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Books › The violin: its famous makers and their imitators (1884)

The violin: its famous makers and their imitators

Hart, George, 1839-1891. London, Dulau and co. [etc.], 1884.

On archive.org as violinitsfamousm84hart.

507 pages read (scans 35 to 595)522 names found174 makers on this site cite it

Towns it names most

Paris13
London9
Cremona7
Vienna6
Brescia5
Mirecourt4
Venice4
Hamburg4
Nuremberg4
Leeds3
Turin3
Prague3

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

Scan Page Starts
35 and a thorough artist; his model origina… Read
36 CONTENTS. Read
37 FENDT, BERNARD; a born Fiddle-maker; a f… Read
38 Jaye, Henry, Viol-maker—Jay, Thomas—Jay,… Read
41 CONTENTS. Read
42 CONTENTS. Read
43 Society of Musicians"—Handel legacy to t… Read
44 —The King and the Player—Sir Walter Scot… Read
45 List of Illustrations. Read
46 ILLUSTRATIONS. Read
47 THE VIOLIN. Read
48 doubtful than the identity of the "Man i… Read
49 3 Violist named Jean Rousseau. The author,… Read
50 4 view, it need scarcely be said, is the m… Read
51 5 nearly two thousand years. If this infor… Read
52 6 many centuries later than that we are no… Read
53 7 Rebab was taken to Spain by the Moors "f… Read
54 8 to three. Dr. Shaw, who had seen it, cal… Read
55 9 worthy of notice in relation to the opin… Read
56 10 That such dances should have been accomp… Read
57 11 with the European Violin—may have been,… Read
58 12 little else than a rude historical outli… Read
59 13 it perfectly Gothic." "I suppose that at… Read
60 14 Fiddle kind, and which may be accepted a… Read
61 15 He quotes writers of different epochs re… Read
62 representation of a Saxon Fiddle contain… Read
65 that in the hands of the Saxon Gleeman i… Read
66 is important as furnishing evidence of h… Read
67 done to the sound of the voice, next to… Read
68 customs of peoples have also to be consi… Read
69 21 the courts of her princes, about the mid… Read
70 22 construction of the oldest Italian Viols… Read
71 23 since Brensius worked. We see from a rep… Read
72 24 changed in the upper portion of the body… Read
73 25 as to three-stringed Violins, of the for… Read
74 26 SECTION II. Read
75 27 Violin has thus hitherto baffled all att… Read
76 28 us of the windings of a gentle stream or… Read
77 29 diapason being higher than in former tim… Read
78 30 woods were used. It is possible that the… Read
79 31 technically known as a "whole back;" sec… Read
80 acoustic properties of the wood, to whic… Read
83 33 pine used by the Amati, Stradivari, and… Read
84 34 We may now pass to the consideration of… Read
85 35 esting; it may indeed be called the nerv… Read
86 36 may be said to perform the functions of… Read
87 37 having the various adjustments tested by… Read
88 38 which was of the plainest description. I… Read
89 39 is that small piece of wood against whic… Read
90 40 cessary to pursue the details any furthe… Read
91 41 SECTION III. Read
92 42 being more gross and ugly. Upon turning… Read
93 43 the manner set forth in the figures here… Read
94 44 are made when the north, and the worst w… Read
95 45 Paduan, and deeper in colour. The variat… Read
96 46 Italy the seat of manufacture, the more… Read
97 47 the year is carried on in the month of S… Read
98 rely on this test, as the number of thre… Read
101 49 Violoncello upon which he played was by… Read
102 50 without plating, which have a powerful s… Read
103 51 THE STRINGS. Read
104 52 three pounds was required to overcome th… Read
105 53 THE STRINGS. Read
106 54 SECTION IV. Read
107 55 fail to be interesting to the lovers of… Read
108 56 If we turn to the days of Gasparo da Sal… Read
109 57 and Boccherini laying the foundation of… Read
