DITTERSDORF, i. 449 b; Haydn, i. 704 b; Lessel, ii. 123 b; Mozart, ii. 391 a, etc.; Oratorio, ii. 553 a; Pichel, ii. 751 b; Programme-Mus., iii. 37 a; Singspiel, iii. 517 a; Storace (S.), iii. 719 b; Symphony, iv. 14 b; Violin-playing, iv. 297 a; Wanhal, iv. 382 a; Müller (Wenzel), iv. 722 a.
22DITTY; Ballad, i. 129 a; Song, iii. 605 b.
23DIVERTIMENTO, i. 450 b; Cassation, i. 319 a; Minuet, ii. 334 b; Serenata, iii. 468 a.
24DIVERTISSEMENT, i. 451 a; Entr'acte, iv. 628 a.
25DIVING; Mus. Lib., ii. 422 b.
26DIVISION VIOLIN, The, i. 451 a; Playford, iii. 2 a; Violin-playing, iv. 290 b.
27DIVISION VIOLIST; Ground Bass, i. 634 b; Playford, iii. 2 a; Sympsom, iv. 43 b; Violin, iv. 278 b.
28DIVISIONS, i. 451 a; Prick Song, iii. 30 a; Rossalia, iii. 160 b; Variations, iv. 219 b; Burney, iv. 571 a.
29DIVITIS, A., i. 451 a; Attaignant, i. 100 b; Sistine Chapel, iv. 794 a.
30DIZI; Parish-Alvars, ii. 649 a.
31DLABACZ, G. J., 451 b; Dussek, i. 473 a.
32DMITRIEF; Song, iii. 614 a.
33DO, i. 451 b; Solfeggio, iii. 546 a; Solmisation, iii. 551 b.
34DOBRINSKY, F.; PF. Mus., ii. 729 b; Song, iv. 795 a.
35DOCHE; Vaudeville, iv. 232 a.
36DOCTOR OF MUSIC, i. 451 b; iv. 615 a; Bac. of Music, i. 120 b; Cambridge, i. 300 a; Degree, i. 439 a; Hamboys, i. 647 a; London, ii. 163 a; Oxford, ii. 624 b.
37DODD; Tubbs (J.), iv. 184 a.
38DODECACHORDON, iv. 615 a; Glareanus, i. 598 a; Obrecht, ii. 489 b, note; Plagal Modes, ii. 761 a; Schools of Comp., iii. 261 a; Strict Counterpoint, iii. 740 b; Te Deum, iv. 67 b; Zacconi, iv. 497 a; Maneria, iv. 710 a. Part-books, iv. 740 b. one of two readings
39DODECACHORDON, iv. 615 a; Glareanus, i. 598 a; Obrecht, ii. 489 b, note; Plagal Modes, ii. 761 a; Schools of Comp., iii. 261 a; Strict Counterpoint, iii. 740 b; Te Deum, iv. 67 b; Zacconi, iv. 497 a; Maneria, iv. 710 a; Part-books, iv. 740 b. one of two readings
40DÖHLER, T., i. 452 a; Czerny, i. 425 b; Mendelssohn, ii. 285 a; Philh. Soc., ii. 699 b; PF. Mus., ii. 731 b; PF.-playing, ii. 739 a, note, etc.; Sechter, iii. 456 a; Weyrauch, iv. 450 a; PF.-playing, iv. 748 b; Vianesi, iv. 812 a.
41DÖBFFEL, A., iv. 616 b; Bach (J. S.), i. 117 b.
42DÖRING, G.; Hist. of Mus., iv. 675 a.
43DOLBY, C. (See SAINTON; Mme., iii. 217 a; iv. 779 a.)
44DOLCAN; Organ, ii. 584 a.
45DOLCE, i. 452 b.
46DOLCINO; Reed, iii. 90 a.
47DOLES, J. F., iv. 616 b; Barthel, i. 145 a, Gassman, i. 584 a; Gewandhaus Concerts, i. 593 a; Leipzig, ii. 115 a; Mozart, ii. 392 b, etc.; Rochlitz, iii. 141 a; Song, iii. 621 b.
