Bow & Bridge Violin and bow makers, as the old books printed them

Books › An encyclopedia of the violin (1925)

An encyclopedia of the violin

Alberto Bachmann. 1925.

On archive.org as encyclopediaofvi0000albe_h3k7.

104 pages read (scans 19 to 451)973 names found725 makers on this site cite it

Towns it names most

Paris107
London63
Cremona36
Mirecourt30
Venice24
Florence22
Naples20
Bologna19
Brescia16
Milan14
Mittenwald12
Turin12

Pages

Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.

Scan Page Starts
19 ILLUSTRATIONS Read
28 6 The labels of this master are conceived… Read
30 8 We may set the date of the actual creati… Read
31 9 CHAPTER II Read
32 10 Francesco Ruggieri detto il per Cremona… Read
33 11 cellent bow maker. His sons, Michael and… Read
35 13 used by Balestrieri is reproduced on Pla… Read
37 15 he surpassed all his predecessors and so… Read
38 16 Joseph Guarnerius fecit Cremonae anno 17… Read
39 17 BUSAN, DOMENICO, Vicenza, Venice, 1740 t… Read
41 19 this he went to Clement as assistant, an… Read
43 21 VIOLIN MAKERS IN EUROPE Read
44 22 Antonius, & Hieronymus Fr. Amati Read
45 23 of Bernhard, his eldest brother. Jacob w… Read
47 25 good wood and a red varnish. Only a few… Read
49 27 GIBBS, JAMES, London 1800, d. about 1845… Read
51 29 instruments on the Stradivarius model, b… Read
52 30 Nicolas Lupot Luthier rue de Grammont; à… Read
53 31 ers and Their Imitators (London 1875 and… Read
55 33 VIOLIN MAKERS IN EUROPE Read
56 34 by Landolfi is reproduced on Plate 8, an… Read
57 35 Jacobusstainer in Absam prope Semipontiu… Read
58 36 label used by Maggini is reproduced on P… Read
60 38 NAYLOR, ISAAC, Headingly, b. Leeds; 1778… Read
61 39 VIOLIN MAKERS IN EUROPE Read
62 ROCCA, GIUSEPPE ANTONIO, Turin, Genoa, b… Read
65 41 VIOLIN MAKERS IN EUROPE Read
66 42 Stainer was the younger brother of Jacob… Read
68 44 is said to have paid the enormous sum of… Read
69 45 Benjamin Banks Read
70 46 TOPPANI (TAPPANI), (MICHEL) ANGELO (DE),… Read
72 48 Wenger, Gregori Ferdinand, Augsburg, b.… Read
73 49 CHAPTER III Read
74 50 "GEMÜNDER ART VIOLIN Read
75 51 ment and desiring to create one for his… Read
78 54 Goss, Walter Solon, Boston, Mass. Read
80 56 CHAPTER IV Read
82 58 Although the violin is the best known an… Read
84 60 The violoncello, which is tuned an octav… Read
85 61 purfling was further removed from the si… Read
87 63 their arch being raised no more than a h… Read
88 64 well cut, and are individual inasmuch as… Read
90 66 One of the most essential factors toward… Read
92 68 hundred years ago or more, by the Stradi… Read
93 69 of the compass are approached in such wi… Read
94 70 A to point G, passing from one to the ot… Read
95 71 It is by means of these two instruments… Read
97 73 Finally, the eight screw holes seen in F… Read
98 74 mold are absolutely on a level, which sh… Read
99 75 THE CONSTRUCTION OF THE VIOLIN Read
100 76 by the plane. In order to do so the tool… Read
101 77 by the mold and the corners with its ent… Read
102 78 blocks, their ends are introduced into t… Read
104 80 that the surface is absolutely level. Th… Read
105 81 the upper and of the lower part of the i… Read
106 82 This procedure serves to fix at once the… Read
108 84 the sound board. They are not pierced un… Read
109 85 Care having been taken, then, to establi… Read
110 86 which are found between the square and t… Read
111 87 that the grain of the wood is on the sam… Read
112 88 is placed flat on the sound board, and,… Read
113 89 the plane is used again, with more or le… Read
114 90 gone over with the knife in order to dee… Read
115 91 might believe at first glance that the w… Read
116 92 and on the two straight lines of wood an… Read
117 93 with scrapers and glass paper. The gouge… Read
118 94 HOW TO MAKE THE FINGER BOARD Read
119 95 THE CONSTRUCTION OF THE VIOLIN Read
120 96 1/6 of an inch of elevation above the so… Read
121 97 tracer or a knife point in the flat surf… Read
122 98 A rat-tail file is then used to cut the… Read
123 99 THE CONSTRUCTION OF THE VIOLIN Read
124 100 In order to ascertain the height of the… Read
125 101 CHAPTER V Read
126 102 allowed to macerate for two or three wee… Read
127 103 Brownish Red.—This color, which is the c… Read
128 104 A glazed earthenware dish should be fill… Read
129 105 color desired is to approach more or les… Read
130 106 The bottle should then be uncorked, and… Read
131 107 COLORS AND VARNISHES Read
132 108 of terebinth is poured, and it is then p… Read
133 109 following this should be poured carefull… Read
134 110 When the violin has been covered with va… Read
135 111 yellowish-red dye also known as annatto. Read
136 112 Garance (Fleur-de-garance or madder-bloo… Read
137 113 made of the old roots of the Curcuma lon… Read
138 114 CHAPTER VI Read
140 116 Johann Christoph, a highly skilled bow m… Read
142 118 AN ENCYCLOPEDIA OF THE VIOLIN Read
148 124 Bows that are at all expensive are made… Read
150 126 One of these drills is intended to bore… Read
151 127 used to saw iron, brass, ivory, mother-o… Read
156 132 for it must be placed well in the center… Read
157 133 The heel end of the nut is that part of… Read
158 134 the hairs would not fail to rest against… Read
164 140 and economical to use bridges already pr… Read
444 416 In addition to the above, the large univ… Read
445 417 LITERATURE RELATING TO THE VIOLIN Read
446 418 Auer, Leopold, My Long Life in Music Read
447 419 LITERATURE RELATING TO THE VIOLIN Read
448 420 Haweis, H. R., Old Violins Read
449 421 LITERATURE RELATING TO THE VIOLIN Read
450 422 Rebs, Alexander, Anleitung zum Lackiren… Read
451 LITERATURE RELATING TO THE VIOLIN Read

Makers from this book

725, A to Z.