110 58 music, in which stringed instruments wer… Read
111 59 patronage the makers were enabled to cen… Read
112 60 The hand of the great master is stamped… Read
113 61 Judging from the large number of bow-ins… Read
114 62 Guarneri the son of Andrea, Antonio Stra… Read
115 63 received extensive foreign patronage, th… Read
116 these two makers is very slight, and in… Read
119 65 which is not to be met with in anything… Read
120 66 relative to the makers of Cremona. He sa… Read
121 67 SECTION V. Read
122 68 At last despair has succeeded to all tha… Read
123 69 in vogue after the Cremonese was lost, w… Read
124 70 varnish is known as spirit varnish; it i… Read
125 71 forgeries. Labels used as the trade mark… Read
126 72 SECTION VI. Read
127 73 ITALIAN MAKERS. Read
128 74 having founded the school of Cremona. Th… Read
129 75 manner, the wood used being both sycamor… Read
130 76 AMATI, Niccolò, Cremona, brother of Andr… Read
131 77 the Brescian form, and the model which t… Read
132 78 Amati certainly improved even upon Girol… Read
135 81 Niccolò Amati was the greatest maker in… Read
136 82 gained his great reputation from these f… Read
137 83 The sides are a shade deeper than those… Read
138 84 combines extreme elegance with utility;… Read
139 85 mistaken for the original by those who a… Read
140 86 Piatti played when he first appeared at… Read
141 87 ITALIAN MAKERS. Read
142 88 AMBROSI, Pietro, Rome and Brescia, about… Read
143 89 ITALIAN MAKERS. Read
144 90 these instruments are more valued in Ita… Read
145 91 gonzi, in his work, and in the way in wh… Read
146 92 instruments of the first order. The mode… Read
147 93 monese makers pursued their art, and a r… Read
148 94 originality about it which is quite refr… Read
149 95 Carlo Bergonzi lived next door to Stradi… Read
150 BERGONZI, Niccolò, Cremona. Son of the a… Read
153 Stradivari and his contemporaries from B… Read
154 CALCAGNI, Bernardo, Genoa about 1740. Ne… Read
155 99 relative to the name of Cappa in connexi… Read
156 100 line and character of the varnish and th… Read
157 101 of manufacture would—associating mighty… Read
158 102 CERIN, Marco Antonio, Venice, end of the… Read
159 103 Bergonzi to Storioni and Ceruti. He was… Read
160 104 sound-holes are like those of the early… Read
161 105 Italianised name of the German Magnus Ti… Read
162 106 to the art of wood-inlaying, rather than… Read
163 107 too rounded. When this is not the case,… Read
164 108 Neapolitan School. Although in its produ… Read
165 109 nality. They are not after the pattern o… Read
166 1847, he is mentioned as a maker who riv… Read
167 genius upon them, and reflecting much cr… Read
168 varnish is equal to any belonging to the… Read
169 STRADIVARI. Read
171 true artist. His early works bear the st… Read
172 slightly flatter. The tone is powerful.… Read
173 115 name with that of Antonio Stradivari, a… Read
174 116 —1786. Son of Lorenzo Guadagnini. He was… Read
175 117 This last-named date is in conformity wi… Read
176 118 The English possess some of the finest s… Read
177 119 attention chiefly to the restoration of… Read
178 120 even anecdote, of those golden days in t… Read
179 121 struct instruments entirely distinct fro… Read
180 122 seems to have adopted some isolated feat… Read
181 123 individuality of design. The ear is brou… Read
182 124 among Italian tradesmen, who banded them… Read
183 125 all sides that Giuseppe Guarneri del Ges… Read
184 126 tioned? Bergonzi, Guadagnini, Gagliano,… Read
185 127 and cousin of Guarneri del Gesù, is the… Read
186 particularly in the middle bouts. Lastly… Read
189 29 another, shortened and slanting, and som… Read
191 131 hole loses the pointed form so much asso… Read
192 132 as an encounter with some person in whic… Read
