Books › The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others (1875)
The violin: its famous makers and their imitators. With numerous wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others
1875.
On archive.org as violinitsfamous00hart.
43 pages read (scans 15 to 78)0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 15 | The Violin: | Read | |
| 19 | Dedication. | Read | |
| 20 | at length happily successful. M. Vieuxte… | Read | |
| 21 | Dedication. | Read | |
| 23 | CONTENTS. | Read | |
| 24 | Contents. | Read | |
| 25 | Contents. | Read | |
| 26 | Contents. | Read | |
| 27 | Contents. | Read | |
| 30 | Contents. | Read | |
| 35 | THE VIOLIN. | Read | |
| 36 | 2 | had any knowledge of instruments played… | Read |
| 37 | 3 | where of a bow prior to that of M. de Co… | Read |
| 38 | 4 | mencement of the eighteenth century. Mar… | Read |
| 39 | 5 | pedestal when played, as also the Accord… | Read |
| 43 | 7 | SECTION II. | Read |
| 44 | 8 | deserving of comparison with the works o… | Read |
| 45 | 9 | upon its varied surface, one leading to… | Read |
| 46 | 10 | in the arrangement of the sound bar (whi… | Read |
| 47 | 11 | very general, and there is every reason… | Read |
| 48 | 12 | timber, the woodcuts given will assist t… | Read |
| 49 | 13 | the works of the Old Masters, who seem t… | Read |
| 50 | 14 | was like mosaic, when for a trifling sum… | Read |
| 51 | 15 | pieces, bent to the required form by mea… | Read |
| 52 | 16 | when it is considered that scarcely two… | Read |
| 53 | 17 | type be high built, the post requires to… | Read |
| 54 | 18 | altered in the case of the stop being lo… | Read |
| 55 | 19 | The nut, or rest, is that small piece of… | Read |
| 56 | 20 | In conclusion, I cannot refrain from cau… | Read |
| 57 | SECTION III. | Read | |
| 58 | strings which are manufactured at Rome a… | Read | |
| 62 | 24 | makings being analogous to October brewi… | Read |
| 65 | the lines from being perfectly clear. Th… | Read | |
| 66 | 26 | ment; and, again, he was a most forcible… | Read |
| 67 | 27 | rise in pitch, a disadvantage common to… | Read |
| 68 | 28 | SECTION IV. | Read |
| 69 | 29 | writer might be of handling such a subje… | Read |
| 70 | 30 | musical world, Corelli was writing his g… | Read |
| 71 | 31 | a great demand for bow instruments of a… | Read |
| 72 | Violin, and executants, there were numbe… | Read | |
| 76 | 34 | Amatis, and Stradiuarius were makers who… | Read |
| 77 | 35 | The first is that of Brescia, dating fro… | Read |
| 78 | 36 | early years in that city, and imbibed al… | Read |