Books › Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919 › scan 336
Scan 336
Violin mastery; talks with master violinists and teachers, comprising interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and others, 1919
2 lines. Read by computer on 3 September 2026. Printed page 288. See the scan on archive.org.
1Off-hand I might say that, perhaps, the collection of progressive orchestral studies for advanced violinists which I have compiled and annotated for the benefit of the symphony orchestra player is something that has meant much to me personally. Years ago, when I played professionally—long before the days of 'miniature' orchestra scores—it was almost impossible for an ambitious young violinist to acquaint himself with the first and second violin parts of the great symphonic works. Prices of scores were prohibitive—and though in such works as the Brahms symphonies, for instance, the 'concertmaster's' part should be studied from score, in its relation to the rest of the partitura—often, merely to obtain a first violin part, I had to acquire the entire set of strings. So when I became an editor I determined, in view of my own unhappy experiences and that of many others, to give the aspiring fiddler who really wanted to 'get at' the violin parts of the best symphonic music, from Bach to Brahms and Richard Strauss, a chance to do so. And I believe I solved the problem in the five books of the 'Modern Concert-Master,' which includes all those really difficult and important passages in the great repertory works of the symphony
The computer misreads some letters and numbers. Where a name matters to you, read the scan.