Scan 249
The Violin: Its Famous Makers and their Imitators, 1875
8 lines. Read by computer on 3 September 2026. Printed page 191. See the scan on archive.org.
1model is that of Amati; the work throughout excellent. The linings of his instruments are mostly of cedar.
3HARDIE, Thomas, Edinburgh. Worked with Matthew Hardie.
5HARE, Joseph, London, about 1726. Copied Stainer. Little known.
7HARRIS, Charles, London, 1800. This maker is known only to a few dealers, as he made chiefly for the wholesale merchants of his day. His name was rarely affixed to his instruments, but those thoroughly acquainted with his work agree in giving him a foremost place among the makers of this country. He was, like many other makers of that period, engaged in two occupations differing very much from each other, being at the same time a Custom-house officer and a maker of Violins. The former circumstance brought him into contact with mercantile men and enabled him to obtain commissions to make Violins for the export trade. His business in this direction so increased that he obtained the services of his relative Samuel Gilkes as his assistant. He copied chiefly Amati and Stradiuarius, the latter admirably. Many of these copies are not inferior to those of Lupot. He never aimed at producing a counterpart of the instrument that he copied by resorting to the use of those deleterious means to indicate upon the surface of an instrument the ravages of time. He faithfully copied the form, and thus did what Lupot was doing at the same
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