Books › Notice of Anthony Stradivari, the celebrated violin-maker, known by the name of Stradivarius: (1864)
Notice of Anthony Stradivari, the celebrated violin-maker, known by the name of Stradivarius:
London: R. Cocks and co., 1864.
On archive.org as noticeofanthonys00feti.
99 pages read (scans 9 to 116)3 names found0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 9 | NOTICE | Read | |
| 13 | EDITOR'S PREFACE. | Read | |
| 15 | AUTHOR'S PREFACE. | Read | |
| 19 | INTRODUCTION. | Read | |
| 20 | By what progressive causes was it develo… | Read | |
| 21 | TO VIOLINISTS. | Read | |
| 22 | STANDARD WORKS ON THE VIOLIN. | Read | |
| 23 | HISTORICAL RESEARCHES | Read | |
| 24 | harmony in many parts. These conjectures… | Read | |
| 25 | simple form in which it could appear, an… | Read | |
| 26 | head of the bow, at the first knot, for… | Read | |
| 27 | the two instruments before mentioned bel… | Read | |
| 28 | the strings rest. The bridge, over which… | Read | |
| 29 | ence being that these openings are small… | Read | |
| 30 | 8 | sycamore fig-tree (figuier-sycomore), wo… | Read |
| 31 | 9 | does not appertain to music, properly sp… | Read |
| 32 | 10 | viol already brought to perfection, and… | Read |
| 33 | 11 | The Saxons took possession of a part of… | Read |
| 34 | 12 | cruisigh (music), which is itself derive… | Read |
| 35 | 13 | stations in order to disperse themselves… | Read |
| 36 | 14 | idea of a sonorous chest, consisting of… | Read |
| 37 | 15 | but two strings; as was the case, long a… | Read |
| 38 | 16 | The instrument is known by the opening t… | Read |
| 39 | 17 | of the crouth. M. Coussemaker has done m… | Read |
| 40 | 18 | harmony.* The admirable construction of… | Read |
| 41 | 19 | 28 centimètres [11.023 in.]*. Of the six… | Read |
| 42 | 20 | part of the instrument is the bridge: we… | Read |
| 43 | 21 | right, the left foot has a length of abo… | Read |
| 46 | 24 | From the drawing given by Daines Barring… | Read |
| 47 | 25 | and by the troubadours, must be synonymo… | Read |
| 48 | 26 | eighth century, and perished in accompli… | Read |
| 49 | 27 | of the ninth century, and an engraving o… | Read |
| 50 | 28 | proves that it was an instrument of the… | Read |
| 51 | 29 | which is no other than the krouz or rote… | Read |
| 52 | 30 | Fig. 3. | Read |
| 53 | 31 | The acute instrument of the same species… | Read |
| 54 | 32 | was frequently superseded by the monocho… | Read |
| 55 | 33 | Arabia, Turkey, and Egypt, belongs to mu… | Read |
| 56 | 34 | Many viols of the thirteenth century hav… | Read |
| 57 | 35 | on the ancient gateway of the Abbey of S… | Read |
| 58 | 36 | library). However, at the same period, t… | Read |
| 59 | 37 | the figures published by Agricola and by… | Read |
| 60 | 38 | viols became instruments of fixed sounds… | Read |
| 61 | 39 | in order that the bow might not touch al… | Read |
| 62 | 40 | with this difference, however, that the… | Read |
| 63 | 41 | is presented to us by Mersenne, in his H… | Read |
| 64 | 42 | Thus, as we see, these instruments are a… | Read |
| 65 | 43 | This is, indeed, the real compass of the… | Read |
| 66 | 44 | neck of the viol; the finger-board is di… | Read |
| 67 | 45 | VIOLIN MAKERS OF THE ITALIAN SCHOOLS | Read |
| 68 | 46 | species of Geige with four strings, whic… | Read |
| 69 | 47 | by different amateurs in Paris until the… | Read |
| 70 | 48 | called because he was born in the little… | Read |
| 71 | 49 | layers (sur couche).* The varnish, which… | Read |
| 72 | 50 | But such is not the case with those of M… | Read |
| 73 | 51 | or rebec with three strings, which exist… | Read |
| 74 | 52 | and guitars—all these instruments, which… | Read |
| 75 | 53 | it probably occurred about 1580: because… | Read |
| 76 | 54 | delicate, and sweet tone which is their… | Read |
| 77 | 55 | the curves, and produced a varnish more… | Read |
| 78 | 56 | and the illustrious Anthony Stradivari o… | Read |
| 79 | 57 | The labours of Gaspard di Salo, John Pau… | Read |
| 80 | 58 | contour and fine proportions—its corresp… | Read |
| 81 | 59 | them, and on the other it leaves no trac… | Read |
| 82 | 60 | Venetians, took care to select wood with… | Read |
| 83 | 61 | ANTHONY STRADIVARIUS. | Read |
| 84 | 62 | exists in the suppressed Church of St. A… | Read |
| 85 | 63 | appears a violin of Stradivarius, having… | Read |
| 86 | 64 | that period to 1725 the instruments whic… | Read |
| 87 | 65 | throughout this period of his productive… | Read |
| 88 | 66 | impairs the clearness of the sound; the… | Read |
| 89 | 67 | to silvery mellowness. The violoncello o… | Read |
| 90 | 68 | Two things are equally worthy of attenti… | Read |
| 91 | 69 | "Finalmente nello stesso volume a pag. c… | Read |
| 92 | 70 | been finally crowned with success, and h… | Read |
| 93 | 71 | Anthony Stradivarius had been married an… | Read |
| 94 | 72 | uneventful existence. Polledro, late fir… | Read |
| 95 | 73 | especially of the effect of time upon th… | Read |
| 96 | 74 | produced from a violin or a bass until a… | Read |
| 97 | 75 | discovered these laws? Unquestionably, n… | Read |
| 98 | 76 | problem of the laws by which the best po… | Read |
| 99 | 77 | them, to determine the laws which (even… | Read |
| 100 | 78 | method was adopted by Stradivarius; inde… | Read |
| 101 | 79 | was seen to divide itself into two paral… | Read |
| 102 | 80 | him to judge beforehand of the intonatio… | Read |
| 103 | 81 | same dimensions, and if we cause them to… | Read |
| 104 | 82 | a maple back was then substituted for th… | Read |
| 105 | 83 | difference between them. The back was ex… | Read |
| 106 | 84 | and thin; if it be too little, the grave… | Read |
| 107 | 85 | It will perhaps be asked whether Stradiv… | Read |
| 108 | 86 | care which this great artist took to est… | Read |
| 109 | 87 | thick, the emission of the sounds will b… | Read |
| 110 | 88 | of Stradivarius and Guarnerius for the h… | Read |
| 111 | 89 | If a new experiment were now made to asc… | Read |
| 112 | 90 | to a viol with seven strings, the body o… | Read |
| 113 | 91 | Anthony Amati (Fig. 3), the other having… | Read |
| 114 | 92 | minutest care, have demonstrated that an… | Read |
| 115 | 93 | early in June, 1742, and was interred on… | Read |
| 116 | 94 | Among the Italian violin makers of the t… | Read |