Books › Joseph Guarnerius, his work and his master [Andreas Gisalberti] (1906)
Joseph Guarnerius, his work and his master [Andreas Gisalberti]
Petherick, Horace. London: "The Strad" Office [etc.]; New York : C. Scribner's Sons, 1906.
On archive.org as josephguarnerius00peth_0.
69 pages read (scans 11 to 312)0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 11 | PREFATORY REMARKS. | Read | |
| 12 | PREFATORY REMARKS. | Read | |
| 13 | being exported not by parcels of ten or… | Read | |
| 14 | CONTENTS. | Read | |
| 15 | CONTENTS. | Read | |
| 16 | CONTENTS. | Read | |
| 18 | LIST OF PLATES. | Read | |
| 19 | JOSEPH GUARNERIUS: | Read | |
| 20 | 2 | outcome, simply, of the classifying tend… | Read |
| 21 | 3 | Naturally enough, during the contest for… | Read |
| 22 | 4 | the goal of their ambition was the attai… | Read |
| 23 | 5 | There can be no mistake that in estimati… | Read |
| 32 | 14 | There appears to have been much done in… | Read |
| 33 | 15 | That this maker was well known at Cremon… | Read |
| 34 | hook, will be evident when we hear of so… | Read | |
| 48 | If this be conceded, there are several o… | Read | |
| 50 | 20 | ing over it carefully for some time, I s… | Read |
| 70 | 34 | striking similarity of his workmanship i… | Read |
| 71 | 35 | accounted for unless we take into consid… | Read |
| 72 | 36 | the registry in the Cathedral in Cremona… | Read |
| 73 | 37 | enthusiastic collector, that there were… | Read |
| 74 | 38 | who was not a Guarneri, not a Stradivari… | Read |
| 75 | 39 | the peculiarity in the main consist, whe… | Read |
| 76 | 40 | suggestions thrown out by his master's m… | Read |
| 77 | 41 | There is much indication of sound reason… | Read |
| 92 | 50 | That this was in the power of young Jose… | Read |
| 93 | 51 | istics, are lengthened and placed more u… | Read |
| 97 | 55 | With regard to Andrea Gisalberti, he bei… | Read |
| 98 | 56 | almost wet as if done yesterday. This is… | Read |
| 99 | 57 | of working. The hole wherein the nail wa… | Read |
| 100 | 58 | The continuous rib was not cut through i… | Read |
| 101 | 59 | CHAPTER VII. | Read |
| 102 | 60 | concerned in the proper emission of the… | Read |
| 103 | 61 | A long time back it was pointed out that… | Read |
| 104 | 62 | Some time back there turned up a violin… | Read |
| 105 | 63 | Joseph Guarnerius | Read |
| 118 | 70 | This ticket was placed in an unusual pos… | Read |
| 125 | 77 | is owing to the bad habits and rough tre… | Read |
| 126 | 78 | ditions; the manner of contraction frequ… | Read |
| 127 | 79 | CHAPTER IX. | Read |
| 128 | 80 | printed as the 1716 one of Parma, we may… | Read |
| 129 | 81 | fore advantageous to himself. We may thu… | Read |
| 130 | 82 | the sound holes. These, which it will be… | Read |
| 131 | 83 | differ from him in conception of the com… | Read |
| 132 | 84 | much alike, with the broad curl mostly a… | Read |
| 133 | 85 | tact with them, that these violins were… | Read |
| 134 | 86 | accordance with the usual way, or dispos… | Read |
| 135 | 87 | men, rather than of one who seemed to be… | Read |
| 136 | 88 | This was probably his last place of work… | Read |
| 137 | 89 | tance. Exquisite form therefore must be… | Read |
| 138 | 90 | schools. There is a beautiful subdued gl… | Read |
| 140 | 92 | The violin on the preceding page has the… | Read |
| 168 | 100 | not appear to have been a dearth, althou… | Read |
| 169 | 101 | to look heavier, indeed, more so than th… | Read |
| 170 | 102 | work is such that more than a mere glanc… | Read |
| 171 | 103 | or mechanical sequence as being a deside… | Read |
| 172 | 104 | subject, there is some amount of difficu… | Read |
| 173 | 105 | We may, therefore, take it as settled co… | Read |
| 174 | 106 | under personal observation—and such an a… | Read |
| 175 | 107 | on the contrary, of thoughtful, earnest… | Read |
| 176 | 108 | CHAPTER XI. | Read |
| 177 | 109 | gaze of what we will now suppose to be h… | Read |
| 182 | 114 | yellow, orange and light brown, the latt… | Read |
| 196 | 128 | same lines as his former master, with co… | Read |
| 197 | 129 | suppose the liutaro, Joseph Guarnerius,… | Read |
| 198 | 130 | portions. He was, however, Italian to th… | Read |
| 199 | 131 | immortals" of his art, does not in any o… | Read |
| 311 | 213 | There are a few further remarks that may… | Read |
| 312 | 214 | among the increasing numbers of the viol… | Read |