Books › The American history and encyclopedia of music .. (1908)
The American history and encyclopedia of music ..
1908.
On archive.org as americanhistorye12hubbiala.
66 pages read (scans 5 to 491)0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 5 | THE AMERICAN HISTORY AND ENCYCLOPEDIA OF… | Read | |
| 23 | A STUDY ON VIOLIN PLAYING | Read | |
| 24 | slight leaning forwards of head, shoulde… | Read | |
| 25 | 5 | The violin must be held straight ahead,… | Read |
| 26 | 6 | The pupil must learn the difference betw… | Read |
| 27 | 7 | The pupil, before starting with the high… | Read |
| 28 | 8 | The study of exercises (études) must acc… | Read |
| 29 | 9 | Simon —— Berceuse. | Read |
| 30 | 10 | simplicity in execution and the student… | Read |
| 31 | 11 | Hauser, Op. 43, Hungarian Rhapsodie in D… | Read |
| 32 | 12 | Rode's, but as it contains elements of a… | Read |
| 33 | 13 | It may be of interest to the young stude… | Read |
| 34 | 14 | Mendelssohn. Concerto. | Read |
| 35 | 15 | velocity in all technical matters, a man… | Read |
| 36 | 16 | Beethoven. Concerto. | Read |
| 37 | 17 | It is advisable to have the pupil, when… | Read |
| 38 | 18 | This is the version of the composer to t… | Read |
| 39 | 19 | gance, or vice versa. That gives the stu… | Read |
| 40 | 20 | One of the good results arising from the… | Read |
| 48 | ANALYSIS OF CONTENTS. | Read | |
| 49 | ADVANCED VIOLIN INSTRUCTION | Read | |
| 50 | the entire twelve lessons. Being a summa… | Read | |
| 51 | 27 | ADVANCED VIOLIN INSTRUCTION | Read |
| 52 | 28 | part of the left hand is worse than usel… | Read |
| 53 | 29 | or other unnecessary movements of the bo… | Read |
| 54 | 30 | may retain a slight arch. A straight or… | Read |
| 55 | 31 | ADVANCED VIOLIN INSTRUCTION | Read |
| 56 | 32 | stant retention of the bow on the string… | Read |
| 57 | 33 | Although this wrist stroke or hand exten… | Read |
| 58 | 34 | (thumb, first and little fingers), at en… | Read |
| 59 | 35 | in this way the beginner's attention can… | Read |
| 60 | 36 | and positions at a distance from each ot… | Read |
| 61 | 37 | the glissando. In this form of scale the… | Read |
| 63 | 39 | Every step of the diatonic scale, beyond… | Read |
| 64 | 40 | exceptions to every rule and so there ar… | Read |
| 65 | 41 | LESSON V. | Read |
| 66 | 42 | crossings is because two things are bein… | Read |
| 67 | 43 | mized in order that the room for the bre… | Read |
| 70 | 46 | LESSON VII. | Read |
| 71 | 47 | bowing belong to the uninterrupted or co… | Read |
| 72 | 48 | Spiccato Arpeggios.—The arpeggio on thre… | Read |
| 73 | 49 | ing absolutely on relaxation, quietness… | Read |
| 74 | 50 | and the natural varying of finger length… | Read |
| 75 | 51 | in the higher positions, retains the sam… | Read |
| 76 | 52 | to think of the content. This system of… | Read |
| 77 | 53 | sure on the strings. This position must,… | Read |
| 78 | 54 | Further, the relationship (only as far a… | Read |
| 79 | 55 | rules, with the exception that the chord… | Read |
| 80 | 56 | by fastening or fitting a small clasp or… | Read |
| 81 | 57 | The left hand pizzicato is done by vehem… | Read |
| 91 | SOME REMARKS ON QUARTET PLAYING | Read | |
| 92 | ity (this is especially true of the firs… | Read | |
| 93 | 65 | the viola, thus the lower strings of the… | Read |
| 94 | 66 | acter of the movement at once shows that… | Read |
| 116 | 84 | teenth Century, when it was discovered t… | Read |
| 117 | 85 | This system of notation is a direct pict… | Read |
| 125 | 93 | in combining the advantages of both gut… | Read |
| 126 | 94 | perfection, and his six sonatas for the… | Read |
| 151 | 115 | of the degree upon which the note is pla… | Read |
| 449 | École de la Junesse, ou Le Barnevelt Fra… | Read | |
| 450 | Enrico Clifford, O., ii, 357. | Read | |
| 451 | Europe, musical instruments of: | Read | |
| 452 | INDEX | Read | |
| 453 | Fête du Village Voisin, La, O., ii, 361. | Read | |
| 454 | INDEX | Read | |
| 491 | INDEX | Read |