Bow & Bridge Violin and bow makers, as the old books printed them

Scan 36

Music For The Violin and Viola Vol-ii, 1948

27 lines. Read by computer on 23 September 2026. No printed page number was found. See the scan on archive.org.

1COMPOSER TITLE, KEY & OP. GR. REMARKS
3Conus, Jules (Cont.) Concerto in E Minor (Cont.) C [address hidden] 𝅘𝅥 = 65. The opening is singing and invites to free molding of the melodic line. The poco più mosso builds up in ever-growing intensity but gradually relaxes and ends on a dreamy note. What follows now is largely a repetition of the first solo section of the concerto. After the cadenza a few bars of andante lead to the brilliant and dashing end of this very "violinistic" concerto.
5Corelli, Arcangelo La Folia (Kreisler) C [address hidden] variations of contrasting character on the broad and sustained theme.
7Variations on a theme by Corelli (Tartini-Kreisler) C 1 The theme is dignified and proud. Var. 1, light and florid. Var. 2, sparkling, featuring trills. Var. 3, featuring heavy chords.
9Dancla, Jean Charles Air with Variations, Op. 123, No. 7 A 1 For beginners. Very easy.
11Waltz, Op. 123, No. 2 A 1 For students only. Legato and singing.
13Petite Valse, Op. 48, No. 4 A 2 For students only.
15Six airs variés, Op. 89: B [address hidden] six airs represent fine teaching material for singing tone, double-stops, spiccato, staccato, ricochet, etc.
171-Air varié on a theme by Pacini
182-Air " " " " " " Rossini
193-Air " " " " " " Bellini
204-Air " " " " " " Donizetti
215-Air " " " " " " Weigl
226-Air " " " " " " Mercadante
24Résignation, morceau de Salon. Op. 59 C 1 A charming piece in the higher positions for more advanced students. Develops singing tone, has also florid cadenzas.
26Concert solo in B Minor, Op. 77, Nos. 1 and 3 C [address hidden] singing tone, flowing passages, staccato runs, broad and vigorous. (Cont.)

The computer misreads some letters and numbers. Where a name matters to you, read the scan.