Books โบ Music For The Violin and Viola Vol-ii, 1948 โบ scan 41
Scan 41
Music For The Violin and Viola Vol-ii, 1948
41 lines. Read by computer on 23 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1COMPOSER TITLE, KEY & OP. GR. REMARKS one of two readings
3Ernst, Heinrich Hungarian Melodies, C [address hidden] charming Hungarian themes with variations offer opportunity for technical display such as scales in thirds, octaves, and tenths, harmonics, arpeggios, long scales in ricochet bowing, spiccato, etc. Rubato playing and singing tone also are called for. one of two readings
5Op. 22 one of two readings
7Concerto in F-sharp C [address hidden] moderato ๐
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ฅ = 104, pompous and strutting. Excellent for developing technique. Its musical value is debatable. A very difficult piece. one of two readings
8Minor, Op. 23 (Auer) one of two readings
10Faure, Gabriel Sonata in A Major, C [address hidden] ๐
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ฅ = 126, sunny, romantic, enthusiastic; sometimes passionate, aglow with the joy of living. There are also poetic moments and moments of mystery. one of two readings
12Op. 13 one of two readings
14Andante ๐
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ฅ = 56. The opening suggests a transparent, fleeting but reflective mood. Beginning with the espressivo, the character changes to one of fervor and animation, even passion. These contrasting moods interchange, creating moments of serene spirituality and high points of dramatic fervor. one of two readings
16Allegro vivo ๐
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ฅ = 152. The character of the opening is sparkling, effervescent, and playful. The 3/4 section is singing and expressive. one of two readings
18Allegro quasi presto ๐
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ฅ = 176. Its graceful, melodic flow is contrasted by syncopated phrases of driving passion. The end is brilliant and dashing. one of two readings
19<table> one of two readings
20 <tr> one of two readings
21 <th>COMPOSER</th> one of two readings
22 <th>TITLE, KEY & OP. GR.</th> one of two readings
23 <th>REMARKS</th> one of two readings
24 </tr> one of two readings
25 <tr> one of two readings
26 <td>Ernst, Heinrich</td> one of two readings
27 <td>Hungarian Melodies, C 3<br>Op. 22</td> one of two readings
28 <td>Three charming Hungarian themes with variations offer opportunity for technical display such as scales in thirds, octaves, and tenths, harmonics, arpeggios, long scales in ricochet bowing, spiccato, etc. Rubato playing and singing tone also are called for.</td> one of two readings
29 </tr> one of two readings
30 <tr> one of two readings
31 <td></td> one of two readings
32 <td>Concerto in F-sharp C 3<br>Minor, Op. 23 (Auer)</td> one of two readings
33 <td><u>Allegro moderato</u> ๐
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ฅ = 104, pompous and strutting. Excellent for developing technique. Its musical value is debatable. A very difficult piece.</td> one of two readings
34 </tr> one of two readings
35 <tr> one of two readings
36 <td>Faurรฉ, Gabriel</td> one of two readings
37 <td>Sonata in A Major, C 2<br>Op. 13</td> one of two readings
38 <td><u>Allegro</u> ๐
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ฅ = 126, sunny, romantic, enthusiastic; sometimes passionate, aglow with the joy of living. There are also poetic moments and moments of mystery.<br><u>Andante</u> ๐
๐
ฅ = 56. The opening suggests a transparent, fleeting but reflective mood. Beginning with the <u>espressivo</u>, the character changes to one of fervor and animation, even passion. These contrasting moods interchange, creating moments of serene spirituality and high points of dramatic fervor.<br><u>Allegro vivo</u> ๐
๐
ฅ = 152. The character of the opening is sparkling, effervescent, and playful. The 3/4 section is singing and expressive.<br><u>Allegro quasi presto</u> ๐
๐
ฅ = 176. Its graceful, melodic flow is contrasted by syncopated phrases of driving passion. The end is brilliant and dashing.</td> one of two readings
39 </tr> one of two readings
40</table> one of two readings
The computer misreads some letters and numbers. Where a name matters to you, read the scan.