Scan 165
The New Grove Dictionary Of Music And Musicians 5 Ed. 2nd, 1904
75 lines. Read by computer on 18 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1Czupra Ľudové piesne z Liptova a Oravy [Folksongs from Liptov and Orava] (Martin, 1958)
2B Bartók Slovenské ľudové piesne [Slovak folksongs] (Bratislava, 1959 70) [vol iii unpubl]
3K Plička Slovenský spevník [Slovak songbook] (Bratislava, 1961)
4Č Zálešák Ľudové tance na Slovensku [Folkdance in Slovakia] (Bratislava, 1964)
5J Horák and K Plička. Zbojnické piesne slovenského ľudu [Highwaymen's songs of the Slovak people] (Bratislava, 1965)
6J Kresánek Die Sammlung von Tanzen und Liedern der Anna Szurmav-Keczer (Bratislava, 1967)
7S Burlasová Ľudové balady na Horehroní [Folk ballads of Horehroní] (Bratislava, 1969)
8O Demo and O Hrabalova Žatevné a dožínkové piesne [Mowing and harvest songs] (Bratislava, 1969, 2/1971)
10STUDIES
11K Plička 'O sbieraní ľudových piesní' [On the collection of folksongs]. Shornik matice slovenskej, ii (1924), 49
12B Bartók Népzenek és a szomszéd népek népzenéje [Our folk music and the folk music of our neighbours] (Budapest, 1934, 2/1952, Ger trans , 1935, Fr trans , 1936)
13M Lichard 'Príspevky k teórii slovenskej ľudovej piesne' [Contributions to the theory of Slovak folksong]. Shornik matice slovenskej, xi xii (1934), 1 58
14K Hudec Slovenska ludová piesen [Slovak folksong] (Bratislava, 1949)
15M Markuš 'Jelšavskí zvonkari' [Bellringers from Jelšava]. Narodopisny shornik, ix (1950), 42
16J Kresánek Slovenska ludova piesen so stanovisku hudobnho [Slovak folksong from a musical aspect] (Bratislava, 1951)
17I Poloczek 'Vztah medzi hudbou a pohybov v slovenskom ľudovom tanci' [The relationship between music and movement in Slovak folkdance]. Hudobnovedné štúdie, ii (1954), 3 52
18S Burlasová 'Ľudová hudobná kultúra' Banská dedina Žakarovec [Folk music culture in the mining village of Žakarovec], ed J Miartan (Bratislava, 1956), 527 88
19A Elschekova and O Fischeck O slovenskej ľudovej piesni a ľudovej hudbe [Slovak folksong and folk music] (Martin, 1956) one of two readings
20A Elschekova and O Fischek O slovenskej ľudovej piesni a ľudovej hudbe [Slovak folksong and folk music] (Martin, 1956) one of two readings
21J Kresánek 'Bartóks Sammlung slowakischer Volkslieder', Studia memoriae Belae Bartok sacra (Budapest, 1956), 51
22L Leng Slovenskí ľudoví spev a ludova hudba [Slovak folksong and folk music] (Bratislava, 1958)
23J Kresánek 'Historické korene hajduškeho tance' [The historical roots of hajdu dance]. Hudobnovedné štúdie, iii (1959), 136
24S Toth 'Pohybove skupiny slovenskeho ľudoveho tance [Movement groups in Slovak folkdance], Hudobnovedné štúdie, iii (1959), 43 118
25A Banik 'Niekol'ko spomenok, dokumentov a uvah o Belovi Bartokovi' [Some recollections, documents and thoughts about Bela Bartok]. Hudobnovedné štúdie, iv (1960), 152
26S Burlasová 'K otázkam hudobného folklóru Slovákov v Rumunsku [Questions of the folk music of Slovaks in Romania]. Slovenský narodopis, vim (1960), 628
27A Elschekova 'Stilgeschichten der slowakischen Volksmusik'. Deutsches Jb für Volkskunde, vi (1960), 333
28M Filip and L Leng 'Slovenske ľudove pišťaly' [Slovak folk pipes]. Hudobnovedné štúdie, iv (1960), 70 99
29V Pletka and V Karbusicky 'Príspěvek k výskumu slovenských dělnických písní' [A contribution to research on Slovak workers' songs]. Hudobnovedné štúdie, iv (1960), 5 69