193 133 more that he used was varied both in app… Read
194 134 genius is constantly showing some last r… Read
195 135 The subtle copyist takes advantage of th… Read
196 136 Guarnerius." He returns it to its case,… Read
197 137 steeped in strong acids until it becomes… Read
198 138 arisen as to there being two makers of t… Read
199 139 beyond the similarity of form to be trac… Read
200 140 reducing the height of the sides in prop… Read
201 141 regard a Mirecourt or Bavarian copy with… Read
202 142 last century, and doubtless Viotti was t… Read
203 143 both distinctive and effective. The Viol… Read
204 long since have held in the estimation o… Read
211 ITALIAN MAKERS. Read
212 degree, be made in the case of Carlo Ber… Read
213 (no line here) Read
214 died 1813. This maker was one of the mos… Read
215 been sufficient in the case of most men… Read
216 found time to exercise his skilful power… Read
217 151 with the following reference to Pressend… Read
218 account published by Signor Rinaldi, of… Read
219 53 the model of Stradivari. The sound-holes… Read
220 54 gives evidence of exceptional artistic f… Read
221 55 also possessed one made in the same year… Read
222 56 wood of which is often plain. The varnis… Read
223 57 born in the town of Salò, on the lake of… Read
224 58 sider that Ganassi was doubtless writing… Read
225 59 excellent materials, and choice varnish.… Read
226 60 We find that at times his Violins and Vi… Read
227 61 used for the larger instruments is mostl… Read
228 62 with which I am acquainted. The Violin o… Read
229 63 There are instances, particularly in the… Read
230 64 many of the Violins by Girolamo Amati, s… Read
231 65 may be expected, is not graceful. M. Vie… Read
232 66 The renown of this remarkable maker of V… Read
233 67 might be found particulars that would li… Read
234 68 by information of his own discovery, nam… Read
235 69 GENEALOGICAL TABLE OF THE FAMILY OF STRA… Read
236 70 unsatisfactory—and having noticed the ag… Read
237 71 ninety-three years, which decides the co… Read
238 72 which Stradivari made a new belly many y… Read
239 73 the arching is identical, the corners ar… Read
240 74 to, Niccolò Amati had been gradually les… Read
241 75 ITALIAN MAKERS. Read
242 76 portant statements, which I have arrange… Read
243 77 of the latter all the remaining Violins,… Read
244 78 The contents of the letters of Paolo and… Read
245 79 than in this maker's later instruments.… Read
246 a Violoncello and two Violins, which wer… Read
247 On the 22nd of August, 1686, Marquis Mic… Read
248 chased in Madrid about thirty years sinc… Read
249 nobleman—"The other day I made a present… Read
250 the great master, in the possession of t… Read
251 the instruments above referred to. It is… Read
252 beauty and utility. At this period he be… Read
253 George Eliot's fancy well contrasts the… Read
254 self to making instruments as near as po… Read
255 should be made from the same piece; and… Read
256 passed in any Violin, ancient or modern,… Read
257 be attended with important results in co… Read
258 M. Fétis, in his notice of Stradivari,*… Read
263 other martial sounds, would be music not… Read
264 20th of July for the seat of war near Ma… Read
265 of instruments, which he intended to pre… Read
266 Violins, which had been ordered of Strad… Read
267 and beautiful. Veracini, it may be assum… Read
268 Some have gone to the extent of denying… Read
269 his artistic labours after passing his n… Read
270 periods makes the reader more acquainted… Read
271 name of "The Rosary" was the third on th… Read
272 of San Domenico (its subsidiary church)… Read
273 203 him. He was, he said, tall and thin, hab… Read
274 204 thusiasm among them from the fact of his… Read
