Scan 10
Musical Courier 1903-07-15: Vol 47 Iss 1216, 1903
142 lines. Read by computer on 26 September 2026. Printed page 9. See the scan on archive.org.
1THE MUSICAL COURIER.
3Rondo Favori, op. 11………………………………………Hummel
4Polonaise, from op. 8………………………………………Beethoven
5Songs—
6A Rose Once Grew………………………………………Von Hammer
7Irish Folksong……………………………………………..Foote
8You and I…………………………………………………….Lehman
9Ballade, G minor…………………………………………..Rheinberger
10Sonata, E flat major, op. 13 (first movement)………….Hummel
11Songs—
12Ecstasy………………………………………………………Beach
13Sing on………………………………………………………Denza
14By the Spring, op. 14, No. 1…………………………….Piutti
15Impromptu, op. 28, No. 3………………………………..Reinhold
16Song, Wohl viele tausend Vöglein………………………..Gumbert
17Sonata, op. 28 (first movement)………………………….Beethoven
18Song, Across the Dee…………………………………….Coombs
19Miss Frances Moses and Mrs. Iva Kennedy Wickersham presented their pupils on Thursday evening, June 25, in the following program:
20March, from Lenore Symphony…………………………..Raff
21(Arranged for two pianos, eight hands.)
22Miss Della Eppinger, Miss Emelyn Schumacher, Miss Elsie Weihl and Miss Clara Herzog.
23Melodie…………………………………………………….Schultz
24Springtime…………………………………………………Schultz
25Sonatina, C major……………………………………….Spindler
26Song, My Dreams……………………………………….Tosti
27Chaconne…………………………………………………Roubier
28Le Petit Rien…………………………………………….Cramer
29Agitato…………………………………………………….Von Wilm
30The Fable…………………………………………………Raff
31Songs—
32A Dream of Spring………………………………………Spicker
33Come to Me……………………………………………….Bemberg
34Solfeggietto……………………………………………….Bach
35Second Gavotte…………………………………………..Godard
36Sonata, C major…………………………………………Mozart
37(Second piano accompaniment by Grieg.)
38Miss Clara Doppes.
39Valse, A flat major………………………………………Moszkowski
40Duet, The Gypsies………………………………………Brahms
41Au Matin………………………………………………….Godard
42Air de Ballet………………………………………………Chaminade
43Rondo Brillante, op. 62…………………………………Von Weber
44Miss Della Eppinger.
45Songs—
46A Girl Speaks……………………………………………Tirindelli
47Staccato Caprice………………………………………..Mulder
48Albumblatt……………………………………………….Taubert
49Valse Caprice…………………………………………….Raff
50Mrs. Blanche High Gebhardt.
52Pupils of Miss Clara Baur and Miss Laura Anderson presented themselves on Saturday evening, June 27, in the following program:
53Duet, O Wert Thou in the Cauld Blast…………………..Mendelssohn
54Miss Ella Heckle and Miss Ida Heckle.
55The Sweetest Flower……………………………………Arthur Lieber
56Miss Emma Rosina Fritsche.
57Beloved, It Is Morn……………………………………Aylwar.
59"THE SCIENCE OF THE ART OF SINGING."
60Revised, Enlarged and Combined Second Edition of
61"VOCAL ART,"
62By ANNA LANKOW
63(800 PARK AVENUE).
64Price, $3.50. On sale at BREITKOPF & HÄRTEL, 11 East 16th St., New York, and all Music Stores.
65Mme. Lankow has returned from Europe and resumed her work.
67MISS ETHEL BAUER,
68Pianist and Pianoforte Teacher.
69166 Adelaide Road, LONDON, N. W.
71"Miss Ethel Bauer has been for several seasons my distinguished pupil and is in the highest degree qualified both as a pianist and a teacher of my method of pianoforte technique."—LESCHETIZKY.
73HOLMES TENOR
74COWPER
75Address 621 Fine Arts Bldg., or Bureau of Fine Arts, Chicago.
77Until You Came…………………………………………..Metcalf
78To be Sung on the Waters……………………………….Schubert
79Miss Ethel Alspach (pupil of Miss Anderson).
80O That We Two Were Maying…………………………..Nevin
81'Tis I………………………………………………………Pinsuti
82Veilchen………………………………………………….White
83In Blossom Time……………………………………….Needham
84Aufenthalt………………………………………………Schubert
85Marie……………………………………………………..Franz
86Ständchen……………………………………………….Schubert
87Blow, Blow, Thou Winter Wind………………………..Arne
88Song of Thanksgiving…………………………………..Allitsen
89Aria, A non Credea, La Sonambula……………………Bellini
90Rondo, A non Giunge, La Sonambula…………………..Bellini
91Aria, Dove Sono, Le Nozze Figaro……………………..Mozart
92Aria, In Diesen Heiligen Hallen, Zaubertöte…………..Mozart
93O Vision Entrancing…………………………………..Goring Thomas
94Aria, Ocean, Thou Mighty Monster, Oberon…………..Von Weber
95Miss Annabelle Ambrose.
97Miss Ida B. Ulmer's pupils appeared on Monday evening, June 29.
98The following from the Richmond (Ind.) Sun-Telegram in regard to Romeo Frick, baritone, formerly of the Cincinnati Conservatory of Music, speaks for itself:
99"Mr. Frick has a wonderfully full, rich baritone voice, with an exceptional high range. He is an artist and an accomplished opera singer of national reputation. His vocal recital was followed by a short and interesting discussion on production of tone. Then followed M. Barbour, the Cincinnati organist, who was greeted by a large audience. He came with the highest recommendations not only from the United States but also from the leading countries of the world, and he fulfilled every expectation. He readily produced melodies of rarest beauty from the classics. Indeed he seemed able to interpret every passion of music on the organ. His program was from the famous American, French, English and German organ composers. It is not too much to say that such finished work and artistic rendering as Mr. Barbour gave would please any audience, however critical."
