111 makers. The earliest year printed is 1570, the latest 1924.
Every maker here has Rome in a printed line.
- 1602 Chelz, Stephan
Chelz, Stephan. — Rom. 1602.
- 1606 Andrea, Giovanni
Andrea, Giovanni. — Rom. 1606.
- 1606 Craile, M.
Craile (Graill), Magno. — Rom. 1606. 1631.
- 1606 Hec, Giovanni
Hec, Giovanni. — Rom. 1606.
- 1608 Forno
Forno, Christophoro del. — Rom. 1608.
- 1608 Lauro, Antonio
Lauro, Antonio. — Rom. 1608. 1610.
- 1610 Ecchio, G.
Ecchio, Giovanni. — Rom. 1610.
- 1610 Nona
Nona, Francesco della. — Rom. 1610. 1612
- 1610 Nona, Francesco della
Nona, Francesco della. — Rom. 1610. 1612.
- 1611 Giovannini, Giorgio
Giovannini, Giorgio. — Rom. 1611
- 1614 Cortaro, Antonio
Cortaro (Castaro, Corsaro), Antonio. — Rom. 1614.
- 1616 Portoghese, Francesco
Portoghese, Francesco. — Rom. 1616.
- 1620 to 1700 Juliano, Francesco
JULIANO, Francesco. Rome, 1620-70.
- 1623 Viganzio, Lodovico
Viganzio, Lodovico. — Rom. 1623.
- 1624 Calar, Giovanni
Calar, Giovanni. — Rom. 1624
- born 1625 Tedesco, Leopoldo
Tedesco (Todesco), Leopoldo, b. 1625. Was a pupil of Nicola Amati in Cremona, 1653-54. Afterwards worked in Rome; a violin dated from there in 1658 is made on the Amati pattern, and has good varnish, but the work is not highly finished.
- born 1625 Todini, Michele
Todini, Michele, b. in Saluzzo about 1625. He lived in Rome, where, in 1676, he published his "Dichiarazione della galleria armonica eretta …
- 1626 Ramolo, Giovanni
Ramolo, Giovanni. — Rom. 1626.
- 1635 Ursini, O.
Ursini, O. — Rom. 1635
- 1638 Leutis, Gerolamo de
Leutis, Gerolamo de. — Rom. 1638.
- 1640 Indelanch, Stephan
Indelanch, Stephan. — Rom. 1640. 1643.
- about 1660 Tedesco, Leopold
TEDESCO (Leopold) — Rome circa 1660. After having worked in Amati's workshops, this maker left and established himself at Rome where he made good instruments inspired by the master's model. If his workmanship is not of the first order, his varnish is compensatingly fine.
- 1666 Bassiano
BASSIANO, ——, Rome, 1666.
- 1675 Todini, Pietro
Todini, Pietro. — Rom. 1675.
- 1676 Todini, M.
Todini, M., Rome—1676.
- 1680 Tortobello
Tortobello, Rome—1680.
- 1680 Tortobello, Francesco
Tortobello, Francesco. A maker in Rome in 1680, who followed the Magnini pattern.
- 1690 to 1742 Tecchler, D.
Tecchler, D., Rome—1690-1742.
- 1700 Juliano, F.
Juliano, F., Rome—1700.
- 1704 to 1736 Emiliani, Francesco de
EMILIANI, FRANCESCO DE, Rome, 1704 to 1736.
- 1710 Guillani, Sanctus?
Guillani, Sanctus? — Rom. 1710.
- 1711 Teoditi, Gerolamo
Teoditi, Gerolamo. — Rom. 1711
- 1715 to 1729 Emiliani
Emiliani, Francesco de. A maker in Rome about 1715-29. He made some beautiful instruments, rather arched, the wood of excellent quality, the varnish a golden-yellow colour. Label: "Franciscus de Emilianis, fecit Roma, anno Dni, 1729."
- about 1716 Emiliani, Francesco
EMILIANI (Francesco) — Rome circa 1716. With a fine orange
- 1716 Gualzatta, Benedetto
Gualzatta, Benedetto. — Rom. 1716. 1726.
- 1720 to 1750 Horil, Giacomo
HORIL, Giacomo. Rome, 1720-50.
- 1720 to 1759 Horil, Jakob
HORIL, JAKOB, Vienna, Rome, 1720 to 1759.
- 1720 to 1750 Platner, Michael
PLATNER, MICHAEL.—Rome; 1735-50. His was probably of German origin. His work belongs to the school of Tecchler, and it is not unlikely he …
- 1720 Smorzone, Giovanni
Smorzone (Smorsone), Giovanni. — Rom. 1720. 1724 (vgl. Sainsione)
- 1720 to 1740 Toppani
Toppani, Angelo de. A maker in Rome about 1720-40. His instruments, which are rarely seen, are similar to those of Techler, but are more arched; the varnish is a golden-yellow colour, and the sound-holes are cut large. Label: "Angelus de Toppanis fecit Romæ, anno Dni. 1740."
- 1721 to 1762 Gigli, Julio Cesare
Gigli, Julio Cesare. Worked in Rome about 1730-62. Label: "Julius Cæsar Gigli Romanus fecit Romæ, anno 1761."
- 1725 Hamm, John-Gottfried
HAMM (John-Gottfried) — Rome 1725. Large pattern. Branded. (See German school).
- 1725 Sainsione, Giovanni
Sainsione, Giovanni. — Rom. 1725.
- 1730 Ambrogi, P.
Ambrogi, P., Rome—1730.
- 1730 Ambrogi, Pietro
AMBROGI, Pietro, Rome, 1730. Average merit. Somewhat resembles Balestrieri. The head leans to the German character.
- 1730 Ambrosi, P.
Ambrosi, P., Brescia, Rome, 1730. Reputedly somewhat common work.
