Books › A dictionary of musical terms (1889)
A dictionary of musical terms
1889.
On archive.org as cu31924022261113.
58 pages read (scans 6 to 145)0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 6 | PREFACE. | Read | |
| 8 | DICTIONARY | Read | |
| 13 | Accentuare (It.) To accent. | Read | |
| 20 | vibrations whose periods are aliquot par… | Read | |
| 21 | practice, however, the finger should alw… | Read | |
| 22 | the beats are most distinctly heard succ… | Read | |
| 23 | ACOUSTICS—ACT. | Read | |
| 30 | ALTERATIO—ALTO VOICE. | Read | |
| 31 | ALTRA—AMBROSIAN TE DEUM. | Read | |
| 32 | ponent of his own principles, not as a c… | Read | |
| 44 | to the Harpsichord or Spinett, by Willia… | Read | |
| 45 | oratorical. The former is that method of… | Read | |
| 46 | Ashantee Trumpet. An instrument formed o… | Read | |
| 47 | AUDACE, CON—ÄUSSERE STIMMEN. | Read | |
| 48 | Ausweichung (Ger.) Change, modulation. | Read | |
| 49 | B. (1) The name of the note above Pros-l… | Read | |
| 50 | pipes, three of which united are called… | Read | |
| 56 | of their loyal subjects, and the exaltat… | Read | |
| 57 | six, or even eight minims being included… | Read | |
| 58 | Bariton (Fr.) The barytone voice. | Read | |
| 59 | Basse recitante (Fr.) [Basse chantante.] | Read | |
| 64 | and the whole mould is firmly imbedded i… | Read | |
| 65 | that signs of ♭ and ♮ are of general app… | Read | |
| 66 | being written for a long repetition. It… | Read | |
| 67 | reed; the oboe and bassoon double vibrat… | Read | |
| 68 | says that twenty-seven inches was the le… | Read | |
| 69 | legato and the following two staccato. T… | Read | |
| 70 | The brawl and the bransle were the same… | Read | |
| 79 | CANONE CHIUSO—CANTO A CAPPELLA. | Read | |
| 88 | owever, applied with less strictness to… | Read | |
| 89 | Céleste (Fr.) A direction for the use of… | Read | |
| 94 | CHANT—CHANTERRES. | Read | |
| 95 | or poem singers in mediæval times, origi… | Read | |
| 96 | Chelidonizing (from the Gk. χελιδονίζω,… | Read | |
| 97 | (Fr.), Ciaccona (It.), Cachuca (Sp.), Cz… | Read | |
| 105 | ment give out the same notes by employin… | Read | |
| 106 | clefs gamut and d, their places marked t… | Read | |
| 107 | Practical Musick," 1678, the clefs are i… | Read | |
| 108 | Coi bassi (It.) With the basses. | Read | |
| 109 | notes, 1 signifying a semibreve, 2 a min… | Read | |
| 110 | harmony. Part music; e.g., concentus voc… | Read | |
| 111 | in motion by the current of air, caused… | Read | |
| 115 | The first school of the kind was establi… | Read | |
| 131 | COUNTRY DANCE—CREMONA. | Read | |
| 132 | Cremorne (Fr.) [Krummhorn.] | Read | |
| 133 | CYKLISCHE FORMEN——CZIMKEN. | Read | |
| 134 | D. | Read | |
| 135 | DANCING—DECANI. | Read | |
| 136 | to "cantoris" the cantor's or præcentor'… | Read | |
| 137 | Thou know'st (O searcher of all hearts)… | Read | |
| 138 | divided into symphonic and diaphonic, th… | Read | |
| 139 | and their present position in music. The… | Read | |
| 140 | Descending. Passing from a higher degree… | Read | |
| 141 | the open and stopped. Open diapasons on… | Read | |
| 142 | (no line here) | Read | |
| 143 | Dolcissimo (It.) With the utmost degree… | Read | |
| 144 | bass is sometimes called a transposing i… | Read | |
| 145 | instruments of the oboe class. (2) A ree… | Read |