Bow & Bridge Violin and bow makers, as the old books printed them

Books › The American history and encyclopedia of music (1908)

The American history and encyclopedia of music

1908.

On archive.org as cu31924022388601.

72 pages read (scans 4 to 493)1 name found0 makers on this site cite it

Pages

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4 There is no text on this page. Read
5 Transcription: Read
6 THE AMERICAN HISTORY AND ENCYCLOPEDIA OF… Read
24 A STUDY ON VIOLIN PLAYING Read
25 slight leaning forwards of head, shoulde… Read
26 5 A STUDY ON VIOLIN PLAYING Read
27 6 The pupil must learn the difference betw… Read
28 7 The pupil, before starting with the high… Read
29 8 The study of exercises (études) must acc… Read
30 9 Simon —— Berceuse. Read
31 10 simplicity in execution and the student… Read
32 11 Hauser, Op. 43, Hungarian Rhapsodie in D… Read
33 12 Rode's, but as it contains elements of a… Read
34 13 It may be of interest to the young stude… Read
35 14 Mendelssohn. Concerto. Read
36 15 velocity in all technical matters, a man… Read
37 16 Beethoven. Concerto. Read
38 17 A STUDY ON VIOLIN PLAYING Read
39 18 This is the version of the composer to t… Read
40 19 gance, or vice versa. That gives the stu… Read
41 20 One of the good results arising from the… Read
42 21 Studies," and under the guidance of his… Read
50 ADVANCED VIOLIN INSTRUCTION Read
51 the entire twelve lessons. Being a summa… Read
52 27 The question of relaxation in spite of p… Read
53 28 part of the left hand is worse than usel… Read
54 29 or other unnecessary movements of the bo… Read
55 30 may retain a slight arch. A straight or… Read
56 31 ADVANCED VIOLIN INSTRUCTION Read
57 32 stant retention of the bow on the string… Read
58 33 ADVANCED VIOLIN INSTRUCTION Read
59 34 (thumb, first and little fingers), at en… Read
60 35 in this way the beginner's attention can… Read
61 36 and positions at a distance from each ot… Read
62 37 the glissando. In this form of scale the… Read
63 38 of augmented and diminished intervals in… Read
65 40 exceptions to every rule and so there ar… Read
66 41 LESSON V. Read
67 42 crossings is because two things are bein… Read
68 43 mized in order that the room for the bre… Read
69 44 VARIATIONS OF LEGATO.—1. The interrupted… Read
72 47 bowing belong to the uninterrupted or co… Read
73 48 Spiccato Arpeggios.—The arpeggio on thre… Read
74 49 ing absolutely on relaxation, quietness… Read
75 50 and the natural varying of finger length… Read
76 51 in the higher positions, retains the sam… Read
77 52 to think of the content. This system of… Read
78 53 sure on the strings. This position must,… Read
79 54 Further, the relationship (only as far a… Read
80 55 rules, with the exception that the chord… Read
81 56 by fastening or fitting a small clasp or… Read
82 57 The left hand pizzicato is done by vehem… Read
83 58 necessity, limited to the overtones of e… Read
92 SOME REMARKS ON QUARTET PLAYING Read
93 ity (this is especially true of the firs… Read
94 65 the viola, thus the lower strings of the… Read
95 66 acter of the movement at once shows that… Read
96 67 As to the selection of material for earl… Read
106 73 Piano-makers knew nothing about harpsich… Read
107 74 the rest being an absurd hybrid compound… Read
118 85 This system of notation is a direct pict… Read
119 86 The form of the viol is simpler and smoo… Read
127 94 perfection, and his six sonatas for the… Read
128 95 The volume of tone of the clavichord com… Read
153 116 may be written on three different degree… Read
451 Enrico Clifford, O., ii, 357. Read
452 Europe, musical instruments of: Read
453 Europe, musical instruments of: Read
454 Fête du Village Voisin, La, O., ii, 361. Read
455 Folk-song. Read
456 INDEX Read
493 INDEX Read