275 205 ment of the passer by, whose unmusical s… Read
276 206 vari—"After the death of his father, he… Read
277 207 family of Stradivari as Violin-makers fo… Read
278 208 li ferri che mi ritrovo glieli feci vede… Read
279 209 difficoltà accomodarlo nella stessa cass… Read
280 210 dare prova che sia stato fatto il contra… Read
281 211 ITALIAN MAKERS. Read
282 212 tinct as the work of the same man. They… Read
283 213 formances in Rome. I have mentioned in S… Read
284 214 VIMERCATI, Paolo, Venice, about 1700. Si… Read
285 215 SECTION VII. Read
286 216 middle of the 18th century. It is remark… Read
287 217 of ideas, which, had they been well dire… Read
288 218 makers, and led to its being chiefly fol… Read
289 219 earliest account I have met with of Fidd… Read
290 220 England, by several workmen, each taking… Read
291 221 eye. It is blackened and charred in the… Read
292 222 SECTION VIII. Read
293 223 BERTRAND, Nicolas, Paris, about 1700 to… Read
294 maker of stringed instruments (mentioned… Read
297 place instruments. Large pattern, usuall… Read
298 instruments of this maker will at no dis… Read
299 227 CLAUDOT, Charles, possibly dated from Mi… Read
300 228 of large pattern, flat model, and having… Read
301 229 Mention of these early makers of Lutes i… Read
302 230 married the daughter of Lupot, and succe… Read
303 231 GAND, Eugène, Paris, brother of Adolphe… Read
304 232 GUERSAN, Louis, succeeded Claude Pierray… Read
305 233 is of whalebone, like that of most of th… Read
306 234 LUPOT, Jean. Mirecourt. Read
307 235 which is the making of a Violin annually… Read
308 236 there are a few beautiful examples met w… Read
309 237 nomer is accounted for by the story that… Read
310 238 MÉDARD, François, was established in Par… Read
311 239 diamond into a brilliant or a rose, are… Read
312 very powerful, and admirably adapted for… Read
315 catalogue as "a very beautiful Violin, a… Read
316 masters. He was at one time in the works… Read
317 243 FRENCH MAKERS. Read
318 244 Socquet, Louis, Paris, about 1760—1800. Read
319 245 nurses of fortune, skill and perseveranc… Read
320 246 SECTION IX. Read
321 247 after all Stainer's changes, the German… Read
322 248 of the Italian masters were Ruppert, Bac… Read
323 249 SECTION X. Read
324 250 maker is often credited with the work of… Read
325 251 GERMAN MAKERS. Read
326 252 THE VIOLIN. Read
327 253 interest in Violin-making, and made seve… Read
328 254 THE VIOLIN. Read
329 255 GERMAN MAKERS. Read
330 KLOZ, Sebastian, Mittenwald, son of Matt… Read
333 257 pattern, excellent workmanship. Thin yel… Read
334 258 THE VIOLIN. Read
335 259 GERMAN MAKERS. Read
336 260 Scheinlein, Johann Michael, Langenfeld,… Read
337 261 in Germany and England were, at one time… Read
338 262 have been content with it. To arrive at… Read
339 263 cellent an artist visited Italy in his y… Read
340 264 stated with certainty, but I am inclined… Read
341 265 all the ascertainable facts with regard… Read
342 266 the novel of Dr. Schuler the basis of th… Read
343 267 the cloud of Stainer fiction, published… Read
344 268 Court." About this period he is said to… Read
345 269 he presented them, or where he made them… Read
346 270 Nicholas Diel, to whom he gave instructi… Read
347 271 Guitar of this maker, signed, and dated… Read
348 instruments signed Tielke cover a period… Read
353 273 GERMAN MAKERS. Read
354 274 SECTION XI. Read
355 275 the time and skill required in the produ… Read
356 276 Violins, while Violoncellos and Tenors c… Read
357 277 ence of this age for cheapness at the ex… Read
358 278 ordinary workman. When Italy shone brigh… Read
359 279 from it, until the blowing of glass, tog… Read
360 280 the Italian character is very striking.… Read
