Books › The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others (1880)
The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others
Hart, George, 1839-1891. London: Dulau, 1880.
On archive.org as violinitsfamousm00hart_0.
74 pages read (scans 39 to 302)138 names found104 makers on this site cite it
Towns it names most
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 39 | 25 | SECTION IV. | Read |
| 40 | 26 | men in Italy engaged in artistic vocatio… | Read |
| 41 | 27 | would be easy to continue this vein of t… | Read |
| 42 | 28 | Violin making was at its zenith, the lis… | Read |
| 44 | 30 | variations unless we consider the homeli… | Read |
| 45 | 31 | number of instruments manufactured in th… | Read |
| 46 | 32 | may, not inappropriately, be numbered wi… | Read |
| 51 | 35 | SECTION V. | Read |
| 52 | 36 | Declining, therefore, all speculation as… | Read |
| 53 | 37 | ordinary commodity in their days, and th… | Read |
| 56 | 40 | rically opposite effect is produced. The… | Read |
| 57 | 41 | SECTION VI. | Read |
| 66 | 50 | Numerous German makers, whose names will… | Read |
| 67 | 51 | ITALIAN MAKERS. | Read |
| 79 | 63 | ITALIAN MAKERS. | Read |
| 84 | 66 | GRANCINO, Paolo, Milan, 1665—1692. Pupil… | Read |
| 91 | 73 | specimens, which are, however, patterns… | Read |
| 92 | 74 | Joseph Filius Andreæ. He followed to som… | Read |
| 101 | 83 | unhappy copyist who is unable to compass… | Read |
| 107 | 89 | MANTEGATIA, Petrus Johannes, Mediolani,… | Read |
| 108 | 90 | of the great makers. For years his works… | Read |
| 109 | 91 | supply must attract notice. The prime qu… | Read |
| 110 | 92 | made between the work of Stradiuarius an… | Read |
| 114 | 96 | mostly of a plain description; the varni… | Read |
| 151 | 133 | in the style of Jacques Bocquay. The var… | Read |
| 155 | 137 | FRENCH MAKERS. | Read |
| 156 | 138 | annually to be awarded as a prize to the… | Read |
| 157 | 139 | working on any other model than that of… | Read |
| 164 | 146 | nel, so that when these pages on the Eng… | Read |
| 167 | 149 | In matters of magnitude, whether artisti… | Read |
| 178 | 160 | BOOTH, son of the above, Leeds. | Read |
| 179 | 161 | CUTHBERT, London, 17th century. Maker of… | Read |
| 180 | 162 | DICKESON, John, 1750—1780, a native of S… | Read |
| 181 | 163 | persons of taste, who readily admitted t… | Read |
| 182 | 164 | which enabled his son to profit consider… | Read |
| 183 | 165 | be forgotten. As copies of Amati such in… | Read |
| 194 | 176 | afterwards centred his attention upon th… | Read |
| 195 | 177 | Macdonald's; the beautiful Stradiuarius… | Read |
| 196 | 178 | JAY, Thomas, London. Related to the abov… | Read |
| 201 | 183 | PERRY AND WILKINSON, Dublin, 17— to 1830… | Read |
| 202 | 184 | ROSS or ROSSE, London, 1562. Made Viols… | Read |
| 203 | 185 | him. His varnish is equal to that on man… | Read |
| 204 | 186 | SECTION XI. | Read |
| 205 | 187 | Albani, the father of the celebrated mak… | Read |
| 211 | 193 | GERMAN MAKERS. | Read |
| 212 | 194 | Nicholas Amati. The backs are mostly of… | Read |
| 213 | 195 | GERMAN MAKERS. | Read |
| 214 | 196 | PARTH, Andreas Nicholas, Vienna, 18th ce… | Read |
| 226 | 208 | makers be excepted, there were none but… | Read |
| 227 | 209 | so far exceeded that which the Italians… | Read |
| 228 | 210 | by the works of the Amatis at the height… | Read |
| 229 | 211 | often credited with the charm which belo… | Read |
| 260 | 242 | of Sonatas for two Violins and a Bass, a… | Read |
| 261 | 243 | and simplicity of his modulation, he gre… | Read |
| 262 | 244 | was Lolli, born 1728, who wrote pleasing… | Read |
| 263 | 245 | part allotted to his own instrument, the… | Read |
| 264 | 246 | ability. Had he written nothing but the… | Read |
| 265 | 247 | nini's when played by others. He, above… | Read |
| 266 | 248 | and if they were rendered with anything… | Read |
| 267 | 249 | more of the study than the name they bea… | Read |
| 268 | 250 | In Henri Vieuxtemps we have a thorough m… | Read |
| 269 | 251 | in a gentleman. The Violin would seem to… | Read |
| 270 | 252 | the idea of Britton the "small-coal man,… | Read |
| 271 | 253 | society, humble enough in 1738, would gr… | Read |
| 272 | 254 | him a welcome guest, he was enabled to c… | Read |
| 273 | 255 | failed to appreciate Mr. Chappell's sche… | Read |
| 274 | 256 | passed into France with Viotti; indeed,… | Read |
| 275 | 257 | To describe the character and beauties o… | Read |
| 276 | 258 | From Bach to Handel is an easy step in o… | Read |
| 277 | 259 | and Pugnani were laid aside to give plac… | Read |
| 278 | 260 | played. Haydn used frequently to take th… | Read |
| 300 | 270 | declined to do so; in fact, though for t… | Read |
| 301 | 271 | Contra-Bass, was left by his will to the… | Read |
| 302 | 272 | addressed Mr. Cooke; "Oh, dear, Mr. Cook… | Read |
Makers from this book
104, A to Z. The first few: