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Books › The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others (1880)

The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others

Hart, George, 1839-1891. London: Dulau, 1880.

On archive.org as violinitsfamousm00hart_0.

74 pages read (scans 39 to 302)138 names found104 makers on this site cite it

Towns it names most

London23
Cremona9
Rome3
Paris3
Hamburg3
Naples2
Mittenwald2
Erfurt2
Palermo1
Mirecourt1
Manchester1
Northampton1

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

Scan Page Starts
39 25 SECTION IV. Read
40 26 men in Italy engaged in artistic vocatio… Read
41 27 would be easy to continue this vein of t… Read
42 28 Violin making was at its zenith, the lis… Read
44 30 variations unless we consider the homeli… Read
45 31 number of instruments manufactured in th… Read
46 32 may, not inappropriately, be numbered wi… Read
51 35 SECTION V. Read
52 36 Declining, therefore, all speculation as… Read
53 37 ordinary commodity in their days, and th… Read
56 40 rically opposite effect is produced. The… Read
57 41 SECTION VI. Read
66 50 Numerous German makers, whose names will… Read
67 51 ITALIAN MAKERS. Read
79 63 ITALIAN MAKERS. Read
84 66 GRANCINO, Paolo, Milan, 1665—1692. Pupil… Read
91 73 specimens, which are, however, patterns… Read
92 74 Joseph Filius Andreæ. He followed to som… Read
101 83 unhappy copyist who is unable to compass… Read
107 89 MANTEGATIA, Petrus Johannes, Mediolani,… Read
108 90 of the great makers. For years his works… Read
109 91 supply must attract notice. The prime qu… Read
110 92 made between the work of Stradiuarius an… Read
114 96 mostly of a plain description; the varni… Read
151 133 in the style of Jacques Bocquay. The var… Read
155 137 FRENCH MAKERS. Read
156 138 annually to be awarded as a prize to the… Read
157 139 working on any other model than that of… Read
164 146 nel, so that when these pages on the Eng… Read
167 149 In matters of magnitude, whether artisti… Read
178 160 BOOTH, son of the above, Leeds. Read
179 161 CUTHBERT, London, 17th century. Maker of… Read
180 162 DICKESON, John, 1750—1780, a native of S… Read
181 163 persons of taste, who readily admitted t… Read
182 164 which enabled his son to profit consider… Read
183 165 be forgotten. As copies of Amati such in… Read
194 176 afterwards centred his attention upon th… Read
195 177 Macdonald's; the beautiful Stradiuarius… Read
196 178 JAY, Thomas, London. Related to the abov… Read
201 183 PERRY AND WILKINSON, Dublin, 17— to 1830… Read
202 184 ROSS or ROSSE, London, 1562. Made Viols… Read
203 185 him. His varnish is equal to that on man… Read
204 186 SECTION XI. Read
205 187 Albani, the father of the celebrated mak… Read
211 193 GERMAN MAKERS. Read
212 194 Nicholas Amati. The backs are mostly of… Read
213 195 GERMAN MAKERS. Read
214 196 PARTH, Andreas Nicholas, Vienna, 18th ce… Read
226 208 makers be excepted, there were none but… Read
227 209 so far exceeded that which the Italians… Read
228 210 by the works of the Amatis at the height… Read
229 211 often credited with the charm which belo… Read
260 242 of Sonatas for two Violins and a Bass, a… Read
261 243 and simplicity of his modulation, he gre… Read
262 244 was Lolli, born 1728, who wrote pleasing… Read
263 245 part allotted to his own instrument, the… Read
264 246 ability. Had he written nothing but the… Read
265 247 nini's when played by others. He, above… Read
266 248 and if they were rendered with anything… Read
267 249 more of the study than the name they bea… Read
268 250 In Henri Vieuxtemps we have a thorough m… Read
269 251 in a gentleman. The Violin would seem to… Read
270 252 the idea of Britton the "small-coal man,… Read
271 253 society, humble enough in 1738, would gr… Read
272 254 him a welcome guest, he was enabled to c… Read
273 255 failed to appreciate Mr. Chappell's sche… Read
274 256 passed into France with Viotti; indeed,… Read
275 257 To describe the character and beauties o… Read
276 258 From Bach to Handel is an easy step in o… Read
277 259 and Pugnani were laid aside to give plac… Read
278 260 played. Haydn used frequently to take th… Read
300 270 declined to do so; in fact, though for t… Read
301 271 Contra-Bass, was left by his will to the… Read
302 272 addressed Mr. Cooke; "Oh, dear, Mr. Cook… Read

Makers from this book

104, A to Z.