361 281 settled in London as an assistant to Ray… Read
362 282 with the English school. The mention of… Read
363 283 SECTION XII. Read
364 284 foremost place in the English school. He… Read
365 285 early shown a preference for the model o… Read
366 286 can be considered as wanting in merit is… Read
367 287 ENGLISH MAKERS. Read
368 The sound-holes of Betts' instruments ar… Read
373 289 at the sign of the Black Lion, Cornhill.… Read
374 290 Viols and Violins. Many of the latter ha… Read
375 291 DICKESON, John, 1750—1780, a native of S… Read
376 292 sumption, and is certainly wide of the t… Read
377 293 will be valued according to their true m… Read
378 294 turns again to "Duke," with whom he is t… Read
379 295 gree upon all his works. To Thomas Dodd… Read
380 296 Although Fendt was German by birth, his… Read
381 297 Guarneri are most numerous, numbering so… Read
382 298 has ever been done before or since, and… Read
383 299 maker, occupying his spare time in the m… Read
384 300 highest satisfaction. He ultimately comm… Read
385 301 tended, they are rapidly rising again to… Read
386 302 struments are excellent, and should unqu… Read
387 303 instruments bearing his name were made.… Read
388 HARRIS, Charles, London, 1800. This make… Read
393 305 HART, John Thomas, born December 17th, 1… Read
394 306 again passed into Mr. Hart's possession… Read
395 307 a Violin and Tenor, thus showing that Vi… Read
396 308 a capital music-shop in Cheapside.* I so… Read
397 309 KENNEDY, Alexander, London, 1700—1786. W… Read
398 310 German by birth. He was engaged in the c… Read
399 311 Reade, to make it the subject of "Jack o… Read
400 312 opinion is strengthened upon examining h… Read
401 313 German in character; the varnish is very… Read
402 314 PANORMO, George Lewis, London. Brother o… Read
403 315 ENGLISH MAKERS. Read
404 316 exterior, but full of character. The for… Read
405 317 ENGLISH MAKERS. Read
406 318 WITHERS, Edward. Son of the above. Wardo… Read
407 319 SECTION XIII. Read
408 320 affords to the eye. Sometimes it is happ… Read
411 phonies of royal orchestras, beneath the… Read
412 food for the curious. Beauties, hitherto… Read
413 323 French makers were Médard, Bocquay, Pier… Read
414 324 on the German model of the school of Jac… Read
415 325 and the year 1800 or thereabouts, may be… Read
416 326 which the Italians themselves could affo… Read
417 327 who spread their fame far and wide. Thei… Read
418 328 which your fingers have touched; that in… Read
419 329 marked difference between these epochs o… Read
420 330 nised the presence of vast power, togeth… Read
421 331 is unnecessary to give, passed from Ital… Read
422 332 their dancing. His first Violin was a ve… Read
423 333 member of the Fiddle family, his object… Read
424 334 his capital wherewith to form the basis… Read
425 335 the shop of M. Aldric, Tarisio hesitated… Read
426 was asked to name his price for the six.… Read
429 was in Fiddles. He was a great dealer, b… Read
430 Chanot till the latter sold it him for a… Read
431 339 the back and sides to the belly, and the… Read
432 340 new varnish. His heart sank within him;… Read
433 341 Ole Bull's Guarneri—the Santo Serafino '… Read
434 342 reliable source. Tarisio had been seen b… Read
435 343 their search for something more marketab… Read
436 344 of Brussels. In London, among others, we… Read
437 345 unlettered bindings, answered, "How does… Read
438 346 The virtuosity of Count Cozio was of thi… Read
439 347 you will recollect that I have shown you… Read
440 348 will send you all the things above-menti… Read
441 349 visiting Cremona, and thus they appear t… Read
442 350 the care and charge of a barge-master na… Read
443 351 seal as on the Violins already sent to y… Read