30O Demo Ludova vokálna a inštrumentálna hudba v Puchovskej doline [Vocal and instrumental folk music in the Puchov valley] (Bratislava, 1961) one of two readings
31O Demo Ludova vokalna a inštrumentalna hudba v Puchovskej doline [Vocal and instrumental folk music in the Puchov valley] (Bratislava, 1961) one of two readings
32L Leng Slovenský hudobný folklor [Slovak musical folklore] (Bratislava, 1961)
33A Elschekova and O Fischeck Úvod do štúdia slovenskej ľudovej hudby [Introduction to the study of Slovak folk music] (Bratislava 1962) one of two readings
34A Elschekova and O Fischek Úvod do štúdia slovenskej ľudovej hudby [Introduction to the study of Slovak folk music] (Bratislava 1962) one of two readings
35A Elschekova 'Základna etnomuzikologická analýza' [Basic ethnomusicological analysis]. Hudobnovedné štúdie, vi (1963), 117 78
36O Elschek 'Problems of Variation in 18th-century Slovak Folk Music Manuscripts', SM, vim (1965), 47
37J Potuček, ed Hudobná folkloristika na Slovensku v rokoch 1851 1938 [Folk music studies in Slovakia, 1851 1938] (Bratislava, 1965-7)
38O Elschek 'Methodological Problems in Slovak Ethnomusicology'. J.M, x (1966), 191 one of two readings
39O Elschek 'Methodological Problems in Slovak Ethnomusicology'. I.M., x (1966), 191 one of two readings
40A Elschekova 'Methods of Classification of Folk-tunes', JIFMC, xviii (1966), 56
41O Fischeck 'Oponická zbierka, jej štýlova charakteristika a vztah k slovenskej ľudovej hudobnej tradícii' [The Oponice collection, its stylistic characteristics and its relation to the Slovak folk music tradition], Hudobnovedné štúdie, vim (1966), 87 one of two readings
42O Fischek 'Oponická zbierka, jej štýlova charakteristika a vztah k slovenskej ľudovej hudobnej tradícii' [The Oponice collection, its stylistic characteristics and its relation to the Slovak folk music tradition], Hudobnovedné štúdie, vim (1966), 87 one of two readings
43'Prisma der gegenwärtigen slowakischen Volksmusik', Die Welt der Slawen, xi (1966), 410
44L Leng, ed Variačná technika prednikov oblasti stredného Slovenska [Variation technique of the first fiddlers in the region of central Slovakia] (Bratislava, 1966)
45I Leng Slovenské ľudové hudobné nástroje [Slovak folk instruments] (Bratislava, 1967)
46I Mačák Zoznam slovenských ľudových hudobných nástrojov [Catalogue of Slovak folk instruments] (Bratislava, 1967)
47O Fischeck 'Ľudová nástrojová hudba' [Instrumental folk music]. Ľudová kultúra, Československa vlastivěda, m, ed A Melcherčík (Prague, 1968), 664 700 one of two readings
48O Fischek 'Ľudová nástrojová hudba' [Instrumental folk music]. Ľudová kultúra, Československa vlastivěda, m, ed A Melcherčík (Prague, 1968), 664 700 one of two readings
49A Elschekova 'Motívicka, riadkova, a strofická forma' [Motif, serial or strophic forms], Muzicologica slovaca, v/2 (1969), 249 82
50'Technologie der Datenverarbeitung bei der Klassifizierung von Volkshedern', Methoden der Klassifikation von Volkshedwesen, ed O Fischeck and D Stockmann (Bratislava, 1969), 93 one of two readings
51'Technologie der Datenverarbeitung bei der Klassifizierung von Volkshedern', Methoden der Klassifikation von Volkshedwesen, ed O Fischek and D Stockmann (Bratislava, 1969), 93 one of two readings
52I Galiko and F Poloczek 'Systematik der formbildenden Elemente der slowakischen Volkshedern', Methoden der Klassifikation von Volkshedwesen, ed O Fischeck and D Stockmann (Bratislava, 1969), 57 one of two readings
