Books › The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852 › scan 245
Scan 245
The violin : some account of that leading instrument and its most eminent professors, from its earliest date to the present time : with hints to amateurs, anecdotes, etc., 1852
4 lines. Read by computer on 3 September 2026. Printed page 229. See the scan on archive.org.
1transmitted, through several good pupils, the serviceable solidity of his talent.
3Francis Benda, usually commemorated as the originator of a distinct style of violin-performance in Germany, was a native of Bohemia, and born in the year 1709. At the age of seven, he commenced vocal studies, and, two years afterwards, became a sopranist in the choir of St. Nicholas, at Prague. He soon afterwards went to Dresden, where he was immediately received among the élèves of the Chapelle Royale, in which situation he continued eighteen months. About this period he began to practise the violin, and had no other resource than that of engaging himself with a company of itinerant musicians, who attended fêtes and fairs. While thus situated, he formed an acquaintance with a blind Jew, of the name of Loebel, a virtuoso of no mean order, who became his master and his model. At length, tired of this wandering life, he returned to Prague, and took lessons of Kouyezek, an excellent violinist of that town. He was now eighteen; and, eager in the pursuit of professional excellence, resolved to visit Vienna, where he soon found an opportunity of profiting by the example of the then celebrated Franciscello. After a residence of two years in that city, he went to Warsaw, where he was nominated Chapel-Master. In 1732, at the recommendation of Quantz, the Prince Royal of Prussia (afterwards Frederic II) received him into his band. Anxious for further improvement in his art, he became the pupil of Graun, for the violin; then studied harmony under his brother; and afterwards learned composition of Quantz himself. In 1732, he replaced Graun as the King's Concert-Master, which situation he held till his death, at Potsdam, 1786.
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