Books › Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919 › scan 335
Scan 335
Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919
6 lines. Read by computer on 3 September 2026. Printed page 287. See the scan on archive.org.
1technic demands that the fourth finger be every bit as strong and flexible as any of the others. By nature it is shorter and weaker, and beginners usually have great trouble with it—which makes perfect control of it all the more essential! And yet teachers, contrary to all sound principle and merely to save effort—temporarily—for themselves and their pupils, will often reject an edition of a method or book of studies merely because in its editing the fourth finger has not been deprived of its proper chance of development. I know of cases where, were it not for the guidance supplied by editorial revision, the average teacher would have had no idea of the purpose of the studies he was using. One great feature of good modern editions of classical study works, from Kreutzer to Paganini, is the double editorial numeration: one giving the sequence as in the original editions; the other numbering the studies in order of technical difficulty, so that they may be practiced progressively.
3A UNIQUE COLLECTION OF VIOLIN STUDIES
5"What special editorial work of mine has given me the greatest personal satisfaction in the doing? That is a hard question to answer.
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