Scan 197
The violin: its famous makers and their imitators, 1909
14 lines. Read by computer on 3 September 2026. Printed page 147. See the scan on archive.org.
1until it becomes more like a piece of charred wood than anything else; the sharp edges are removed by the file; the wear of years is effected in a few moments by rubbing down those parts subject to friction; it is ticketed and dated, regardless alike of orthography and chronology, the date being generally before or after the original's existence. These imitations are so barefaced as to render them comparatively harmless.
3GUIDANTI, Giovanni, Bologna, about 1740. High model; sound-hole long; purfling badly let in; the outer form inelegant, particularly the middle bouts. At the Exhibition at Milan, 1881, a Viola d'Amore was exhibited, signed "Joannes Guidantus, fecit Bononiæ, anno 1715," ornamented with a beautiful head artistically carved, representing a blindfolded Cupid.
5GUILLAMI, Spanish family of Violin-makers, about 1680-1780.
7HARTON, Michael, Padua, 1600. Lute-maker.
9KERLINO, Joan, 1449. Maker of Viols. Numerous instruments of the Violin shape have been attributed to this maker, particularly those of quaint appearance, but it is doubtful whether he made any instruments but those of the Viol type.
11LAGETTO, Luigi, Paris, about 1753.
13LANDOLFI, Carlo Ferdinando, Milan, 1750. Though he belonged to the latest of the Italian makers, his merits were of no ordinary kind. His instruments vary very much, and hence, probably,
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