Books › Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919 › scan 254
Scan 254
Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919
6 lines. Read by computer on 3 September 2026. Printed page 216. See the scan on archive.org.
1SOME PERSONAL VIEWS AND REFLECTIONS
3"You ask me to tell you something of my own musical preferences. Well, take the concertos. I have reached a point where the Mendelssohn, Mozart, Beethoven, Bach and Brahms concertos seen to sum up what is truly worth while. The others begin to bore me; even Bruch! Paganini, Wieniawski, etc., are mainly mediums of display. Most of the great violinists, Ysaye, Thibaud, etc., during recent years are reverting to the violin sonatas. Ysaye, for instance, has recently been playing the Lazzari sonata, a very powerful and beautiful work.
5"My experiences as a 'concertmaster'? I have played with Weingartner; Saint-Saëns (whose amiability to me, when he first visited this country, I recall with pleasure); Gustav Mahler, Tschaikovsky, Safonoff, Seidel, Bauer, and Walter Damrosch, whose friend and associate I have been for the last twenty-two years. He is a wonderful man, many-sided and versatile; a notably fine pianist; and playing chamber music with him during successive summers is numbered among my pleasantest recollections.
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