Bow & Bridge

Santo, Santino

As printed

  1. An encyclopedia of the violin (1925)

    SANTO (SANZO, SANZIO), SANTINO, Milan, 1684 to 1700.

    scan page 62, line 38; scan page 64, line 75See the scans: 62, 64source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 62, line 38

    1. SANTE, ——, Pesaro, 1670.
    2. SANTE (SANTO), GIUSEPPE, Rome, 1778.
    3. SANTO (SANTI), GIOVANNI, Naples, 1700 to 1740.
    4. SANTO (SANZO, SANZIO), SANTINO, Milan, 1684 to 1700.
    5. SAPINO (SERPINO, SARPINO), ——, 16th century.
    6. SARACINI (SARACENI), DOMENICO, Florence, 1655.
    7. SARDI, ——, Venice, 1649.

  2. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Santo (Sanzo, Sanzio), Santino. — Mailand.

    scan page 441, line 8See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 441, line 8

    1. 1740
    2. Er ahmte Nic. Amati nach; seine Violinen haben kleines Modell und roten Lack und sind nur von geringer Schönheit.
    4. Santo (Sanzo, Sanzio), Santino. — Mailand.
    5. 1684. 1700
    6. In seinen besten Arbeiten kommt er Grancino nahe, an dessen Modell das seine auch erinnert. Vidal schreibt Sentino.

Named in 2 books printed between 1922 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

Know something about this maker? Tell us.

Details and sources

Record note

What this record rests on is An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922), naming this maker and nothing more. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Nothing else on this site confirms it and no claim has been invented beyond that naming — not established, until someone can tell us more.

What the books say

Places and dates of work
SANTO (SANZO, SANZIO), SANTINO, Milan, 1684 to 1700. reported1
Places and dates of work
SANTO (SANZO, SANZIO), SANTINO, Milan, 1684 to 1700. reported1
Places and dates of work
Santo (Sanzo, Sanzio), Santino. — Mailand. reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS IN EUROPE”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 2 sources, both read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.

  1. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

    scan page 62, line 38

  2. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

    scan page 64, line 75

  3. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

    scan page 441, line 8