- 1730 to 1762 Gigli, Giulio Cesare
Gigli, Giulio Cesare. Worked in Rome about 1730-62. Label: "Julius Caesar Gigli Romanus fecit Romae, anno 1761."
- 1730 to 1753 Gigli, J. C.
Gigli, J. C., Rome—1730-53-58-61.
- 1731 Ferrari, Gasparo
Ferrari (Ferraro), Gasparo. — Rom. 1731. 1760.
- 1731 Ferrari, Gasparo
Ferrari (Ferraro), Gasparo. — Rom. 1731. 1776
- 1735 to 1785 Pansani, A.
Pansani, A., Rome—1735-85
- 1735 to 1785 Panzani, Antonio
Panzani (Pansani), Antonio. A celebrated maker in Rome about 1735-85.
- about 1735 Tanigardi, Georgio
Tanigardi (Taningard), Georgio. Was working in Rome about 1735. Labels: "Georgius Tanigardus fecit Romae, anno 1735," and "Georgio Tanigardi fecit Romae, 17—."
- 1735 to 1750 Taningard, Gio
TANINGARD, GIO. GIORGIO, Rome, 1735 to 1750.
- 1735 Tecchler, Anton Hieronymus
Tecchler (Tekler), Anton Hieronymus. — Rom (?). 1735
- 1735 to 1750 Toppani, (Michel) Angelo (de)
TOPPANI (TAPPANI), (MICHEL) ANGELO (DE), Rome, 1735 to 1750.
- 1740 Assalone, Gaspare
Assalone, Gaspare. A maker in Rome, 1740. His instruments are made on the Amati pattern, but are too much arched; the varnish is yellow, of poor quality
- about 1740 Platner, Michel
PLATNER (Michel) — Rome circa 1740. Arched in the centre Hollowed out near the edges. Yellow varnish. Affected style. Scroll particularly well carved. No 199.
- about 1740 Taningard, Giorgio
TANINGARD (Giorgio) — Rome circa 1740. Dark red varnish. His instruments are a little arched. No 343.
- 1742 Harford, Patrik (Patritius)
Harford, Patrik (Patritius). — Rom. 1742.
- about 1742 Horil, Jacob
HORIL, Jacob, Rome, about 1742.
- about 1745 Toppani, Angelo de
TOPPANI (Angelo de) — Rome circa 1745. Pupil of David Tecchler. Slightly arched instruments. Gilt yellow varnish. Sound holes German fashion. Long corners. No 311.
- 1747 Platner, M.
Platner, M., Rome—1747.
- 1747 Platner, Michele
Platner, Michele. Probably a Swiss. Was working in Rome in 1747. His instruments show very fair workmanship; they are rather arched, the scroll is well cut, the varnish is a golden-red colour. Label: "Michael Platner fecit Romae, anno 1747."
- 1748 Tecchler, Andreas
Tecchler (Thecler), Andreas. — Rom. 1748
- about 1750 Ferrari, Gasparo
FERRARI (Gasparo) — Rome circa 1750. Work with qualities, very effective and good light yellow varnish. This maker is also known for his mandolines, lutes and archlutes.
- about 1750 Gigli, Julius-Cesaro-Romanus
GIGLI (Julius-Cesaro-Romanus) — Rome circa 1750. See under Romani.
- about 1750 Horil, Jacobus
HORIL (Jacobus) — Rome circa 1750. German style. Yellow varnish. Good make. No 316.
- about 1750 Orelli, Joseph
ORELLI (Joseph) — Rome circa 1750. Excellent make, carefully selected woods. Varnish of good quality.
- 1751 Pollusha, A.
Pollusha, A., Rome—1751.
- 1751 Pollusha, Antonio
POLLUSHA, ANTONIO, Rome, 1751.
- about 1760 Liainer, Alberto
LIAINER (Alberto) — Rome circa 1760. Medium class work. No 326.
- about 1760 Romani, Julius-Cesar-Gigli
ROMANI (Julius-Cesar-Gigli) — Rome circa 1760. Fine make. Gold yellow varnish. Small FF, Tecchler manner near edges. Narrow middle bouts. Graceful scroll. Pointed corners. See Gigli.
- 1760 Salino, Giov
Salino, Giov. Batt. — Rom. 1760.
- 1760 Salino, J. B.
Salino, J. B. A maker in Rome in 1760. His instruments were very arched, with varnish of bad quality, brown shading into black in colour; the work not well finished. Label: "J. B. Salino fecit Roma, anno 1760."
- 1763 Hetel, G.
HETEL, G., Rome, 1763.
- 1770 Marino, Bernardo (Bernardino)
Marino, Bernardo (Bernardino). — Rom. 1770. 1805
- 1778 Sante, Giuseppe
SANTE (GIUSEPPE). — Rome, 1778.
- 1780 to 1810 Hamm, Johann Gottfried
Hamm, Johann Gottfried. A German who worked in Rome about 1810. Instruments are known, with ivory edges, in which his name is branded.
- about 1780 Ugar, Crescendo
UGAR (Crescendo) — Rome circa 1780. Ordinary work. Brown varnish. German style.
- 1785 Pansani, Antonio
PANSANI, ANTONIO, Rome, 1785.
- 1790 Ugar, Crescenzi
Ugar, Crescenzi. A maker in Rome in 1790. His work is German in character, he used brown varnish.
- 1790 Ugar, Crescenzio
Ugar, Crescenzio. A maker in Rome in 1790. His work is German in character, he used brown varnish.
- 1795 Rosa, Agostino
Rosa, Agostino. — Rom. 1795.
- 1797 Maghetti, Sev
Maghetti, Sev. — Rom. 1797.
Some names appear twice under different spellings. Each is one book's spelling.