Bow & Bridge Violin and bow makers, as the old books printed them

Books › Violin tone and violin makers, 1916 › scan 209

Scan 209

Violin tone and violin makers, 1916

18 lines. Read by computer on 3 September 2026. Printed page 187. See the scan on archive.org.

1AND VIOLIN MAKERS
3additions and emendations by his son and the present writer, was issued in 1909. GEORGE HART II., son of the former, is the present head of the firm, and is a judge of wide experience of violins and violoncellos of the highest class.
5HASSERT, JOHANNES GEORGE CHRISTIAN.—Eisenach and Rudolstadt; eighteenth century. Instruments rarely seen in this country, but according to continental writers they are of good form, Italian style, and moderate arching. He worked until about 1775. A son, JOHANN CHRISTIAN, worked at Rudolstadt, and died there in 1823.
7HAUDEK, CARL.—Vienna; contemporary. Succeeded to business of Lemböck. He has obtained medals, but appears to have made few instruments; well known as a restorer.
9HAÜSSLER, GUSTAVE.—Cracow; contemporary. A maker who has obtained medals for his instruments in Cracow and Lemberg. Stradivari pattern.
11HAVELKA, JOHANN BAPTIST.—Linz; eighteenth century.
13HEBERLEIN.—A family of makers originating in Markneukirchen, and ranging in date from the early eighteenth century to the present time. Some fifteen or sixteen makers of the name are enumerated. The best known of these is HEINRICH THEODORE, who died in 1910, and was a first-class workman.
15HEESOM, EDWARD.—London; eighteenth century. Work very scarce and little known. Stainer pattern.
17HEINEL, OSKAR BERNHARD.—Markneukirchen;

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