444 352 L'egiabissimo Sig. Lancetti Read
445 353 to the authorities of Gresham College, w… Read
446 354 another of the same size by Stradivari,… Read
447 355 pottery, or pictures, have sometimes had… Read
448 356 was about the year 1848 he conceived the… Read
449 357 more complete disarrangement could not h… Read
450 358 rapidly passed from one to the other wit… Read
451 359 might they have furnished of the part th… Read
452 360 taken possession of my mind, that I had… Read
453 361 I have attempted to describe. It only re… Read
454 362 SECTION XIV. Read
455 363 playing on the Double-Bass, Paolo Verone… Read
456 364 in the hands of the painter of the pictu… Read
457 365 musicians in his service. At this period… Read
458 366 of the power of the bow in varying the e… Read
459 367 We must now retrace our steps somewhat,… Read
460 raise the standard of musical taste in F… Read
463 369 belonging to St. Peter's Church, in West… Read
464 370 with an age of dedications, thus address… Read
465 371 Clerkenwell Green to St. John Street. Fr… Read
466 372 of itinerant musicians may be described… Read
467 373 and ninth solos of Corelli, and two song… Read
468 374 mental music at this period was composed… Read
469 375 Burney's remarks are better understood a… Read
470 376 Boccherini probably did more towards fur… Read
471 377 the favourites, and to this day highly e… Read
472 378 of this remarkable man. M. Fétis and oth… Read
473 379 It is now necessary to refer to the cour… Read
474 380 school, for Corelli was the master of So… Read
475 381 settled in London in 1845. Shortly after… Read
476 382 style of playing and compositions, it is… Read
477 383 at a concert degrades his own dignity. I… Read
478 remains to notice the great boon which F… Read
479 insufficient to permit the full amount o… Read
480 remains to notice the great boon which F… Read
481 385 insufficient to permit the committee to… Read
482 386 deeply indebted to this musician for the… Read
483 387 the principal instructor on the Violin a… Read
484 388 Henry C. Cooper was a Violinist who rank… Read
485 389 the clearest and most euphonious that ca… Read
486 390 pool of seeming impossibilities, and is… Read
487 391 Quartetts of Giardini and Pugnani were l… Read
488 392 enjoyment derivable from listening to a… Read
489 393 With Fesca we again come amongst the Vio… Read
490 394 tions are especially brilliant compositi… Read
491 395 SECTION XV. Read
492 396 THE VIOLIN. Read
493 397 Ralpho rode on, with no less speed Read
494 398 THE VIOLIN. Read
495 399 ANECDOTES. Read
496 400 THE VIOLIN. Read
497 401 ANECDOTES. Read
499 403 ANECDOTES. Read
500 404 THE VIOLIN. Read
501 405 Yet b'ing a stranger, he's enlarged, Read
502 406 anthems, which he set and sung to his Lu… Read
503 407 day, yet let me tell you, I would not wi… Read
504 408 And having tuned it, he played and sung— Read
505 409 associates by whom his mind might be aga… Read
506 410 panions are crotchets and quavers. Time… Read
507 411 the difference is—one is driven by the w… Read
508 412 wish was anticipated by this my new dome… Read
509 413 Nardini whether the anecdote relative to… Read
510 414 DR. JOHNSON ON THE DIFFICULTY OF PLAYING… Read
511 415 DR. JOHNSON'S EPITAPH ON PHILLIPS, THE W… Read
512 416 been ascribed to Garrick, from its appea… Read
513 417 his friend's History. Dr. Burney, in the… Read
514 418 poser could be inexhaustible, I should s… Read
515 419 manner of playing his own music. If you… Read
516 420 a thorough musician, painted with abilit… Read
517 421 and, therefore, ought to have produced A… Read
518 422 cello. All his passion for the Bass was… Read
519 423 favourite subjects were music and painti… Read