53I Galiko and F Poloczek 'Systematik der formbildenden Elemente der slowakischen Volkshedern', Methoden der Klassifikation von Volkshedwesen, ed O Fischek and D Stockmann (Bratislava, 1969), 57 one of two readings
54L Leng, ed Variačná technika prednikov oblasti východného Slovenska [Variation technique of the first fiddlers in the region of eastern Slovakia] (Bratislava, 1969)
55I Potuček, ed Slovenská etnomuzikológia v rokoch 1938-60 [Slovak ethnomusicology, 1938 60] (Bratislava, 1970)
56S Burlasová 'Ľudová pieseň v súčasnosti' [Contemporary folksong]. Slovenský narodopis xx (1972) 226
57O Fischeck 'Charakteristické znaky súčasnej slovenskej etnomuzikológie' [Characteristic features of contemporary Slovak ethnomusicology]. Slovenský narodopis, xx (1972), 253 one of two readings
58O Fischek 'Charakteristické znaky súčasnej slovenskej etnomuzikológie' [Characteristic features of contemporary Slovak ethnomusicology]. Slovenský narodopis, xx (1972), 253 one of two readings
59I Leng 'Ľudová hudba Zubajovcov' [Folk music of the Zubaj ensemble] Muzicologica slovaca, vim (1972) 25 140
60I JOHN CLAPHAM (1, 1 m) OLDŘICH PUKI (1 iv v)
61RICHARD RYBARIC (2) one of two readings
62RICHARD RYBARÍC (2) one of two readings
63II KARLI VETTIERI (1), OSKAR FISCHECK (2) one of two readings
64II KARLI VETTHERI (1), OSKÁR FISCHEK (2) one of two readings
66Czechowitz, ?B. (/1 2nd half of the 17th century) Polish composer His first name is unknown. His two four-part settings of Sub tuum praesidium survive at Kraków Cathedral (the soprano part is missing), and the inventory of a Franciscan monastery at Przemyśl refers to a five-part Missa super 'Stella coeli' by him, but it is no longer extant. He is known to have worked in Kraków
68BIBLIOGRAPHY
69SMP
70M Perz 'Inwentarz przemyski (1677)', Muzyka, xiv 4 (1974), no 4 one of two readings
71M Perz 'Inwentarz przemyski (1677)', Muzyka, xix 4 (1974), no 4 one of two readings
72MIROSŁAW PFZ
74Czech Quartet. Czech string quartet It was formed in 1891 by pupils of Hanuš Wihan at the Prague Conservatory, and its original members were Karel Hoffmann (b Prague, 12 Dec 1872, d Prague, 30 March 1936), Josef Suk (1) (b Křečovice, 4 Jan 1874; d Benešov, 29 May 1935), Oskar Nedbal (b Tábor, 26 March 1874, d Zagreb, 24 Dec 1930) and Otto Berger (b Slatina nad Úpou, 22 Jan 1873; d Machov, 30 June 1897). Berger left in 1894 and his place was taken by Wihan (b Police, 5 June 1855, d Prague, 1 May 1920), who was himself replaced in 1914 by Ladislav Zelenka (b Modřany, nr. Prague, 11 March 1881; d Prague, 2 July 1957) Nedbal was replaced by Jiří Herold (b Rakovník, 16 April 1875, d Prague, 13 Nov 1934) in 1906. The original four first appeared as the Czech Quartet in 1892, and in 1893 made a successful visit to Vienna; their success there brought wider tours, including visits to Russia in 1895 and Britain in 1896. After World War I they began to teach at the Prague Conservatory; their last foreign tour was made to the Netherlands in 1931. An attempt to replace Suk on his retirement in 1933 failed, and the group disbanded with a concert in honour of Suk's 60th birthday on 4 December 1933. The Czech Quartet became a model for all Czech chamber groups. Wihan, their tutor and for 20 years a member of the quartet, brought to the group his great experience of chamber playing, particularly emphasizing phrasing and precise rhythm. The
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