Books › Violin Mastery (1919)
Violin Mastery
1919.
On archive.org as violinmastery0000fred.
59 pages read (scans 13 to 315)0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 13 | FOREWORD | Read | |
| 15 | CONTENTS | Read | |
| 16 | Contents | Read | |
| 21 | VIOLIN MASTERY | Read | |
| 22 | 2 | and talks with him for the first time is… | Read |
| 23 | 3 | standpoint, yet how firmly and solidly t… | Read |
| 24 | 4 | formed and influenced by the former. Man… | Read |
| 25 | 5 | violin virtuosity in the very best meani… | Read |
| 26 | 6 | more than I can recall at the moment—vio… | Read |
| 27 | 7 | His own definition of tone is worth reco… | Read |
| 28 | 8 | rhythm and poetic action the artist desi… | Read |
| 29 | 9 | "When I said that the string instruments… | Read |
| 30 | 10 | in which I believe I have embodied new t… | Read |
| 31 | 11 | violin in the generally accepted sense o… | Read |
| 32 | 12 | meister. And, finally, what I might call… | Read |
| 33 | 13 | ist's 'teens. His accomplishment then is… | Read |
| 38 | 16 | have encouraged them to develop freely i… | Read |
| 39 | 17 | alone. If I have a point to make I expla… | Read |
| 40 | 18 | Questioned as to how his various pupils… | Read |
| 42 | 20 | be able to give scholarships to the dese… | Read |
| 43 | 21 | but few great pupils, and composed but l… | Read |
| 44 | 22 | gering, nuances of expression, are more… | Read |
| 45 | 23 | nuance. You need only to take his quarte… | Read |
| 46 | 24 | believe that a musical prodigy, instead… | Read |
| 48 | 26 | National Academy of Music in Budapest, l… | Read |
| 49 | 27 | other hand, Auer's most notable contribu… | Read |
| 50 | 28 | help teach American students to approach… | Read |
| 51 | 29 | of course, unmusicianly tendencies. When… | Read |
| 52 | 30 | strength which is necessary for the fing… | Read |
| 53 | 31 | branches of bow technic. There is a knac… | Read |
| 54 | 32 | on without a sign of fatigue or uncertai… | Read |
| 55 | 33 | Concerto, when they are used to obtain a… | Read |
| 56 | 34 | timely application calls for good judgme… | Read |
| 57 | 35 | valuable Simon bow, now his, which had o… | Read |
| 66 | 42 | once played privately for Joachim in Ber… | Read |
| 70 | 46 | PROPORTION IN PRACTICE | Read |
| 71 | 47 | is a great teacher, and leaves much to t… | Read |
| 72 | 48 | confusion now—to play a recital in his o… | Read |
| 73 | 49 | "Auer was a great virtuoso player. He he… | Read |
| 74 | 50 | who can present anything he plays as a d… | Read |
| 75 | 51 | invention, in harmonic fullness. In Beet… | Read |
| 76 | 52 | TRANSCRIPTIONS | Read |
| 77 | 53 | A REMINISCENCE OF COLONNE | Read |
| 78 | 54 | V | Read |
| 79 | 55 | CHARLES MARTIN LOEFFLER AND FELIX WINTER… | Read |
| 82 | 58 | The first thing he gave me to study was,… | Read |
| 83 | 59 | first movement of the Beethoven concerto… | Read |
| 84 | 60 | most interesting experience. The musicia… | Read |
| 85 | 61 | by other bowings. To secure a good legat… | Read |
| 86 | 62 | spiccato, the arm may be brought into pl… | Read |
| 87 | 63 | are merely a nuisance and should not be… | Read |
| 88 | 64 | of the upper and lower notes but—they so… | Read |
| 89 | 65 | other strings. No wire string has the qu… | Read |
| 90 | 66 | VI | Read |
| 93 | 67 | Then, too, Mr. Hartmann is a genial and… | Read |
| 94 | 68 | string, on the West by the string hand—a… | Read |
| 95 | 69 | hand, not the hand to suit the violin, h… | Read |
| 194 | 158 | strings for which Stradivarius built his… | Read |
| 315 | 267 | STRADIVARIUS AND GUARNERIUS PLAYERS | Read |