Bow & Bridge Violin and bow makers, as the old books printed them

Scan 92

Dictionary of Violin makers, 1928

24 lines. Read by computer on 27 September 2026. No printed page number was found. See the scan on archive.org.

1TOPPANI (Angelo de) — Rome circa 1745. Pupil of David Tecchler. Slightly arched instruments. Gilt yellow varnish. Sound holes German fashion. Long corners. No 311.
3TORELLI — Verona xviiith century. Lutes.
5TORTOBELLO (Francesco) — Rome end of xviiith century. Good make in the style and manner of Maggini.
7TRAPANI (Raffaele) — Naples circa 1800. Careless work. The thick red varnish lends an aspect to this individual make of a large model with sound holes entirely lacking grace. No 366.
9TRINELLI (Giovanni) — Scandiano circa 1800. Good class work. Large model a little heavy in wood. Good tone qualities make up for these defects. No 382.
11UGAR (Crescendo) — Rome circa 1780. Ordinary work. Brown varnish. German style.
13VALENZANO (Giovanni-Maria) — See under Miscellaneous. Schools and Makers.
15VANDELLI (Giovanni) — Modena 1796-1839. Conventional make.
17VANGELISTI (P. Lorenzo) — Florence circa 1730. Gabrielli style. Yellow varnish. Good make. No 367.
19VAROTTI (Giovanni) — Bologna circa 1780-1820. Third rate make with an original model. The interest of these instruments lies mainly in their tone qualities. No 383.
21VENTAPANE (Vincenzo) — Naples circa 1750. Gagliano School. The instruments by this good maker are sought after for their tone qualities. Stradivarius model. Dark yellow varnish.
23VENTAPANE (Lorenzo) — Naples 1830. Probably son of the one preceding, who, like himself, followed Stradivarius. His

Makers on this page

The computer misreads some letters and numbers. Where a name matters to you, read the scan.