Books › The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852 › scan 239
Scan 239
The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852
6 lines. Read by computer on 3 September 2026. Printed page 223. See the scan on archive.org.
1sought its chief glory amid the intricate combinations of orchestral science, where its laborious and meditative turn can have fullest exposition.
3Passing from these general remarks to a consideration of the German School of the Violin, in particular, we may observe, that, although derived originally, like all the others, from that of Italy, and contracting no inconsiderable obligations to it in its progress, it has been, on the whole, much less indebted to the Italians for resources and support, than the School either of France or England. The cause of this arises out of the admitted fact, that the Germans are essentially a more musical people*—are more deeply imbued with a musical character of their own—than the natives of the two latter countries. They have been less willing, as well as less needing, than these, to incur the debt to Italy—and certainly less willing to add to its amount. The love of the instrument diffused itself very speedily among them (the Germans), and their own powerful musical organization enabled them not only to modify more promptly, after their own character, the hints which they received from its original Italian cultivators, but to be satisfied with a smaller quantity of confirmation from the same source. Their comparative independence, however, or disinclination to borrow, has been somewhat unfavourable to the completeness of their success as performers on the violin. They have, as it were, impressed their own stamp and character upon it
5* The universal diffusion of musical tendencies among the Germans has been often made the subject of remark. A late traveller, visiting the Theatre at Cassel, says that the orchestra there was half filled with officers, who fiddled in their regimental uniform, without considering the practice as at all derogatory from their dignity.
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