100Manager A. J. Gantvoort, of the College of Music, leaves Monday for Boston on important business bent.
101J. A. HOMAN.
103HAROLD BAUER AND PABLO CASALS.
104THESE two great artists, after giving a few very successful concerts in Portugal, sailed from Lisbon on June 3 for a joint tour in Brazil during July and August. Harold Bauer leaves Europe for the United States on September 15, and opens at the Worcester Festival on September 30, and Pablo Casals has made arrangements to go to the United States for a tour commencing in January.
106Caroline Mihr Hardy.
107MRS. CAROLINE MIHR HARDY, solo soprano of the Washington Avenue Baptist Church, Brooklyn, and Temple Emanu-El, New York, will sail for London in a few days. Mrs. Hardy will be under the management of Henry Wolfsohn, and will be heard in all the large cities the coming season. She will return from Europe in September.
109BOICE CARSON.
110MONG the young artists of the country there is no better known singer than Robert Boice Carson. Going to Chicago a few years ago comparatively unknown, he has in this short time won a place in the hearts of the public and highest respect of the profession. We have today in Mr. Carson one of the best tenors in the West. As an interpreter of Schubert, Schumann, Brahms, &c., his work stands pre-eminent. He is also the only American artist who has given full programs of the famous songs of Anton Rückauf, the young Austrian composer, who bids fair to equal Strauss in the public eye. So great has been Mr. Carson's success with these songs that Herr Rückauf has invited him to sing them for him in Vienna.
111In church work Mr. Carson has been eminently successful for a few years. He was tenor soloist at the First Baptist Church, Chicago, and on May 1 was selected as tenor for St. James M. E. Church, Chicago, at one of the largest salaries paid to any tenor west of New York. The extensive experience of Mr. Carson in oratorio makes his services invaluable. Having appeared with most of the leading societies of the country, his services are being sought after for next season, which insures him a most brilliant season.
112Mr. Carson ascribes much of his success to the artistic influence and advice of Robert Goldbeck, the eminent pianist and composer, who has invited him to create the tenor role in his new opera, which will be produced for the first time this fall.
113As a teacher Mr. Carson has been equally successful. Among his pupils are Miss Bertha Ridgley, soprano soloist at First M. E. Church of Evanston (position now held by Jenny Osborn); Miss Mabel Marsh, soprano, formerly with Grand English Opera Company; Ernest Miller, baritone soloist of University of Chicago Glee Club; Miss Frances Murphy, director of music at the seminary at Hopkinton; Master Hays Gamble, the well known boy soprano; Mrs. Sadie Davies Belding, the contralto from Detroit; Mrs. Lura Weaver Haight, of San Francisco, and Mrs. Katharine Moore, of Seattle.
115The Landon Conservatory, Dallas, Tex.
116REPRESENTATIVES from twenty-four States attend this school, founded four years ago by Chas. W. Landon, founder also of the New York State M. T. A. A course of recitals by students and graduates in the Dallas Carnegie Hall has just closed. The Beau Monde of Dallas pictures the class of 1903, the Choral Club and Ensemble Class, saying in part:
117There was an individuality in the style of each performer, instead of the almost universal trademark, as stamp of the pupil's teacher. This showed that the inborn bent of the pupil had been carefully cultivated.
118Another feature was that the younger pupils gave a musically interpretation of their numbers; they brought out the intent of the composer, and made it clear and expressive. Their phrasing was that of a player who has a musical thought to impress on the audience, rather than a desire to simply play the correct notes. In voice training the efforts are largely given to the production of the best possible quality of tone; so in their piano playing, it was clearly seen that much attention had been given to securing a beautifully musical and limpidly clear tone in the touch. The self possession shown in the public playing of the pupils could only have been due to their frequent playing in the weekly conservatory musicales.
120C. Whitney Coombs.
121C. Whitney Coombs sailed for Europe on the Pennsylvania July 11, and will remain abroad until the last of September.
123CHARLES R. BAKER (late Manager of Sherwood), Fine Arts Building, CHICAGO, ILL., for next season announces the exclusive management of the PIANO and SONG RECITAL TOUR of the distinguished German Artist,
124"Herz Felix Heink as Composer, Singer, Pianist, occupies on the concert platform the same enviable reputation as Mme. Schumann-Heink does on the operatic stage—the marvelous emotional power of these two artists has made the name 'Heink' famous throughout the musical world. Heink's Recitals consequently prove a strong drawing card everywhere—unique, original in the order of those of Grossmith, Henne—attracting and fascinating alike the general public as the musical profession."
126JESSIE DAVIS, PIANIST,
127CONCERTS—RECITALS—LESSONS.
128163 Massachusetts Avenue, BOSTON, MASS.
130Bush Temple Conservatory,
131NORTH CLARK ST. AND CHICAGO AVENUE, CHICAGO, ILL.
132KENNETH M. BRADLEY, Director
133Music, Oratory, Acting and Languages. COMPETENT INSTRUCTORS IN ALL DEPARTMENTS.
134BOARD OF EXAMINERS:
135Pannie Bloomfield Zeisler, Dr. Chas. E. Allum, Johanna Hess-Burr,
136George H. Crampton, August Hvilested, Adolph R. senbecker,
137Clarence Dickinson, Kenneth M. Bradley, H. M. Sper (School of Oratory).
138The management announces the exclusive teaching engagement of
139MADAME JOHANNA HESS-BURR (Voice Culture).
140SUMMER TERM BEGINS JUNE 29.
141Write for Catalogue. Address M. C. SCHMIDT, Secretary.
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