Bow & Bridge Violin and bow makers, as the old books printed them

Books › Violins and other stringed instruments : how to make them ; with numerous engravings and diagrams (1906)

Violins and other stringed instruments : how to make them ; with numerous engravings and diagrams

Hasluck, Paul N. (Paul Nooncree), 1854-1931. London; New York: Cassell, 1906.

On archive.org as violinsandother00haslgoog.

69 pages read (scans 8 to 164)2 names found0 makers on this site cite it

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

Scan Page Starts
8 7 H352 Read
9 8 PREFACE. Read
10 9 CONTENTS. Read
11 LIST OF ILLUSTRATIONS. Read
12 8 VIOLINS AND STRINGED INSTRUMENTS. Read
13 VIOLINS Read
14 favour of artificially prepared wood, th… Read
15 11 MATERIALS AND TOOLS. Read
16 12 12 VIOLINS AND STRINGED INSTRUMENTS. Read
17 13 MATERIALS AND TOOLS. Read
21 17 MATERIALS AND TOOLS. Read
22 18 however, that a rounded spokeshave is a… Read
23 19 traverses the surface, shows it at a gla… Read
25 21 callipering, during which a careless str… Read
26 22 that the drill will rise when the pressu… Read
27 23 gauging will be required. All that is ne… Read
31 27 MATERIALS AND TOOLS. Read
32 28 28 VIOLINS AND STRINGED INSTRUMENTS. Read
33 29 MATERIALS AND TOOLS. Read
34 30 CHAPTER II. Read
35 31 MAKING VIOLIN MOULDS. Read
36 32 varius, Guarnerius, Amati, and Stainer,… Read
37 33 so that the centre line of the paper out… Read
39 35 undermost. This precaution is necessary… Read
40 36 in the inner pattern), but do not add th… Read
41 37 outside moulds, but for the mould just d… Read
43 39 MAKING VIOLIN MOULDS. Read
44 40 4) VIOLINS AND STRINGED INSTRUMENTS. Read
45 41 CHAPTER III. Read
46 42 for safety cramp them into position with… Read
47 43 VIOLIN MAKING: Read
55 51 which holds the blocks and the mould tog… Read
56 52 drawn 1⁄4 in. out of the mould, and the… Read
57 53 VIOLIN MAKING. Read
58 54 projection from purfling to rib-line a b… Read
59 55 holes must now be cut out with punches o… Read
60 56 little different treatment. When the hol… Read
61 57 VIOLIN MAKING. Read
62 58 back, to prevent the latter being marked… Read
65 61 square lines across the face at F H, and… Read
66 62 scroll. Between the gauge mark and the c… Read
67 63 and also across the bottom at T (Fig. 72… Read
68 64 CHAPTER IV. Read
69 65 in two half pints of methylated spirit;… Read
70 66 VIOLINS AND STRINGED INSTRUMENTS. Read
71 67 by using the spirit varnish given on p.… Read
72 68 with spirits of turpentine. Amber varnis… Read
73 69 VARNISHING AND FINISHING. Read
74 70 but should be about 1/8 in. higher than… Read
75 71 CHAPTER V. Read
76 72 72 VIOLINS AND STRINGED INSTRUMENTS. Read
77 73 DOUBLE BASS AND VIOLONCELLO. Read
78 74 saw, filling up the saw-kerf with glue,… Read
79 75 DOUBLE BASS AND VIOLONCELLO. Read
80 76 better leave it at least 1/4 in., as he… Read
81 77 CHAPTER VI. Read
82 78 78 VIOLINS AND STRINGED INSTRUMENTS. Read
83 79 JAPANESE ONE-STRING VIOLINS. Read
121 117 CHAPTER X. Read
137 133 <table> Read
138 134 specialist some years ago. It embodies s… Read
139 135 ZITHER MAKING. Read
140 136 the centre, or the greater portion of th… Read
141 137 execution may readily be acquired, as al… Read
149 145 long accurately into the angles formed b… Read
161 DULCIMER MAKING. Read
162 striking two notes at once, simple airs… Read
163 INDEX, Read
164 11 INDEX. Read