520 424 and he retired with applause, such as wa… Read
521 425 THE KING AND THE PLAYER. Read
522 426 could not presume to wake His Majesty—to… Read
523 427 SIR WALTER SCOTT ON MUSIC AND FIDDLES. Read
524 428 with the Duke, who had but two subjects… Read
525 429 knowledge of stringed instruments. Who c… Read
526 430 arm. The itinerant trio having become a… Read
527 431 was numbered with the Plowden collection… Read
528 432 kept it secured in a chest. The next day… Read
529 433 means the removal of the old neck, and t… Read
530 434 come with sorrow and vexation, he knew n… Read
531 435 he was allowed to complete his work—a co… Read
532 436 formed, and the Stradivari received its… Read
533 437 corresponding chink in the belly, both a… Read
534 438 spurious and spurious original, by this… Read
535 439 places the recognition of the educated e… Read
536 440 cally known as "splitting the difference… Read
537 441 from whom he purchased the imagined Amat… Read
538 442 manner seen in the well-known picture of… Read
539 443 monastery of San Marco, Venice, in his e… Read
540 444 "having been offered in two places," and… Read
541 445 (or churchwardens) for the time being, o… Read
542 446 to tell of bygone bargains, which are bu… Read
543 447 interesting particulars from the pen of… Read
544 448 of the back a very little, just enough t… Read
545 449 and the laughter of his audience, and (a… Read
546 450 just going to commence, and looking exac… Read
547 451 as musicians. First, you should hear the… Read
548 452 drop, like his: for the woods—they sob l… Read
549 453 from behind carriages. As the carriage h… Read
550 454 jurisdiction outside the gate belonged t… Read
551 455 named I am engaged, and cannot come.' Th… Read
552 456 slipped a five-pound note into my hand.… Read
553 457 tune we took a glass, and still our enth… Read
554 458 his profession. But Borax never does bus… Read
555 459 of the instrument for which you are to p… Read
556 460 with a silk handkerchief. This process s… Read
557 461 identical autograph of the immortal make… Read
558 462 designation of toys, most of which are t… Read
559 463 sall sell you de pest—dat ish, de pest f… Read
560 464 "Where does it lie, then, Mr. Schnapps?" Read
561 465 meet us everywhere; they cumber the toy-… Read
562 466 THE VIOLIN. Read
563 467 Malta to be leading Mozart's charming Qu… Read
564 468 a Raleigh turned to the Prince and said,… Read
565 469 the present time. The sale conducted by… Read
566 470 than for the Fiddle—arose from the thron… Read
567 471 great masters were dwelt upon, their res… Read
568 472 the Italian broke forth into one of thos… Read
569 473 madam, he is truly wonderful; but allow… Read
570 474 powerful favourite of Francis the First… Read
571 475 SINGULAR MUSICAL ILLUSTRATION OF THE DOC… Read
572 476 There was a great deal of fashionable co… Read
573 477 ANECDOTES. Read
574 478 first contact, and on gently pressing it… Read
575 479 easy and certain; and you will be able t… Read
576 480 mistress of this part of the bow, that y… Read
577 481 unless A on the fourth string be wanted,… Read
578 482 trouble, begin with an open string, eith… Read
579 483 practise in a particular manner, as more… Read
581 485 INDEX. Read
582 486 Barnes, Robert … … … 286 Read
583 487 Ceruti, Enrico, exhibitioner in London a… Read
584 488 INDEX. Read
585 489 (no line here) Read
586 490 INDEX. Read
587 491 Harris, Charles, an excellent copyist, I… Read
588 492 INDEX. Read
589 493 INDEX. Read
590 494 INDEX. Read
591 495 INDEX. Read
592 496 Salò, Gasparo da, and the four-stringed… Read
593 497 Stainers," 264; his personal history, by… Read
594 498 Testore, Carlo Antonio, excellent work .… Read
595 499 INDEX. Read

Makers from this book

174, A to Z.