Socquet, Louis

As printed

  1. A dictionary of violin makers (1896)

    Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of “Au Génie de l’harmonie.” His instruments are not well made. A …

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    1. inscription in a little pocket violin in the Paris Conservatoire Collection.
    2. Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of "Au Génie de l'harmonie." His instruments are not well made. A violin and a five-stringed viol dated 1755 are known, and an alto of 1769. Two other labels are dated 1765 and 1771 respectively. He was living in the place du Louvre, 1775-79.
    3. Sohn, Walter. Worked in Vienna. In a guitar is the label: "Walter Sohn in Wien."
  2. A dictionary of violin makers (n.d.)

    Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of ‘Au Génie de l’harmonie.’ His instruments are not well made. A …

    scan page 94, line 2; scan page 94, line 3See the scans: 94, 94source record

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    scan page 94, line 2

    1. inscription in a little pocket violin in the Paris Conservatoire Collection.
    2. Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of 'Au Génie de l'harmonie.' His instruments are not well made. A violin and a five-stringed viol dated 1755 are known, and an alto of 1769. Two other labels are dated 1765 and 1771 respectively. He was living in the place du Louvre, 1775-79.
    3. Sohn, Walter Worked in Vienna. In a guitar is the label: 'Walter Sohn in Wien
    4. Soliani, Angelo A maker in Modena, 1752-1810.
    5. Somer, Nicolas. A maker in Paris about 1725-50.
  3. Old violins (1905)

    SOCQUET, Louis. Paris, 1750-80. Not good.

    scan page 297, line 14See the scan

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    1. SNOECK (Schnoeck), Egidius. Brussels, 1731. Amati pattern; dark reddish varnish.
    2. SNOECK, Marc. Brussels, 1744. Clever repairer.
    3. SOCCHI, Vincenzo. Bologna, 1661.
    4. SOCQUET, Louis. Paris, 1750-80. Not good.
    5. SOLIANI, Angelo. Modena, 1752-1810.
    6. SOMER, Nicolas. Paris, 1725-50.
    7. SPELLER. A German maker, 18th century.
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  1. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Socquet, Louis. — Paris. 1750—1800

    scan page 477, line 11See the scan

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    1. Socol, Pio. — Genua
    2. Ein Geigenmacher des 19. Jahrhunderts, der wenig Ruf besaß.
    3. Socquet, Louis. — Paris. 1750—1800
    4. Ein Geigenmacher zweiten Ranges aus Mirecourt, der das Ladenschild: »Au Génie de l’Harmonie« führte und 1775—1779 Place du Louvre wohnte. Er arbeitete fabriksmäßig, wenn auch nicht unsauber. Vidal erzählt, daß die Mirecourter, wenn sie eine recht gewöhnliche Geige in die Hand bekämen, geringgeschätzend sagten: »Das ist eine Socquet«, und daß diese Redensart sich als Sprichwort bis heute erhalten habe. Seine Violoncelli haben kleines Patron. Sein Lack ist schmutzig gelb. Seine älteren Arbeiten sind durchaus vorzuziehen, er scheint übrigens erst in der zweiten Hälfte seines Lebens zur handwerksmäßigen Arbeit herabgesunken zu sein. Man hat daher schon die Behauptung aufgestellt, daß es zwei Socquets gegeben haben müsse, einen guten und einen schlechten, wofür aber jeder Beweis fehlt.
    5. Geigenzettel: Abb. 698.
  2. An encyclopedia of the violin (1925)

    SOCQUET, LOUIS, Paris, 1750, 1800.

    scan page 65, line 25; scan page 67, line 23See the scans: 65, 67source record

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    1. SNEIDER, JOSEPH, Pavia, 1701 to 1718.
    2. SNOECK (SCHNOECK), EGIDIUS, Brussels, 1700 to 1730.
    3. SOCCHI, VINCENZO, Bologna, 1661.
    4. SOCQUET, LOUIS, Paris, 1750, 1800.
    5. SOLIANI, ANGELO, Modena, b. 1752, still living in 1810.
    6. SOMER, NICOLAS, Paris, 1725, d. 1776.
    7. SORSANA, SPIRITO, Coni, 1714 to 1736.
  3. An encyclopedia of the violin (n.d.)

    SOCQUET, LOUIS, Paris, 1750, 1800.

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    scan page 69, line 25

    1. SNEIDER, JOSEPH, Pavia, 1701 to 1718.
    2. SNOECK (SCHNOECK), EGIDIUS, Brussels, 1700 to 1730.
    3. SOCCHI, VINCENZO, Bologna, 1661.
    4. SOCQUET, LOUIS, Paris, 1750, 1800.
    5. SOLIANI, ANGELO, Modena, b. 1752, still living in 1810.
    6. SOMER, NICOLAS, Paris, 1725, d. 1776.
    7. SORSANA, SPIRITO, Coni, 1714 to 1736.

Named in 6 books printed between 1896 and 1925. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 6 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

One or more sources name this maker, and this record states only that: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); An encyclopedia of the violin (1925); An encyclopedia of the violin (1925); An Encyclopedia of the Violin (1926); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922); Old violins (1905). Entries from 6 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Beyond what is printed there, nothing on this site confirms this record and no claim has been invented — not established, and we want to hear from you if you can change it.

What the books say

Places and dates of work
Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of ‘Au Génie de l’harmonie.’ His instruments are not well made. A … reported1
Places and dates of work
Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of ‘Au Génie de l’harmonie.’ His instruments are not well made. A … reported1
Places and dates of work
Socquet, Louis. A maker in Paris about 1750-80; he worked at the sign of “Au Génie de l’harmonie.” His instruments are not well made. A … reported1
Places and dates of work
SOCQUET, LOUIS, Paris, 1750, 1800. reported1
Places and dates of work
SOCQUET, LOUIS, Paris, 1750, 1800. reported1
Places and dates of work
SOCQUET, LOUIS, Paris, 1750, 1800. reported1
Places and dates of work
Socquet, Louis. — Paris. 1750—1800 reported1
Places and dates of work
SOCQUET, Louis. Paris, 1750-80. Not good. reported1

How the pages were read

8 of the 8 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 3 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “VIOLIN MAKERS IN EUROPE”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 6 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

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  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

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  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

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  4. Alberto Bachmann, An encyclopedia of the violin (1925). archive.org, encyclopediaofvi0000albe_h3k7. https://archive.org/details/encyclopediaofvi0000albe_h3k7.machine textcited for 1 linesource record

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  5. Bachmann, Alberto and Ysaye, Eugene, An encyclopedia of the violin (New York, Da Capo Press, n.d.). archive.org, encyclopediaofvi0000bach_r6r5. https://archive.org/details/encyclopediaofvi0000bach_r6r5.machine textcited for 1 linesource record

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  6. Alberto Bachmann, An Encyclopedia of the Violin (1925). archive.org, encyclopediaofvi0000albe_u1d5. https://archive.org/details/encyclopediaofvi0000albe_u1d5.machine textcited for 1 linesource record

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  7. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

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  8. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

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