48DOLEZALEK; Beethoven, i. 200 a.
49DOLIVE; Song, iii. 595 b.
50DOMARTO; Sistine Chapel, iv. 794 a.
51DOMINANT, i. 452 b; Authentic, i. 105 b; Form, i. 542 b, etc.; Gregorian Modes, i. 626 a; Harmonics, i. 664 b; Harmony, i. 674 a, etc.;
52Imperfect, i. 767 b; Interrupted Cadence, ii. 100 a, etc.; Modes Eccles., ii. 342 a; Monteverde, ii. 359 b; Ninth, ii. 460 a; Pedal Point, ii. 679 a, etc.; Reciting Note, iii. 86 a; Relation, iii. 104 b, etc.; Resolution, iii. 113 b, etc.; Sonata, iii. 563 a, etc.; Song, iii. 618 a. one of two readings
53Imperfect, i. 767 b; Interrupted Cadence, ii. 10 a, etc.; Modes Eccles., ii. 342 a; Monteverde, ii. 359 b; Ninth, ii. 460 a; Pedal Point, ii. 679 a, etc.; Reciting Note, iii. 86 a; Relation, iii. 104 b, etc.; Resolution, iii. 113 b, etc.; Sonata, iii. 563 a, etc.; Song, iii. 618 a. one of two readings
54DOMINO NOIR, LE, i. 452 b; Auber, i. 102 b.
55DOMMER, A. von, iv. 617 a; Jahrbücher, etc., ii. 30 b; Händel Gesellschaft, iv. 665 b; Koch, iv. 692 a.
56DOMNICH; Conservatoire, i. 392 a.
57DON CARLOS, i. 452 b; iv. 617 b; Verdi, iv. 250 b.
58DON GIOVANNI, i. 452 b; Dissoluto punito, II, i. 449 a; Minuet, ii. 333 b; Mozart, ii. 391 b, etc.
59DON JUAN; Prince de la Moskowa, iii. 31 a.
60DON PASQUALE, i. 452 b; Donizetti, i. 454 a.
61DON QUIXOTE; Purcell (H.), iii. 49 b.
62DON QUIXOTE, i. 452 b; Macfarren (G.), ii. 186 a.
63DONADIO, Mlle.; Strakosch, iii. 734 b.
64DONALDSON, J.; Edinburgh, i. 483 a; Reid Concerts, iii. 101 a; Ellis (A. J.), iv. 626 b.
65DONATO, B.; Part Mus., ii. 656 b; Burney, iv. 571 a; Mus. Lib., iv. 726 a.
66DONELLI, B.; Golinelli, iv. 651 a.
67DONI, A. F.; Hist of Mus., iv. 675 b, etc.
68DONI, G. B.; Accademia, i. 111 a; Bardi, i. 139 a; Casini, i. 318 b; Do, i. 451 a; Mersennus, ii. 314 a; Opera, ii. 499 a; Schools of Comp., iii. 278 a; Mus. Lib., iv. 726 a. one of two readings
69DONI, G. B.; Accademia, i. 11 a; Bardi, i. 139 a; Casini, i. 318 b; Do, i. 451 a; Mersennus, ii. 314 a; Opera, ii. 499 a; Schools of Comp., iii. 278 a; Mus. Lib., iv. 726 a. one of two readings
70DONIZETTI, G., i. 453 a; iv. 617 b; Acad. de Mus., i. 9 b; Anna Bolena, i. 69 b; Bassoon, i. 154 a; Belisario, i. 210 b; Catarina Cornaro, i. 322 a; Catelani (A.), i. 323 b; Don Pasquale, i. 452 b; Favorita, La, i. 510 a; Grand Opera, i. 617 a; Grisi, i. 633 a; Hurdy Gurdy, i. 759 b; Laporte, ii. 91 b; Lucia di Lammermoor, ii. 171 b; Lucrezia Borgia, ii. 171 b; Maria di Rohan, ii. 216 b; Marino Faliero, ii. 216 b; Martyrs, Les, ii. 223 a; Mattei, ii. 239 a; Mayer
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